Monica Sjoo – Feminism and Religion

Embodiment as Positive Resistance

I nearly cancelled my recent trip to the United States. The political climate felt tense, the global atmosphere uncertain, and travelling across the Atlantic seemed questionable for several reasons.

Friends encouraged me to go anyway, suggesting that meeting people in person would offer a different perspective from the one shaped by media narratives. And of course, it wasn’t headlines I was meeting, but people, in a human reality that persists beneath larger systems. Thankfully, my trust in relational experience outweighed my hesitation, and I returned from my travels with renewed inspiration.

I’m writing this essay because many people I met spoke with an apologetic tone about being American. They expressed disbelief, embarrassment or anger about their conspicuous yellow haired chief. I just want to acknowledge the warmth, generosity, care and humanity I encountered wherever I went.

The entire experience confirmed what I have long sensed in my work with movement, ritual and community: that embodied presence, especially in uncertain times, is such a remedy for heart and soul. What I encountered was meaningful human contact, even in a politically divided country.

The Serpent and The Seed by Janet Maika’i Rudolph

I was so inspired by Judith Shaw’s blog post, “The Serpent and the Goddess” (Feb 26^th) that I began to dust off my old notes on serpent imagery. I was reminded a concept that kept jumping out at me. In discussing the Kabbalah, Rabbi David A Cooper, writes that mystics describe the universe as the “the skin of the serpent.”[1] What a beautiful yet puzzling concept! I wanted to dig deeper.

The serpent’s connection to the Great Goddess has been an excellent place to begin this quest. Barbara Walker notes the etymological connection between the serpent, and the Great Goddess from the Bible whose name is Eve. Walker writes, “The names of Eve, the Serpent, and ‘Life’ are still derived from the same root in Arabic.”[2] But the Goddess connection is not the totality of the serpent’s magic. Continue reading “The Serpent and The Seed by Janet Maika’i Rudolph”

Goddess Politics and the Cauldron of Memory by Kavita Maya

KavitaMaya ‘Someone needs to gather the stories, to keep the cauldron,’ said the late Goddess feminist artist Lydia Ruyle during one of the last times we spoke, at the 2014 Glastonbury Goddess Conference. I had hinted at my concerns around conducting doctoral research in the presence of ongoing conflict within the Glastonbury Goddess community (especially when my broadly-stated site of interest is ‘politics’), and in reply she had stressed the need to ‘hold space’ for the different voices and perspectives in the UK Goddess movement, and that conflict would be inevitable. ‘There needs to be a weaver,’ she said.

The following day I recorded an interview with Lydia and some of her friends at Café Galatea on the High Street, which she had been keen to ensure since the previous summer—with poignant foresight, given her death in March 2016. I’m not sure if she was expecting that I should fully take on the role of this ‘weaver’—there are more stories than one PhD thesis can claim to encompass—but the theme is present in my writing. Her words lead me to reflect on the weaving together of politics with memory and storytelling, and on the need to honour the plural histories of the British Goddess movement. Continue reading “Goddess Politics and the Cauldron of Memory by Kavita Maya”

Reflections on Researching the Goddess Movement in Britain by Kavita Maya

KavitaMaya I’ve been asked by both academics and Pagans what inspired me to pursue doctoral research on the British Goddess movement: of the many ways that people first click with feminist politics, a story entwined with a ‘spiritual’ impulse might seem unusual, given the slow-to-change secular assumptions of mainstream feminism.

When I reflect on my history, two threads at the core of my early feminist identity leap out: one, the value of thinking and asking questions; the other, ‘feminist spirituality’, which for me describes a profound emotional, intellectual and creative investment in the struggle for a fairer, more inclusive world. Two early ‘click’ moments: as a child, asking persistent questions about the sexist gender roles modeled by those around me (and being told “You’ll understand when you’re older,” which I now recall with a grim irony), and—perhaps unusually—coming across the concepts of patriarchy, feminism and the Goddess by way of 1990s teen fiction about witches. Continue reading “Reflections on Researching the Goddess Movement in Britain by Kavita Maya”