The Sacred HU by Janet Maika’i Rudolph

Sing to the LORD, all you godly ones! Praise his holy name.
Psalm 30:4 (New Living Translation)

Therefore I will give thanks unto thee, O LORD, among the heathen, and I will sing praises unto thy name.
2 Sam 22:50

Let them praise the name of the LORD: for this name alone is excellent.
Psalm 148:13

The wording of these passages is very odd. After all, why is God’s name always being praised? It’s like saying to someone, “you must be a wonderful person because you have a lovely name,” or “the LORD must be great because ‘he’ {sigh} has such a great name.” Actually though, as I began to go deeper into my own personal practices of spirit work and chanting, I found that there is a profound truth to this use of praise. Most, if not all, of the ancient names of deities are made up of power syllables. By this I mean certain sounds that have a vibrational essence which not only resonate within our bodies but connect us with all the vibrations that surround us. Sounds made by these syllables are a bridge between worlds created by our breath.

Mystically speaking we could say that the breath of creation and our own breath interfuse. We can experience this through the vibration of power syllables. The most common syllables in the west are familiar ones – AL LA HA AH YA LO WAH and the mighty HU. Think of all the names of divinity that can be created by experimenting with these syllables. Continue reading “The Sacred HU by Janet Maika’i Rudolph”

Brigit and the Cailleach by Christine Irving

Today, I bring you an old old story from Scotland.  It explains how and why winter became spring.   Cailleach is another name for the Hag – the archetypal Crone.  She represents winter. Brigit is the forever Maiden and stands for spring.  There are many ways to spell her name, all of them correct.  Ben Nevis is a mountain in Scotland and the word bairns means “babies”.

It’s always important to remember that myths come to us through retellings by countless bards and storytellers.  They are layered one on top of the other like palimpsests and sometimes appear contradictory.  I think of stories- particularly the ones who have existed for millennia as three-dimensional puzzles to be slowly played with and unlocked in increments.  Furthermore, what we see and hear in a story means different things to us at different times and circumstances.  There is always something new to be gleaned. Continue reading “Brigit and the Cailleach by Christine Irving”