
Rest and Renewal: Gifts of Women’s Ritual Dance by Laura Shannon


A few days ago, at the New York State Sheep and Wool Festival in Rhinebeck, NY, I purchased a six-ounce skein of fine, reddish-pink mohair bouclé, directly from the woman who’d dyed it using the natural pigments cochineal and logwood. My plan is to make a soft, long winter scarf with it.
I recently started knitting again, lured by some thick, heathered purple wool yarn I’d glimpsed in a farm store in upstate New York. “Is this wool from your sheep?” I asked the farmer. “No, but it’s from a farm down the road,” she assured me. “Her sheep and mine are related, and I know those sheep well.”
I was delighted to be knitting an afghan with wool carded and spun from the fleece of Continue reading “Sheep, Goats, and a Donkey Named Balthazar by Joyce Zonana”
Have you been watching “Queen Sugar”? It is a thoughtful, compelling, and gorgeous TV show that evokes ecowomanist sensibilities.
“Queen Sugar” is a television drama in its second season on OWN, Oprah Winfrey’s network. It was created by celebrated filmmaker Ava DuVernay, who is also the show’s executive producer. The show has an all-female directing team and an inclusive crew. Like many of the original series on OWN, “Queen Sugar” features a predominately African-American cast, and like many other programs on the network, it delivers content intended to stir the viewer’s soul. But notably, “Queen Sugar”’s soulful messages are not mediated by the cadre of life coaches and inspirational leaders often seen on Oprah’s network. Instead, it is the fictional Bordelon family who invites us to reflect on their world and ours. The series’ three main characters, Nova, Charley, and Ralph Angel, are siblings who take over their father’s sugar cane farm in Louisiana after his death. Their narrative and the lush cinematography that captures it offers viewers the opportunity to consider the complexity, joy, and hardship of African-American characters who are rarely depicted on screen. The show’s themes and aesthetics are expressive of ecowomanist spirituality.
Continue reading ““Queen Sugar:” Must-See Ecowomanist TV by Elise M. Edwards”
I lie in bed with him, cementing the details in my memory. The way the morning air is heavy and green. The sound of
last night’s raindrops continuing to drip from the overfull gutters on the roof. The insistent stab of a single-note bird song in the air. His head nestles in the crook of my arm the way it has done every morning for three years. Blond hair against my nose, breathing in the slightly baby smell of him. “This is the last time,” I whisper softly. “We are all done after this. This is the last time we will have nonnies.”
This is not the first last time for me, but it is the last, last time. The first baby was born 14 years ago and gathered to my breast with all the tenderness and uncertainty and instinctiveness of a first, first. “Do you want nursies?” I whisper to that new little boy, and we begin the next steps in our bond, nursing for nearly three years, until one day, six weeks away from the birth of the next baby boy, I decide that we truly have to be done. I am a breastfeeding counselor for other nursing mothers and I feel like I should want to tandem nurse my two boys. I fondly envision their hands joining across my body, the easy love and camaraderie between them blossoming through this shared time with their mother. But, I feel an intense irritation with nursing while pregnant, nearly a sense of revulsion and the almost irresistible urge to shove away my sweet little boy as I prepare to greet the life of another. I talk to my midwife about my feelings and she explains that with her own two daughters, the agitated feeling at nursing the older one did not go away with the birth of the second, but instead became dramatically worse. After hearing this, I feel panicky and I decide we do, in fact, have to wean. He is a very verbal and precocious toddler and I am easily able to explain to him that it is time to be finished nursing. One night though, he lies in bed with me crying and begging to nurse. He says he really needs to. I tell him, “remember, we’re all done, but if you really, really need me, if you really, really still need to have nursies, you can.” He doesn’t nurse, but instead falls asleep, reassured that while our nursing relationship might be over, I’m still here.
While the world is falling apart all around me, I have been slowly engaged in a major cleaning and cleansing of my home.
It started when I began to move my summer clothes to my main closet in June. Here in Greece we have no tradition of second-hand stores, Goodwill, or Salvation Army. This makes it difficult to get rid of anything: often the garbage can is the only option. Still, I began with my clothes, tossing out even some much loved and still beautiful things that no longer fit. My Greek-Albanian cleaning lady took all of them, and I didn’t ask her what she did with them.
Then I moved on to the kitchen. Continue reading “Cleaning and Cleansing: Rituals of Embodied Life by Carol P. Christ”

Rosemary Radford Ruether wrote a classic text: “Gaia and God: An Ecofeminist Theology of Earth Healing.” Ever since I laid eyes on this amazing book and was convinced of the genius Ruether offered within these pages, I adored images of Gaia.
The great goddess is usually pictured holding the world as her womb, a loving representation of compassionately pulling all the hurt and agony to her abdomen for healing.
Ruether says in “Classical Western cultural traditions” of which “Christianity is a major expression,” we “have justified and sacralized” notions of God and domination (3). Such ideas teach us that domination is “the ‘natural order'” and “the will of God” for the “male monotheistic God” and his followers (3).
But Gaia is so much more and challenges these patriarchical messages in today’s culture. To imagine the divine with this motherly image helps with “ecological healing” (as Ruether says), and, being able to picture a “personified being” in the feminine (4). Gaia is truly special.

