female friendship – Page 4 – Feminism and Religion

Some Thoughts from Experience by Vanessa Rivera de la Fuente

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I am a woman, a feminist, a Muslim. These three things are me, they are things that I have become, in that order. One is born with feminine sex, but it is only a biological determinism. I was born female and I have chosen to continue living as a woman. I decided to be and live as a feminist. I felt called to be a Muslim and I chose to listen to that call.

I love to be a woman, even in a world that hates me. The woman that I am, with my way of thinking, acting and feeling, my way of seeing the world and myself, is not a product of my sex, but of the story that I have gone through since I left my mother’s womb. The same goes for all women. Even beings born in the same country, city, year, even those who are sisters of blood, do not have the exact same story.

Continue reading “Some Thoughts from Experience by Vanessa Rivera de la Fuente”

Ritual Theory: Sharing Stories by Molly Remer

“Ritual that is alive encourages each person to touch what is sacred in their own way, in their own time, through their own unique experience. So there evolves a dynamic dance between guiding and shaping the group’s experience and encouraging and supporting the individual’s experience, so there is a smooth and cohesive flow to the ritual.” –Suzanne Reitz and Sandy Hoyt (Celebrating, Honoring, Healing)

As a practicing priestess, one of the dynamic dances that I engage in is with the power of story. I both find that women’s stories are the vital lifeblood of conscious engagement and power-building with one another and that they can be one of the elements that bogs down a ritual and makes it lose power and magic. This is partially because the dominant culture may teach us to bond using stories in a way that actually drain our energy through “venting,” swapping complaints, trading to-do lists, and through describing behavior, motives, and character of other people. In women’s ritual space, I encourage people to dig deep, but also to share a here-and-now connection of shared experience rather than a there-and-then rendition of past experiences.

Chameli Ardagh in her Create Your Own Women’s Temple manual from Awakening Women explains:

To hold the group and space as sacred is one of the most important guidelines, and the guideline that may bring up the most questions or protests. It goes against our habits as women and against our identification with the small self; we are quite used to creating intimacy through sharing our wounds and problems. The Temple Group is not a place for processing wounds, analyzing ourselves, solving problems, complaining about our lovers, healing our addictions or sharing the stories of the personality. Many women’s circles (and support groups or sharing circles) are focused mostly on the personality. The Temple Group is, in a way, impersonal because it focuses on the larger vast nature of our true self. In the Temple Group we focus not so much on our identity as separate women, but on the whole group as one feminine divine body and expression. The impersonal guideline may sound uncaring at first, but as you explore new ways of being intimate and nourish each other as women, beyond the words, you discover that those are infinitely more fulfilling and caring than the personality talking and processing (p. 61).

I believe that we live in a storied reality and that we are constantly in the process of 22338975_2058326864379525_7570131764764457268_o storying and re-storying our lives and that seeing our lives, and the lives of others, through a mythopoetic lens, can have a radically transformative impact on our experiences and our relationships. I have written about this for FAR in the past and noted that my personal lived experience is that stories have had more power in my own life as a woman than most other single influences. The sharing of story in an appropriate way is, indeed, intimately intertwined with good listening and warm connection. As the authors of the book Sacred Circles remind us “…in listening you become an opening for that other person…Indeed, nothing comes close to an evening spent spellbound by the stories of women’s inner lives.”

So, what is special about story as a medium and what can it offer to women that traditional forms of education cannot?

Stories are validating. They can communicate that you are not alone, not crazy, and not 23319504_1994649147413964_2818983018590835346_n weird. Stories are instructive without being directive or prescriptive. It is very easy to take what works from stories and leave the rest because stories communicate personal experiences and lessons learned, rather than expert direction, recommendations, or advice. Stories can also provide a point of identification and clarification as a way of sharing information that is open to possibility, rather than advice-giving.

Cautions in sharing stories while also listening to another’s experience include:

Are you so busy in your own story that you can’t see the person in front of you?
Does the story contain bad, inaccurate, or misleading information?
Is the story so long and involved that it is distracting from the other person’s point?
Does the story communicate that you are the only right person and that everyone else should do things exactly like you?
Is the story really advice or a “to do” disguised as a story?
Does the story redirect attention to you and away from the person in need of help/listening?
Does the story keep the focus in the past rather than the here and now present moment?
Is there a subtext of “you should…”?

Several of these self-awareness questions are much bigger concerns during a person-to-person direct dialogue such as at a women’s retreat rather than in written form such as blog. In reading stories, the reader has the power to engage or disengage with the story, while in person there is a possibility of becoming stuck in an unwelcome story. Some things to keep in mind while sharing stories in person are:

Sensitivity to whether your story is welcome, helpful, or contributing to the other person’s process.
Being mindful of personal motives—are you telling a story to bolster your own self-image, as a means of pointing out others’ flaws and failings, or to secretly give advice?
Asking yourself whether the story is one that will move us forward (returning to the here and now question above).

