MaVynee Betsch: Preserving History and the Environment by Maria Dintino

Moderator’s Note: This piece is in co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women. The site was founded by sisters Theresa and Maria Dintino. To quote Theresa, “by doing this work we are expanding our own writer’s web for nourishment and support.” This was originally posted on their site on Feb 18, 2025. You can see more of their posts here. 

Its history and nature all wrapped together, baby.” -MaVynee Betsch

Recently I visited the Best Richardson African Diaspora Literature & Culture Museum (BRADLC Museum) in St. Augustine, Florida. On our tour with owner Gigi Best-Richardson, I was captivated by the stunning cover of a children’s book on display, Saving American Beach: The Biography of African American Environmentalist MaVynee Betsch, written by Heidi Tyline King and illustrated by Ekua Holmes.

I had heard of MaVynee’s great-grandfather, Abraham Lincoln Lewis (1864-1947), one of the founders of the Afro-American Life Insurance Company in Jacksonville, Florida during the Jim Crow era. Lewis became Florida’s first Black millionaire.

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Structural Inequality and State-Sanctioned Oppression of Women by NCRI

Moderator’s Note: This post has been posted in cooperation with the NCRI women’s committee. NCRI stands for the National Council of Resistance of Iran. You can learn more information as well as see this original article by clicking by link below. A description of their Council can be found at the end of this post. As an introduction, a NCRI representative sent us the following statement about the war. It was originally posted on March 11th and we are reposting it because of its importance.

 STATEMENT: I would like to mention that the Iranian Resistance — which established a government-in-exile years ago — has long advocated a clear position: no to war, no to appeasement of the mullahs, but a third option — regime change by the Iranian people and their organized resistance.

Mrs. Maryam Rajavi, the President-elect of the Resistance and an internationally recognized figure, has outlined this vision in her Ten-Point Plan. I am sharing the link below, as it reflects the roadmap of the Iranian Resistance. Maryam Rajavi’s Ten-Point Plan for the future of Iran

Unfortunately, behind-the-scenes dealings and political interests have often ignored this democratic alternative. In recent days, a provisional government framework has also been announced as part of this process. Announcement of the Provisional Government by the National Council of Resistance of Iran (NCRI)

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Ariadne & Me – Betrayers by Arianne MacBean

Two of the most well-known aspects of mythical Ariadne are the way she betrays and is betrayed. Hers is the ultimate ancient Greek karma story. She casts off the burden of her father’s narcissism, her mother’s bewitchment, her half-brother’s torment. No one thinks she has it in her. But she does. In the thick night, she holds the thread for her lover while he makes his kill and flees with him into the dark open sea. Then, in the most vulnerable space between sleep and wakefulness, she finds herself abandoned. Here, on an island in the middle of nowhere, she cries out and is moved. Did the ancient Greeks tell this tale as warning for women, or advice?

What kind of woman would do what Ariadne did – leave everything – her inheritance, her kingdom, her role as a priestess – for the unknown other? Why would a daughter do that?

She wanted to exist.

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From the Archives, Herstory Profiles: Irish Women of Faith, Activism and Politics by Anjeanette LeBoeuf

As it is March, and March is a month for me that is always devoted to celebrating my Irish roots and women, my Herstory Profiles will be on a few exemplary women from Ireland: Brigid (Irish Goddess and Catholic Saint), Margaret O’ Carroll of Éile (Paragon of Leadership, Strength, and Compassion), and Mary Robinson (Historic Leader, Activist, and Humanitarian.)

We look first to one of the most known religious, divine females in Ireland – Brigid. She plays a fascinating role as she is both in the Celtic Religion (Predates Christianity and can be considered part of the indigenous religion of the Celtic Isles) and as a Christian monastic/saint. She has many variations of names and celebrations but she is first and foremost  crucial and important enough to last through the ages and changes in religious traditions.

Brig, Brigid, Brigit – the Celtic Goddess of wisdom, poetry, healing, protection, smithing, and domesticated animals. There is evidence that she was considered at times, a triple deity; Brigid the Poet, Brigid the healer, and Brigid the Smith.

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Mother/Meter: Reclaiming Poetry’s Sacred Goddess Languages by Annie Finch

Enheduanna poem to Inanna on tablet

Those of us on the paths of the Divine Feminine can go to great lengths to approach Her.  We might read and study hard-to-find books, invest time and money to visit temples and museums, and seek out Goddesses-related power spots around the world. We might acquire ceremonial jewelry and devotional artworks, attend conferences, track down Goddesses-inspired music, and apprentice with teachers from spiritual traditions that may be far removed from our own heritage. We might invest in supplies and training to craft devotional music, art, sculpture, and apparel, and create or attend performances, healings, and rituals honoring the Feminine Sacred.

Yet there is one important ritual activity that we routinely forget and ignore, one that we know was key to Goddess worship whenever we have written prayers, from Demeter to Inanna, Isis to Freyja, Hekate to Sarasvati. This time-honored practice is simple to learn, costs nothing to use, and quickly, safely, and legally creates an altered state of mind that brilliantly and efficiently connects us with our spirits, the natural world, the Divine Feminine, and each other. And furthermore, this ancient sacred craft is not limited to indigenous or ancient cultures but is already part of the familiar heritage of anyone who speaks English, so there is no danger of cultural appropriation in using it.

