Books – Page 3 – Feminism and Religion

From the Archives: Are These Three Novels Prophetic? Part 1: Gibbon’s Decline and Fall by Sheri S. Tepper by Barbara Ardinger

Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade. They tend to get lost in the archives. We are beginning this column so that we can all revisit some of these gems. Today’s blogpost was originally posted August 6, 2017. You can visit it here to see the original comments. This post along with those which will be posted in next two days were curated by Barbara Ardinger to stand together for their relevancy now, 5 years later.

Members of this community (and others) have been feeling that the world is out of balance since the 2016 election. There’s a feeling that people are becoming less kind and that some men (following the model that lives and tweets in the White House when he’s not at one of his golf resorts) are more misogynistic. I’ve heard that Orwell’s novel Nineteen Eight-Four is more popular than ever before. We seem to be living in a new, dystopic society. It’s very sad and very scary.

I’ve recently reread three novels written by women that I think may be both prophetic and inspiring. I’m hoping that if you read them, too, you’ll inspired by their brave heras to keep on resisting. The novels are Gibbon’s Decline and Fall (1996) by Sheri S. Tepper, Woman on the Edge of Time (1976) by Marge Piercy, and The Fifth Sacred Thing (1993) by Starhawk.

Leonora Carrington’s THE HEARING TRUMPET – Book Review by Sally Abbott

Long a fan of Surrealist artist Leonora Carrington, I was initially hesitant when the New York Review of Books reissued her 1974 novel, The Hearing Trumpet. I didn’t know what to expect when this extraordinary painter picked up a pen.

To my delight and surprise, Carrington shows the same artistry and whimsy in her writing that she does in her painting. She also reveals herself to be an astute feminist and aficionado of the Goddess, well-versed in arcane lore, with which she accents her fantastical world. The Hearing Trumpet is full of British humor and eccentricity, set in a finely spun, other-worldly landscape.

Her heroine Marian Leatherby is a 92-year-old, who lacks teeth, is hard of hearing, and sports a beard–a whimsical, endearing character who loves cats. She has been given a hearing trumpet by her great friend Carmella, and thereby learns that her son and his wife plan to send her away to an old folks’ home run by a Dr. Gambit and the Well of Light Brotherhood.

Mother-Love: A Review of Rosemary Daniell’s THE MURDEROUS SKY: POEMS OF MADNESS AND MERCY by Joyce Zonana

She’s been called a “national treasure” by Bruce Feiler and lauded by Erica Jong as “one of the women by whom our age will be known in times to come” … And yet Rosemary Daniell is not as well-known as she deserves to be–perhaps because she is a fiercely feminist Southern woman.

joyce-zonana

She’s been called a “national treasure” by Bruce Feiler and lauded by Erica Jong as “one of the women by whom our age will be known in times to come.” The author of three books of poetry, a novel, several memoirs, and several books of nonfiction, she is the founder of the revolutionary “Zona Rosa” writing workshops and retreats that have helped hundreds of participants—mostly women—become published authors. For many years she led writing workshops in women’s prisons in Georgia and Wyoming, and served as program director for Georgia’s Poetry in the Schools. Her work has been featured in numerous magazines and newspapers. And yet Rosemary Daniell is not as well-known as she deserves to be—perhaps because she is a fiercely feminist Southern woman who unabashedly celebrates her own sexuality while also bringing her formidable intellect, wit, charm, and compassion to bear on her approach to writing.

Continue reading “Mother-Love: A Review of Rosemary Daniell’s THE MURDEROUS SKY: POEMS OF MADNESS AND MERCY by Joyce Zonana”

All We Have is Our Heart by Esther Nelson

One of my former students recommended UNFOLLOW to me, a memoir written by Megan Phelps-Roper, granddaughter of Fred Phelps (1929 – 2014), the (in)famous pastor of Westboro Baptist Church, Topeka, Kansas.

Some people may not be aware that Fred Phelps began his career as a civil rights attorney—someone who, in the 1960s, took on racial discrimination cases no other lawyer would touch. Today, he is best remembered as a preacher who vociferously opposed homosexuality, spreading his message “God Hates Fags” both in the pulpit and while picketing in public spaces. He and his followers also picketed the funerals of fallen soldiers with signs that read “Thank God for Dead Soldiers.” Phelps believed soldiers’ deaths (as well as natural disasters) to be God’s punishment for the country’s “bankrupt values,” especially the “sin” of homosexuality. Hence, God unleashes calamity and catastrophe on the United States, a nation in dire need of repentance.

What Does a Woman Want? by Esther Nelson

Sigmund Freud (1856–1939), well-known Austrian neurologist and founder of psychoanalysis, “…said once to Marie Bonaparte: ‘The great question that has never been answered, and which I have not yet been able to answer, despite my thirty years of research into the feminine soul is, ‘What does a woman want?’” (“Was will das Weib?”) ― Sigmund Freud: Life and Work (Hogarth Press, 1953) by Ernest Jones.

I don’t believe Freud ever answered the question posed here satisfactorily. Women’s desire—even today—hovers in the taboo category. After all, in our hierarchal, patriarchal society women’s wants/desires are mediated through social structures and institutions that favor men. It’s easy to overlook since we all are spawned and then swim in those patriarchal waters.

