For Love of This Life: Carol Christ’s Contribution to Ecofeminist Thought by Elizabeth Ann Bartlett

Journeying with students into the woods to dive deep into our spiritual connections with nature, I would invoke these words from Carol Christ: “There are no hierarchies among beings on earth.  We are different from the swallows who fly in spring, from the many-faceted stones on the beach, from the redwood tree in the forest.  We may have more capacity to shape our lives than other beings, but you and I will never fly with the grace of a swallow, live as long as a redwood tree, nor endure the endless tossing of the sea like a stone.  Each being has its own intrinsic beauty and value….”[i]  How can one listen to these words and not be changed?  Taking in the meaning of these words, paradigm shift happens.  Herein lies the gift of Carol Christ to ecofeminism.

            Ecofeminism posits that the oppression and domination of women, nature, and colonized others are inextricably linked. This is largely due to two aspects of the Western cultural paradigm: 1) mind/body value dualism, and 2) what ecofeminist Karen Warren has called “the logic of domination.” Mind/body value dualism is the creation of an artificial binary of opposites which values everything associated with the mind — spirit, transcendent, men, humans, white-bodied peoples, over everything associated with the body – earth, immanent, women, nature, colonized Others.  The “logic of domination” is the use of this supposed inherent superiority of those associated with the mind to justify their domination of everything associated with the body. As Western culture has spread throughout the world, this value system is now found practically every on earth.

Continue reading “For Love of This Life: Carol Christ’s Contribution to Ecofeminist Thought by Elizabeth Ann Bartlett”

Women, Birds, and Feminism by Sara Wright

When I was about forty years old I discovered a clay deposit on a beach that I visited frequently. Intrigued, I sat down and began working with the river’s gift. I remember my astonishment when a beaked bird – woman emerged out of the clump of damp earth. I could feel a surge of fire pulsing through my body so I took the figure home and placed it on my bedside table, hoping to discern its message.

Shortly thereafter I discovered the work of Marija Gimbutas in the book The Language of the Goddess. There were a number of beaked goddesses pictured in this volume, some uncannily similar to mine. Had I tapped into the world of the ancient bird goddesses? I believed so. Although I had no idea what this might mean these images of Marija’s captured my imagination and kept me questioning. It wasn’t long before I also dreamed  other bird goddess images and rendered each of them in clay…

Continue reading “Women, Birds, and Feminism by Sara Wright”

Patriarchy – For Love of Predators by Sara Wright


I live just down the road from one of our many lakes and ponds here in western Maine. Almost every morning I hear the haunting call of the loons as they fly over the house. Although I cherish the symphony I have never figured out why some of these birds making this early morning flight from one lake to another. I have never seen any research that supports my experience – but obviously, for unknown reasons some loons  move routinely from pond to pond. Why remains a mystery.

I used to have a woodsman friend who once commented that he didn’t understand why everyone loved loons so much because they were fierce predators who speared their hapless fish, duck, or goslings to death before devouring them. At the time I found Don’s statement ironic (and irritating!) because this man was an excellent brook trout fisherman and deer hunter. In his defense I must add that I had to acknowledge that he also loved all animals; after deer hunting season ended he fed his deer all winter.

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High Desert Sojourn by Sara Wright

I longed to re-visit
the desert – my first
journey left me
with a longing for
wide open spaces,
a blue sky dome,
a bowl of stars at night,
so to return 25 years later
was to complete
an unfinished story.
Now I could live among
the stately rock
stark white columns,
conical reptilian hills,
pink and purple sands,
ragged weeds,
Cactus People,
thorns and stickers,
delicate yellow flowers,
under a moon that rarely slept?

Some nights I missed the dark.
I always missed the Bear
I dismissed the longings
in my body,
Things were different here.

Maybe I could escape
the grief of dying trees,
stripped mountains,
a shrinking wilderness
too many gunmen
the loss of dreams?

That first November
I heard a haunting –
Crane calls
as they touched
down at nightfall.
My bones sang.
How I longed
to meet the bird
whose voice
sent lightening chills
through every nerve.

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The Mask and the Mirror – Part 3 By Sara Wright

Artist Debra Fritts

One concrete way of accomplishing this change is to submerge ourselves in the rest of Nature and stay open to the appearance of animals, birds, plants, etc., and by paying close attention to images and words, nudges, synchronicities, dreams, and fantasies. Especially while caregiving, perhaps the most exhausting job of all. S/he provides us with a means to deal with the crisis of Covid 19 by staying in the present moment as much as we possibly can. Debra’s flowers/ four-leaf clovers, owls, stars, all speak to the importance of the presence of nature in different ways.

It is hard to miss the change of expression on Everywoman’s face. Held by the bear, her eyes are focused and there is a sense of peace that permeates the woman’s countenance. Clearly, Everywoman is able to be present to what is. This woman has once again found home.

