Books – Page 10 – Feminism and Religion

What Dorothee Soelle Taught Me about Creativity by Elise M. Edwards

I’m currently developing a book that considers how theological and ethical considerations in architectural design can define good architecture. My book discusses five virtues related to the architectural design process that promote human participation in bringing out God’s intention of flourishing for humanity and creation. Those five virtues (or values) are: empathy, creativity, discernment, beauty, and sustainability. In the book, I’ll explain how these virtues orient design tasks to the social and ethical aims of architecture.

In this virtual space, I want to have a discussion about what these virtues mean from a feminist standpoint. In my writing, I draw from theological ethics, architectural theory, and feminist theory to emphasize community discernment and participation. It’s fitting, then, to claim opportunities in my work to acknowledge the feminists who have influenced me while also opening up the dialogue to the feminists in this community who continue to inspire and guide me to do my best work. Continue reading “What Dorothee Soelle Taught Me about Creativity by Elise M. Edwards”

The Hebrew Priestess: A Book Review by Joyce Zonana

Hebrew Priestess cover Weaver, Prophetess, Shrinekeeper, Witch; Maiden, Mother, Queen, Midwife; Wise-Woman, Mourning-Woman, Seeker, Lover, Fool . . . . Thirteen possibilities for the female self, thirteen aspects of the Goddess, thirteen archetypes for the Hebrew (or any other) Priestess . . . thirteen fact- and dream-filled chapters in Jill Hammer and Taya Shere’s thrilling—and much-needed—new book, The Hebrew Priestess: Ancient and New Visions of Jewish Women’s Spiritual Leadership.

Nearly fifty years ago, anthropologist Raphael Patai introduced readers to the Hebrew Goddess, documenting the influence of Near Eastern Goddess religions on the practices and beliefs of the ancient Israelites. Since then, feminist scholars of religion, along with poets and novelists, have offered brilliant new interpretations of Torah and Talmud, creating feminist midrash and liturgy that open the ancient patriarchal faith to modern (and perhaps also ancient) notions of female authority and autonomy. At the same time, the increasing presence of women rabbis has transformed the congregational, communal Jewish experience for many women and men.

But what we have not had is a shamanic, visionary form of Jewish practice—“earth-based, embodied, ecstatic, energetic” (9)—that integrates ancient and contemporary Goddess spirituality with Judaism: while we have had female rabbis, we have not had formally trained and recognized Hebrew Priestesses.

Enter Jill Hammer, who in the compelling Introduction to her book recounts with passion and precision her own meandering but steady journey to the Goddess and her establishment, with co-author Taya Shere, of the Kohenet Hebrew Priestess Institute, a school dedicated to ordaining contemporary Hebrew Priestesses, kohanot. “Kohenet,” although it does not appear in the Bible, is the ancient Hebrew word for “priestess.” Continue reading “The Hebrew Priestess: A Book Review by Joyce Zonana”

Queering Kenosis: A Review of “God and Difference” by Caryn D. Riswold

I still think that Valerie Saving was right.

It’s been 56 years since she published her article on “The Human Situation” in The Journal of Religion, and her most basic groundbreaking insight holds true: Under patriarchy, the fundamental sin and danger for women is not too great a sense of self, too much pride as Reinhold Niebuhr would argue; rather, the problem is too small and diffuse a sense of self. Prioritizing others ahead of herself, the woman under patriarchy accepts second-class citizenship and submission to male headship as her rightful place.

Wrong.

Yet, in recent years, when reminding colleagues of this fundamental feminist insight from the second wave, I have received replies that begin “But Sarah Coakley says ….” What they lift up is Coakley’s supposed reclamation of kenosis as feminist, of self-emptying as a revolutionary Christian act in relationship to God. To them, this corrects Valerie Saiving. I have heard variations on this defense from senior male scholars who believe themselves to be quite advanced in their thinking, as well as from female scholars who believe this is the kind of feminist theology they want.