The Gathering: A Womanist Church BOOK REVIEW by Mary Ann Beavis

Book title: The Gathering: A Womanist Church—Origins, Stories, Sermons, and Litanies

Authors: Irie Lynne Session, Kamilah Hall Sharp and Jann Aldredge-Clanton

Publisher: Wipf & Stock, 2020

Womanist theology is a form of theological reflection that centers on Black women’s experience, sensitive to issues of race, class and gender. It originated in the United States in the mid-1980s and has grown in scope, sophistication and influence, but until recently there has been no expressly womanist church. This book charts the founding and development of a womanist church from the perspectives not only of its pastors (Irie Lynne Session and Kamilah Hall Sharp) but also of its ministry partners (Jann Aldredge-Clanton and others). Continue reading “The Gathering: A Womanist Church BOOK REVIEW by Mary Ann Beavis”

About Bridgerton: A Different Feminist Perspective by Christine Irving

First of all, I’m grateful to Bridgerton for providing several spirited conversations between my friends and me, not to mention the POVs penned recently in these pages. It was fun to take part in exchanges that did not highlight or veer off into either politics or the COVID-19 epidemic.

What first drew me to Bridgerton was the fun of it – the blatant over the top spoofery and satire so like the Commedia dell’arte it so brilliantly imitates. The Commedia got away with its mockery of society because it disguised it beneath a froth of opulent, frippery, and coarse buffoonery that distracted the rich (but not the poor) from its real message about the foolishness and vanity of the ruling class. So does Bridgerton, but in this case, the culture being satirized and unveiled is ours. Unlike those earlier dramatists, in our age we fortunately and so far, at least in this country, still enjoy much greater leeway in making mockery. “Huzzah!” I say. Continue reading “About Bridgerton: A Different Feminist Perspective by Christine Irving”

Good(?) Grief by Esther Nelson

The current pandemic has kicked our collective butt by putting a huge dent in our ability to maintain relationships so necessary for keeping our social gears greased and running smoothly. Grabbing coffee with a friend or meeting up for lunch in order to “catch up” with one another are activities that in times past we took for granted. Meetings nowadays (both work related and social) are done primarily via Zoom. Even a doctor’s visit can be accomplished electronically—a mode that, in my opinion, leaves much to be desired.

Besides feeing socially deprived over the past year, I’ve experienced a number of other losses. I’ll mention a few of them, but am not prepared to write about the ones that sting the most. I gave up my house in Richmond, Virginia, and moved to a high-rise condominium just down the road. I’ve yet to make it “home.” Halfway through the Spring semester, all classes at the university where I taught went online. The Fall semester followed suit, delivering classes (mainly) online. I didn’t want to box myself in on a screen. I find classroom interaction meaningful in a way that I cannot replicate on Zoom. I gave up teaching. In August, I drove to Las Cruces, New Mexico, and have been here ever since except for a brief visit in September to New Jersey for my brother’s funeral—another loss. Continue reading “Good(?) Grief by Esther Nelson”

Glimpsing La Vièio ié Danso – “The Untouchable Wild Goddess” – in Jóusè d’Arbaud’s Beast of Vacarés by Joyce Zonana

Nearly a century later, d’Arbaud’s words still have the power to startle and delight, vividly evoking Earth’s sacredness.

Early in Jóusè d’Arbaud’s 1926 Provençal novella, The Beast of Vacarés, the narrator, a 15^th century gardian or bull herder, describes how in summer la Vièio ié danso—the Old Dancer— “can be glimpsed on the dazzling salt flats” that surround the Vacarés lagoon in the Camargue region of Southern France.

In a note, d’Arbaud explains that la Vièio is how locals refer to mirages in this liminal landscape where earth, sea, and sky merge. “Mirages are common in the Camargue,” he tells us:

They begin with a vibration in the air, a trembling that runs along the ground and seems to make the images dance; it spreads into the distance in great waves that reflect the dark thickets. How not to see in this mysterious Vièio, dancing in the desert sun, a folk memory of the untouchable wild goddess, ancient power, spirit of solitude, once considered divine, that remains the soul of this great wild land?

“The untouchable wild goddess . . . once considered divine . . .”

Nearly a century later, d’Arbaud’s words still have the power to startle and move us, vividly evoking Earth’s sacredness. Here is a man, himself a bull herder in the region he so lovingly describes, who seems to have been a devotee of the Goddess, the “ancient power” he venerates and bring to life for his readers. Indeed, in an early poem, “Esperit de la Terro” — “Spirit of the Earth”— d’Arbaud explicitly dedicates himself to the old gods sleeping below the earth, vowing to “defend” and “aid” them. How extraordinary to discover this writer making such a commitment, well before the rise of our recent feminist spirituality and ecofeminist movements. D’Arbaud speaks directly to our current environmental, theological, social, and political concerns.

What’s Changed? by Elise M. Edwards

Friends, it has been a few months since I’ve posted in this community. I’m amazed at how much our world has changed since then. Here in the northern hemisphere, spring came and went. It felt like a tide of turmoil rolled in, leaving debris all along the shore and now we are trying to clean it up while keeping our eyes on the sea for more dangerous waves that are coming.

The issues we now face began before March, but for many of us, that was when the COVID-19 pandemic began to alter our patterns of daily existence. In-person instruction at my university and most schools was suspended and spring semester courses shifted online. In March and April, we quarantined, self-isolated, and sheltered in place. While a gradual re-opening of businesses and services has occurred in the months since then, I don’t know anyone who has resumed daily life as it was before. The virus continues to spread and the death toll rises.

Continue reading “What’s Changed? by Elise M. Edwards”