I’ve known for years and years that on my wife’s, Kim, bucket list was to see a total eclipse of the sun. She began over a year ago researching weather conditions and making reservations, researching camera equipment, buying the special eclipse lens so that she could shoot the sun.
By the time we left on our road trip to visit first our tribe of sister family in the Midwest at an annual gathering, and then to visit various friends, she had four reservations for the eclipse viewing—all in different states. She patiently explained to me (again) that she would be checking weather conditions and “chasing” the eclipse if need be. I understood, because as I said, I’d heard about the eclipse for a while (lol). I knew we’d be making friends with the NASA weather page which I checked continuously for the last two weeks. I would put in the different locations where Kim had made reservations over six months ago, cities near the center line of totality: Illinois, Nebraska, Missouri…then there were cloud predictions in all of those states and it seemed she should have stayed on the west coast and gone to Oregon or Wyoming. Continue reading “A Total Eclipse of My Heart by Marie Cartier”
It is quite common, I think, for Jewish feminists to gravitate to the first creation story of Genesis/Bereshit as an example of human equality but struggle to claim this same passage as an example of the goodness of embodiment. Genesis/Bereshit 1:27 reads, “So G-d created humankind in the divine image, in the image of G-d, the Holy One created them; male and female G-d created them.” In this passage, we have not only equality between men and women, in direct contrast to the second creation story, but also a description of human nature.
Our Creator made us in the divine image: b’tzelem Elohim. The most traditional explanations of b’tzelem Elohim describe our divine-likeness to mean: our intelligence, our capacity for goodness, our creativity as well as our inner divine spark. Most traditional teachings also understand this description as a prescription for action: since every single human being is made in the divine image, we must treat every single human being with respect, dignity, concern and so on. Continue reading “B’tzelem Elohim and Embodiment by Ivy Helman”
“Drinking the water, I thought how earth and sky are generous with their gifts and how good it is to receive them. Most of us are taught, somehow, about giving and accepting human gifts, but not about opening ourselves and our bodies to welcome the sun, the land, the visions of sky and dreaming, not about standing in the rain ecstatic with what is offered.”
–Linda Hogan in Sisters of the Earth
The women have gathered in a large open living room, under high ceilings and banisters draped with goddess
tapestries, their faces are turned towards me, waiting expectantly. We are here for our first overnight Red Tent Retreat, our women’s circle’s second only overnight ceremony in ten years. We are preparing to go on a pilgrimage. I tell them a synopsis version of Inanna’s descent into the underworld, her passage through seven gates and the requirement that at each gate she lie down something of herself, to give up or sacrifice something she holds dear, until she arrives naked and shaking in the depths of the underworld, with nothing left to offer, but her life.
In our own lives, I explain, we face Innana’s descents of our own. They may be as difficult as the death of an adult child, the loss of a baby, the diagnosis of significant illness, or a destroyed relationship. They may be as beautiful and yet soul-wrenchingly difficult as journeying through childbirth and walking through the underworld of postpartum with our newborns. They may be as seemingly every day as returning to school after a long absence. There is value in seeing our lives through this mythopoetic lens. When we story our realities, we find a connection to the experiences and courage of others, we find a pattern of our own lives, and we find a strength of purpose to go on. Continue reading “Sacred Water by Molly Remer”
He said, “Look up.” So, I looked up, and I saw the most beautiful stars. They were like Hubble Space Telescope Images, but I could see them with my own unaided eyes. All the colors were there, close enough to touch, yet glittering and dancing against the black of space, each one twinkling its own unique light. I was kneeling in the dream, but the sight was so beautiful it knocked me backward, the backs of my thighs now folding onto my calves. I began to cry, and that is when I woke up.
Earlier in the dream, I had been visiting a friend. When I had meandered outside the walls of a weathered barn where I had been perusing the friend’s library, there were two gentlemen who greeted me, one rocking quietly in an old wooden chair and the other seated in a still chair beside him. “Hello,” the rocking one said, “I’m Hiram.” “Hiram,” I replied, pronouncing the name like high-rum. “That’s an interesting name.” “It’s pronounced ‘hear-em.’ Hear-em Edson,” he followed. Continue reading “Look Up by Natalie Weaver”