To the right and below the moon there is a small leaf-like image that seems to be drifting. When I asked Debra what the image was she responded that the leaf was a simplified four-leaf clover. It symbolized the role that luck plays in the spread of an impersonal virus, but memories of being with her grandfather on Sunday afternoons searching for four-leaf clovers, and the way the two were connected with nature were also part of the reason she included this image. Once again we see the archetypal and the personal intersecting in Debra’s work. On an archetypal level, the impersonal presence of luck/trickster/fool determines viral outcomes, on a personal level this symbol attaches Debra to nature and her love for family.

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Child of the Earth by Elizabeth Cunningham

I have a vivid childhood memory of being sick with the stomach flu and standing in the doorway of my parents’ bedroom looking for my mother. Her care for sick children was tender and thorough. She would bring us ginger ale and toast with jelly. When she had time, she read us stories. I can remember her steering me, heavy with fever, back to a bed that she had magically smoothed and cooled. But that day my mother lay in her own bed in an old nightgown, not stirring. She had the flu, too, and could not get up to care for the rest of us. It was a shocking and sobering moment.

As I grew older, I transferred my need for comfort, reliability, and continuity from my mother to the earth, the sure turning of the seasons, beloved trees, waters, and rocks.  As a young mother, I looked forward to sharing my own childhood joys with my children, among them jumping into autumn leaf piles. The first time my children leaped into a leaf pile, they came up covered with the ticks that have now made my region the epicenter of Lyme and other tick-borne diseases. Nor was I able to share with my children the joy of drinking water straight from a stream. Continue reading “Child of the Earth by Elizabeth Cunningham”

What is Natural? The Wooden Chair Discussion by Ivy Helman

When I begin my class discussion about defining nature, I often start with a wooden chair or table.  I point to it and ask the students, “Is this chair natural?”  I pause.  

They have already been introduced to the idea that humans are embodied and embedded beings, and therefore dependent on and interconnected to nature.  I remind them of those ideas.  Then, I ask again, “Is this chair natural?”  I continue, “Humans are part of nature and humans made the chair, so would that mean the chair is natural?  The chair is made from wood, a natural material.  Does that make it natural?  I could just as easily sit on a rock or a stump if those were here.  They are natural, right?”  The discussion begins.  

At some point in the discussion, we pause to define what nature is according to the ecofeminists we read for class that day.  Mary Mellor, in Feminism and Ecology: An Introduction, defines nature as “the non-human natural world,” (8).  It is probably the simplest definition out there.  I quite like its simplicity.

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Lessons From Birch & Mother Earth—Grace, Resilience, and Rebirth by Mary Gelfand

When I moved to Maine from New Orleans 15 years ago, I was delighted to discover how many birch trees were on the property where I lived with my new partner.  Previously I had had little contact with these beautiful white trees, other than in pictures and stories.  The name always evoked images of birch bark canoes and messages to fate scrawled with bits of burnt wood.

Face to face, birch trees were as marvelous as I had imagined.  I loved their shape against the blue sky, their beautiful white bark, the graceful way they swayed in the wind, the delicate tracery of their branches in mid-winter.  Once I even saw a pair of mating dragon flies clinging to a branch, using their delicate wings to maintain harmony with the movement of the gentle breeze. Continue reading “Lessons From Birch & Mother Earth—Grace, Resilience, and Rebirth by Mary Gelfand”

Coronavirus: The Villain Is Not Mother Nature: It Is Ourselves by  Carol P. Christ

Over the past few weeks of lockdown in Greece, I have asked myself numerous times: if we can shut down the world economy because of a virus, why don’t we shut everything down until we end war or find real solutions to global climate change? In my mind the horrors of war are much worse than the horrors of disease and dying and the threat and reality of global extinctions pose a much greater threat to humanity (not to mention nature) than the Coronavirus.

Why is it that we are willing to take extreme measures to defeat the Coronavirus but we are not willing to take extreme measures to end war or to stop global climate change? A thought keeps creeping into the back of my mind: the fight against disease and death is (understood to be) a fight against Mother Nature and (sadly) we are well used to fighting against Her. If we recognized that human beings have brought the Coronavirus upon ourselves, we would have to face up to our responsibility for it. Continue reading “Coronavirus: The Villain Is Not Mother Nature: It Is Ourselves by  Carol P. Christ”

Becoming Scrub by Sara Wright

In the precious hour before dawn I walk down to a river that no longer empties into the sea – the circle of life has been broken – the earth’s veins and arteries are hopelessly clogged by human interference (stupidity) – the birds and animals that used to be able to rely on the river waters for food and resting places can no longer do so because dams control the water flow and westerners “own” the water. This morning black stone sculptures appeared overnight because the water level has been dropped another foot. And yet, acknowledging the flowing waters in their death throws seems like an important thing to do. For now, at least, the river turns crimson, reflecting the raging beauty of a pre dawn sky, and I am soothed by water rippling quietly over round stone.

I open the rusty gate to enter the Bosque, a place of refuge, for the cottonwoods and for me. Now I am surrounded by desert scrub and graceful matriarchs arc over my head. As I traverse the well  – trodden path I enter a meditative state without effort. Soon I am walking in circle after circle passing through the same trees and desert scrub hearing voices.

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