Wrong. Continue reading “Queering Kenosis: A Review of “God and Difference” by Caryn D. Riswold”

Wisdom Fiction (Part 2) by Elise M. Edwards

“There are years that ask questions and years that answer.” from Their Eyes Were Watching God by Zora Neale Hurston

In my previous two posts, I’ve discussed the wisdom that can be found in black women’s literature. Continuing this series, I’m sharing a statement from the most well-known novel written by Zora Neale Hurston. Hurston was an American novelist, folklorist, anthropologist, and cultural critic whose work was first published in the 1920s-1940s. Their Eyes Were Watching God was published in 1937 and has since been reissued and adapted into film.

“There are years that ask questions and years that answer.” This quote is one that has circled around my mind every New Year and every birthday for many years. These times of year are when I’m likely to reflect on the previous year and wonder what has come from it.

Continue reading “Wisdom Fiction (Part 2) by Elise M. Edwards”

Lucy Pick’s Pilgrimage by Mary Sharratt

In medieval Europe, religious devotion provided an alternate narrative for women’s lives in a male-dominated culture. Defiant women who stood up for themselves in the face of rape, incest, and murder were hailed as virgin martyrs. Religious vocations, such as becoming a nun or a beguine, provided a viable and esteemed alternative to forced marriage.

Even women who were married with children could escape their domestic entanglements and conjugal duties by taking an oath of celibacy as 15th century English mystic Margery Kempe did, leaving behind her husband and 14 children to go on pilgrimage to Santiago de Compostela, Rome, and Jerusalem. Her Book of Margery Kempe, the tale of her travels, reads like a kind of late medieval Eat, Pray, Love and is the first autobiography written in the English language.

Though it might seem surprising to us today, women of the European Middle Ages possessed more rights and freedoms than their descendants in the Renaissance, Early Modern, and Victorian ages. Women worked as craftspeople and artisans and were members of the guilds, alongside men. Monarchs such as Eleanor of Aquitaine were global power brokers while religious leaders such as Hildegard von Bingen devoted their lives to intellectual and artistic pursuits, composing music and writing weighty philosophical and theological books that are still being discussed today.

lucy pick pilgrimage The cover of academic historian Lucy Pick’s novel Pilgrimage shows details from a painted altarpiece dedicated to Saint Godeleva. A victim of forced marriage who was strangled by order of her husband, this legendary saint was a patron of abused wives. Lucy Pick’s novel concerns the saint’s daughter, the blind Gebirga of Gistel in Flanders. What would it be like to be the daughter of a martyred saint whose miracles cured everyone except you?

Considered unmarriageable due to her blindness, Gebirga rejects life as a nun in an abbey dedicated to her sainted mother. Instead, in a bid for freedom, she embarks on a pilgrimage to Santiago de Compostela in faraway Iberia, an epic journey for that time. She serves as the companion to a highly strung teenage noblewoman and is charged with delivering the girl to the Spanish king she is contracted to marry. During their travels, Gebirga must use all her intelligence and resourcefulness to protect herself and her young charge from the considerable dangers and political intrigues they face on their way. Though they encounter hardship and heartbreak, this is a pilgrimage of miracles, healing, and redemption.

Lucy Pick, the Director of Undergraduate Studies and Senior Lecturer at the University of Chicago’s Divinity School, has infused her novel with impeccable research into the lives of medieval women. This novel is a medievalist’s delight and fans of the late Margaret Frazer will devour this book.

Mary Sharratt’s book Illuminations: A Novel of Hildegard von Bingen, won the 2013 Nautilus Gold Award, Better Books for a Better World. Her forthcoming novel, The Dark Lady’s Mask: A Novel of Shakespeare’s Muse, tells the tale of the groundbreaking Renaissance women poet Aemilia Bassano Lanier and will be published by Houghton Mifflin Harcourt in April 2016. Visit Mary’s website.

Wisdom Fiction (Part 1) by Elise M. Edwards

“I was born in a strange little country town that may be like all other country towns, but I do not know. It was the world I was born to. The world is such a place that you need special things to understand it. I do not think I am a fool, but I do not understand life. It is like I am always standing in the dark somewhere. It could be on the edge of a cliff by a deep ravine… Or on a flat piece of all the land in the world… and I would not know. I would not know whether to step stand still. Either one could be a danger… When I am alone. Some lives are like that. Depending on the kindness of everybody.”