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Dove Tales, part 1 by Sara Wright

Passionflower Rising

Hundreds (it felt like thousands) of wings descended around the stone table I was sitting on at dawn. Transfixed by this sight that seemed to be occurring within as well as without I could barely comprehend the thousands of soft coos that floated through the air. Celestial music filled my ears. Was this really happening I wondered even as the birds clustered round my feet? I’d loved doves as a child, had drawn thousands of them. In Medieval paintings white doves descended upon Mary as Grace. The child believed. Doves were like no other birds the child was sure…

 The buildings and churches of Assisi all had doves cooing from rooftops distracting me from outdoor lectures. I was attending a Jungian conference in Assisi Italy and every morning found me wandering the narrow streets or climbing Saint Francis’s mountain to pick wildflowers and sweet herbs. I had no idea until approaching Assisi that the golden sunflowers that stretched across the horizon almost blinding me that I would spend one week of my life in two worlds. One as a member of a professional conference, the other submerged in experiences that lifted me out of ordinary reality. The time with the doves was just one of many experiences of Mary, Saint Francis and Old Women (who approached me in the streets) that lifted me out of the life I knew.

What I felt and sensed was stronger than any rational thought, so experiential reality held me fast and even at the time these experiences were occurring I hoped this reality would never let me go.

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The pre-Christian Roots of Purity Culture by Victoria Alvear

Published by Hypatia Press, The Cleansing deconstructs the roots of religious-based misogyny and purity culture through the real story of a Vestal Virgin accused of breaking her vow of chastity. Midwest Book Review called the novel, “Original, exceptional, deftly crafted and a simply riveting read from cover to cover.”

Writing a novel about the persecution of a Vestal Virgin priestess in ancient Rome really brought home for me just how deep the religious roots of misogyny and purity culture go. In my novel, The Cleansing I focused on the true story of a Vestal accused of having sex and being blamed for the massacre of 50,000 men in one battle.

 Two hundred years before Christianity, Rome’s religious leaders claimed only a “crime” of that magnitude—of one of their sacred virgins breaking their vows—could have “disgusted” the gods enough to cause them to turn their backs on Rome. The Vestal faced a death sentence—being buried alive—for this so-called “crime.”

Meanwhile, the general who made a massive strategic error in battle, the man responsible for marching tens of thousands of soldiers into a trap, walked away scot-free.

It seemed unbelievable to me that they truly believed a woman’s sexual conduct could have that much influence and power. And yet they did, as evidenced by the fact that the Romans buried alive two dozen Vestal Virgin priestesses (that we know of) during Rome’s existence. When a tragedy occurred—war, famine, pestilence—the head priest of Rome, the pontifex Maximus, and the Collegium of priests often claimed that one or more of their six Vestal priestesses “had” to have had sex to explain away the tragedy.

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Visibility Matters: Where are the Women? by Maria Dintino

Moderator’s Note: This piece is in co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women. The site was founded by sisters Theresa and Maria Dintino. To quote Theresa, “by doing this work we are expanding our own writer’s web for nourishment and support.” This was originally posted on their site on March 4, 2025. You can see more of their posts here. 

Visibility Matters: Where are the Women?

Out of forty monuments along the National Mall in Washington, DC, none celebrate women and their contribution to American history.

One of our NWW [Nasty Women Writers] categories is Breaking the Bronze Ceiling where we track the effort to increase the number of monuments dedicated to real women in public spaces.

I’ve made many trips to Washington, DC, trekking the National Mall specifically to visit monuments. Why didn’t I notice women were missing?  Am I so conditioned to not seeing women recognized and honored at the highest levels that I don’t even expect it or question their absence?

I felt ignorant and complicit.

It’s 2025 and there is not a single monument to honor women on our National Mall, a place that “draws roughly 36 million visitors a year, more than Yosemite, Yellowstone and the Grand Canyon combined”(Schuessler).

It’s absurd and sadly, speaks volumes.

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From the Archives Herstory Profiles: The Queen of Gospel Music, Mahalia Jackson by Anjeanette LeBoeuf

February, the month designated as Black History Month, will see us focus on the voice, the faith, and the heartbeat of one of the greatest singers in all of US History. Many have stated that the voice and songs of Mahalia Jackson can be considered one of the most influential voices of the 20th Century. She not only became one of the most modern voices to bridge popular music, blues, and religious hymns but she also is intrinsically linked to the Civil Rights Movement. She is one of the first commercially successful Black musicians of the modern era.

Mahalia (1911-1972) was born Mahala in New Orleans, Louisiana. Both sets of her grandparents were born into slavery. Mahala’s childhood was filled with hardship, yet a persistent faith emerged. Mahala was raised in a very charismatic Baptist church, Mount Moriah Baptist Church. It is at church that Mahala would start to sing, find her voice, and start to uplift the souls around her.

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Renee Nicole Good—An Acrostic Poem by Marie Cartier

Say Her Name So We Remember Her

R—Remember– that is what I think we need to do
E– Everything that she did, like poetry, like raising kids
N–  Not just the horror of what happened… Bam! Bam! Bam!
E— Everything she did …like win the Academy of American Poetry Prize
E— Everything she did …like be a lesbian, be so beloved, be.

***

N- Not just that video on an endless loop- Bam! Bam! Bam! “Fuckin’ bitch.”
I–I want to see her, more of her, before that day, all of her
C- Colors. All of the crayons in the coloring box she represented.
O- -Oh! I wish I had known her. I wish it hadn’t happened. I wish we weren’t here right now in these United States
L– Let me say I wish we were not here.
E– Everything feels dystopian. I forget all the crayons in the coloring box, except gray.

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