The John Howard Society: Poetic Justness & Hope by Margot Van Sluytman

COMMUNITY

Unexpected comfort
Permeated raw, cold ache.
Warmth melted sorrow.
Embraced we are.
Once again
Knowing we are loved.
And loving too.

©Margot Van Sluytman

~~~
“Supporting neighbours. Protecting communities. Providing supports. Rebuilding lives.”
Donna De Jong, Executive Director of The John Howard Society, Hamilton-Burlington, Ontario, Canada.
~~~

I think often about why and how community matters. About joy and justice and hope and healing. And indeed, the importance of spaces such as our own here on FAR, this community of poets, writers, artists, activists, advocates, allies, academics. Each whose choice to put pen to page, affords light and life to throb and to thrive.

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Ice Above and Below and the Coming of the Light by Sara Wright

January’s twilight
hours draw me
into her pale embrace
stalactites and frozen
streams whisper
that winter’s skin
is thin even with
months to go
flowing water
is muted
under seeded snow
underground roots
pulse
with light
 sleeping
forest boughs
wake in wild winds
crack and moan
rest in peace
 at dawn
bears sleep
fox and weasel
seek slivers of
open water
I walk in slow
motion to
stay upright
at the edge
of a meandering
serpentine stream
listening for
the scent
of just one
hemlock singing
feeling the tangles
of gray and green
 Indoors
standing at the window
I ask
 how many
forested eyes
are meeting my own?

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Two Poems by Alice Bullard, PhD

Dear FAR Community, These poems arise from feminist spiritual practice with syncretic dimensions. The Irish-American Catholicism of my family mixes with the popular American confessional-style that charts and embodies emerging spirit, yet this very American path of self-styling and narrative self-creation has been refined via the influence of Zen practices, originally via the influence of the Soto practictioners of Green Gulch in Marin and then later via the teachings of Vietnamese refugee and Zen Buddhist monk, Thich Nhat Hanh. The feminism here is deeply personal, political, and spiritual.

This post was inspired by one written my Janet Maika’i Rudolph about Alice Munro which you can read here.

About Alice Munro: I experienced the revelations of her daughter very personally … I’ve read Alice Munro since I was very young and used to read my parent’s copy of the New Yorker. Because we shared the name Alice and also shared the cold Midwestern prairie though she was further north and across the border, I had always felt some affinity for her but also I felt something I really didn’t get. To me her stories took inexplicable turns and now we know why. Her daughter’s experience is dreadful and probably much more common than anyone would care to admit. That Alice Munro was famous doesn’t make that type of negligent mothering something rare.

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 Standing Under the Stars by Sara Wright

one winter night
 a velvet cloak
wrapped herself
 around me
starry cosmos
poured down
 points of light.

kindled a planetary fire
 casting a circle
 inviting Spirit to hover
  recovering
 abandoned Body…

once embraced
 Winged Animal
Presence
Guided me Home.

 A little Story about How Nature Heals

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Evergreen – Part 1 by Sara Wright

I forgot the
‘Original Instructions’
until She nudged me
Black Bear
Chloe
Green Shoot
alive or dead
She lives on
like the Evergreens
she evolved
with, climbed
to safety
from those
who would harm.

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The Wave: Poems from Hurricane Helene by Annelinde Metzner

For 37 years, I have resided with awe and delight in the Appalachian Mountains near Asheville, North Carolina.  With gratitude for the palpable strength and ageless beauty of the great mountains down to the tiniest ephemeral flowers, I have poured out poetry and music in honor of Her and my life here. In one day (or three, including the days of rain leading up,) Her pristine beauty and the homes and lives of thousands were destroyed by the violent winds and rain of Hurricane Helene.  I was dropped into a deep well of grief, which I still experience to this day.  But something very ancient, basic and fundamental pushed me to write poems, astounded as I was by the events and human interactions around me.  I hope these poems give you some sense of the experience.

Helene Wave
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Blue Raven and Murmurations by Margot Van Sluytman/Raven Speaks

Meandering
 Murmurations.
Myth and mystery
Beckon. We do not
[As yet]
Resist.
© Margot Van Sluytman

I have been fighting with myself to eradicate or somehow fit in the fact that I am in the throes of a profound transition. With “the new adventure’s” approach, death, roommates we have been for decades and decades, a new conversation between us is unfolding. Me and my compelling companion, daily and diligently, engage in what can sometimes feel a relentless row. Sculpting our symbiotic connection with meaning. Aligning dull and divine evocative evocations, as we share tea, toast, temerity, tempestuous alarm, sympathy, chagrin. Intermittent joy. Explorers we are. Searching out hope. Seeking sightings of simple strength. Seated at simple repasts. Inviting courage. Encouraging surrender. Crying out for creativity. Debating and discussing if Camus is correct in writing that suicide is disavowed because the meaningless of life, is, in fact, its very meaning.

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Book Review by Kristen Holt-Browning: Sweet Hunter: The Complete Poems of St. Theresa of Ávila (Bilingual Edition), translated and with commentary by Dana Delibovi

The Catholic mystic women of the medieval and early modern era—such as Hildegard of Bingen, Julian of Norwich, and Theresa of Ávila—can seem unknowable to us now. How did they nurture their fiery love of Christ within the rigid patriarchal (indeed, misogynistic) structure of medieval and early modern European Christianity? How did they find the strength and bravery to write about Jesus as husband, mother, lover? The writing of these mystic women can strike us even now as shocking, given that they often described Christ as their husband, their lover, or even their mother.

In Sweet Hunter: The Complete Poems of St. Theresa of Ávila (Bilingual Edition), poet and professor Dana Delibovi gives us the words of the sixteenth-century proto-feminist in a timbre close enough to our own to help close this gap. As Delibovi notes in her perceptive and illuminating Introduction, she centers Theresa’s balance of the mystical and the practical in her translations. Indeed, Delibovi admits that, “I had to fight the temptation to pretty-up her words and make them seem, well, more saintly.” And yet, it is this precisely this direct language that, paradoxically, heightens the divine fervor behind the writing, as when a shepherd speaks of Mary in “It’s Dawn Already”:

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An Incantation for 2024, USA by Marie Cartier

-please repeat and/or use in ritual, if needed

There was a time (there was a time)

We were waiting for something (we were waiting for something)

We were wanting something (we were wanting something)

We needed it to be different (we needed it to be different)

We were. We are. We are here: this is it.

We want something. We want something. We need something. We need something.

There was a time when we could make something happen.

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From the Archives: A Chorus of Need: I Need an Abortion by Marie Cartier

This was originally posted June, 2022

I need an abortion and I can’t get one

Because I don’t have the money to fly somewhere else other than …here

Where I can’t get one

I need an abortion and I can’t get one

Because the kid, or the cells of a maybe kid, were put in here by the guy that raped me and if I have to have it, I will kill myself

I need an abortion and I can’t get one

Because I have four kids already and I can’t feed another one

I need an abortion and I can’t get one

Because it’s my dad’s…did you hear me say that? I have never said that. I have never said what he does to me…and now I have to show everyone… if I can’t get this out of me I will…

I have to get this thing out of me

I need an abortion and I can’t get one

Continue reading “From the Archives: A Chorus of Need: I Need an Abortion by Marie Cartier”