-from “Feeling for Life “ in Some Soul to Keep by J. California Cooper

In my previous post, I wrote about the truths we learn from black women’s literary tradition and from listening to the stories of those we too often ignore. Continuing that reflection over the next few months, I’d like to share some of the lessons from J. California Cooper’s short stories. The quote above is taken from the opening paragraph of one of her works.

Continue reading “Wisdom Fiction (Part 1) by Elise M. Edwards”

Truth in Storytelling by Elise M. Edwards

“[Shakespeare] was an alright writer. I did not always understand him, but some things he said were beautiful and he made some things so clear the way he explained people. But one thing he was wrong about. That ‘To be or not to be?’ is not the first question. ‘What is the truth?’ – that is the question! Then ‘To be or not to be?’ is the second question.”

-from “Feeling for Life “ in Some Soul to Keep by J. California Cooper

This past weekend, I taught a lesson for an adult church group about Christian imagination in the short stories of J. California Cooper. The quote above comes from one of her stories. I was invited to teach a lesson as part of a series on exploring God through literature. It was a delight to participate for several reasons.

Continue reading “Truth in Storytelling by Elise M. Edwards”

“We Knocked” :: A Review of Mormon Feminism by Caryn D. Riswold

caryn2 Mormon feminists experience what most feminists of faith have heard at some point. Utter dismissal of the possibility of their existence.

We know several variations:

You can’t be Christian and feminist.

There’s no such thing as a Catholic feminist.

You can’t seriously be Jewish and feminist.

You can’t possibly be Muslim and feminist.

To be Mormon and feminist? Preposterous.

In response, scholars, activists, and writers within each tradition have had to document their history, make their theological case, and engage their scriptures as robustly as any conservative traditionalist would. In order to achieve meaningful institutional change, unimpeachable work and confident testimony is required. Continue reading ““We Knocked” :: A Review of Mormon Feminism by Caryn D. Riswold”

The Book Is Finished, Now On to Publicizing It by Carol P. Christ

Goddess and God in the World: Conversations in Embodied Theology by Carol P. Christ and Judith Plaskow, forthcoming from Fortress Press in 2016.

In Goddess and God in the World, two leading theologians model a new method of embodied theology, rooted in experience and tested in dialogue. Christ and Plaskow agree that the God who is dead in our time is the transcendent and omnipotent male God of traditional theology. They believe that we must create new understandings of divinity because theologies not only help us to make sense of the world, but also provide guidance as we face the urgent social, political, and environmental issues of our time. In contrast to traditional views, Plaskow and Christ situate divinity in the world and place responsibility for the fate of the world firmly in human hands. They argue for an inclusive monotheism that affirms the unity of being through a plurality of images celebrating diversity and difference. Carol believes Goddess is the intelligent embodied love that is in all being, a personal presence that can inspire us to love the world more deeply. Judith understands God as an impersonal power of creativity, the ground of being that includes both good and evil. Their intense questioning of each other’s views provides an exciting model for theological conversation across difference.
Continue reading “The Book Is Finished, Now On to Publicizing It by Carol P. Christ”

Mary Magdalen’s Cave by Elizabeth Cunningham

Elizabeth Cunningham headshot jpeg My first post for FAR appeared on July 22, 2012, the feast day of Mary Magdalen. I like to dedicate my July posts to her and include an excerpt from The Maeve Chronicles, the novels I spent 20 years writing, which feature a feisty Celtic Magdalen who is no one’s disciple. This year’s excerpt is from Bright Dark Madonna, the third in the series, which follows her (mis)adventures from Pentecostal Jerusalem, to the wilds of Turkey’s Taurus Mountains, the port city of Ephesus, and finally to her legendary cave in France.

While doing research for the novel, I made a pilgrimage to Le Grotte de Marie Madeleine in Southern France. A forty-five minute climb, past a spring leads to a high cliff wall where a spacious cave has been made into a chapel to the saint. There were no other people at the site except my husband and daughter who kindly gave me time alone in the cave—alone with her. As I wrote in FAR’s pages a while back, I have a longing for hermitage that I haven’t allowed myself to fully inhabit. Maeve, on the other hand, goes all out, or rather, in. Here is what she has to say: Continue reading “Mary Magdalen’s Cave by Elizabeth Cunningham”