We are also offering you two videos to watch. The first one is an interview with co-weavers Janet Rudolph and Xochitl Alvizo which was done by Carolyn Boyd for Mago. A transcript is available here. The second one is from Caryn MacGrandle of the Divine Feminine App. It is about making a Divine Feminine Library and the effects of AI.
Here is what Caryn wrote about her video:
What about making a Divine Feminine Library?
Over the past decade, I have been gathering: women, organizations, courses, podcasts and more. One of the ideas that just won’t leave is curating a divine feminine library. Join me in this short video to hear more.
Yesterday as I was exploring this concept of creating an online library, I ‘fed’ it a few PDF’s that were on my computer. One of the documents that I fed the library was Janet Rudolph’s upcoming book the Magic of Creation: Exploring Vibration in the Bible.
And the first question it suggested to me was: What does the word ‘Hinneh’ mean in the context of divine revelation? And from that, Hinneh – BEHOLD! The divine feminine library is born.
Why do we need a divine feminine library? Well, ask Google what ‘Gorgon’ is, and the answer you receive includes the words “monstrous”, “inhuman” and “repulsive”.
Ask Hinneh – BEHOLD! the divine feminine library, and you get an answer from: Dr. Carla Ionescu of Artemis Institute from her Substack article: The Gorgon and the Huntress: Artemis and Medusa at Corfu
“A Gorgon is a powerful and ancient figure from Greek mythology, most famously represented by Medusa. The Gorgon was always seen as a protective symbol, not a victim. In her fiercest and most terrifying form, the Gorgon – especially Medusa – served as a guardian, warding off evil and standing as a boundary keeper between worlds such as life and death, chaos and order. The Gorgon’s image was used to protect sacred spaces and powerful goddesses like Artemis.” – Dr. Carla Ionescu
Quite a difference!
The second question that it suggested to me was ‘what is the concept of Spiritual Theatre’? Although I have at this point only fed it a few resources, the concept of ‘Spiritual Theatre’. keeps popping up.
The answer to this one referenced Eirini Delake’s article The Sacred Face of Death.
“There I did theatre for human rights, travelling in cities, but also to remote places near the Ganges delta where nature and people are one. There theatre becomes a ritual that honors the cycles of life while seeking to repair any discontinuity in them.”
Again, shifting the paradigm about the use and perspective on theatre.
Language, mythology, and culture shape our reality and at this important junction in ‘Our Story’ it is so important that we collect our stories for preservation, promotion and paradigm shifting!
When Hinneh BEHOLD! The divine feminine library is fed sacred, feminist, and Goddess-centered knowledge, it will help restore deeper truths that have been lost or distorted.
We invite you to reach out to Caryn if this topic is of interest to you as well.
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