This work is beautiful. It is complex. It is multilayered. It is simple. It is hard. It is easy. It is rich and rewarding. It is dynamic and evolving and flowing. It is never the same.

May you be blessed with many stories together.

mollyatpark Note: there is a detailed audio exploration of the themes of this post available here.

Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW, M.Div, and D.Min degrees and wrote her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Patreon and at Brigid’s Grove.

Teachers by Valentina Khan

I recently told my 4-year-old son the following, “son, I pray you fall in love with someone you call your best friend. I pray you both never cross the line and say mean and terrible things to each other, I pray you are not constantly apologizing for your bad behavior, I pray you will complement and enhance each other’s best qualities, and lastly, I really hope you fall in love with a teacher!”

A teacher? Of course, a teacher! I have always loved my teachers growing up. I never had one bad teacher. Teachers are caregivers and authority figures children experience separate from their own parents. Each teacher brings his or her unique love of learning and educating to the students. I was influenced so much by the vibe of teachers. And in the journey to my “career,” I became one myself….a yoga teacher.

A yoga teacher? Yes, a yoga teacher, which eventually led me to coming a ballet barre instructor. This all happened when, after a tedious and challenging few years of getting myself through law school, I rewarded myself with an entire summer off to become certified to teach yoga. Yoga got me through sticky times in my young adulthood, from soured relationships, to poor scores on my legal exams. It also kept my feet on the ground when I was flying high, whether from planning my wedding or completing my studies. Yoga was the antidote in my life. I cherished not requiring medication for all the different feelings I’ve had throughout my adult life; whether it was anxiety, depression, loss of focus, too much energy, or the run of the mill aches and pains, I always turned to yoga. The feeling of stretching and flushing out toxins, negative energy, frustration, while building strength and teaching myself how to breath, were all things I wanted to learn in more depth and, eventually, to teach. Continue reading “Teachers by Valentina Khan”

Sisterhood, Service, Sovereignty: The Living Spirit of Avalon by Elizabeth Cunningham

Like so many women, I read Marion Zimmer Bradley’s The Mists of Avalon and got caught up in her vision of the Holy Isle and the priestesses who knew how to navigate those mists and travel between the worlds. Like so many women, I wished Avalon existed still.

In fact, Avalon does exist, because Jhenah Telyndru did more than wish. In 1995 she founded The Sisterhood of Avalon. Twenty-two years later, the Sisterhood is going strong and growing, attracting members from all over the world. I urge you to explore their website where the Sisters speak eloquently about their vision, structure, and purpose.

Continue reading “Sisterhood, Service, Sovereignty: The Living Spirit of Avalon by Elizabeth Cunningham”

Making Our Stand by Molly Remer

“You may not remember,
but let me tell you this,
someone in some future time
will think of us.”

—Sappho

I put on my boots and jeans, grab my priestess robe, pack a basket of ritual supplies, and meet four close friends in a nearby cave. We feel a little nervous about holding ritual on unfamiliar land, but we decide to push our boundaries and do it anyway. The land needs us, says my friend. The other people who come here are meth-heads and vandals.

We take our drums and climb to the top of the cave, singing as we find our way up the steep hillside. On top, looking out across the country, we sing: cauldron of changes, feather on the bone, arc of eternity, ring around the stone. We laugh and practice some more songs, some hearty, some tentative and new. We tie up small bundles of our symbolic burdens with stones and let them down over the edge
may-2016-051 using handspun wool yarn until the yarn releases, taking our burdens with them. Suddenly, we hear the sound of tires on the gravel. Slamming doors. The sound of loud men’s voices. The smell of cigarette smoke. A ripple of uncertainty passes through us. We are once again tentative and we feel a current of unease. What should we do? we whisper to one another. The voices draw nearer, there are calls and hoots. My friend looks at me and says: this is where we make our stand. We hold hands in a line at the edge of the cave roof, gazing out into the horizon. A hawk wheels overhead. We sing. The approaching voices quiet. We sing louder.

I am a strong woman, I am a story woman, I am a healer, my soul will never die.

We project our voices and yell: we are the witches, back from the dead!

The voices stop. We wait. We hear doors slamming. The sound of tires on gravel. We are alone once more.

We descend into the cave singing a song composed on the spot: Deeper, deeper. We’re going deeper. Deeper, deeper. Deeper still.

We strike a pose based on the carvings described in the classic book, When the Drummers were Women. Archaeologists described may-2016-099 carvings of priestesses carrying drums as, “women carrying cakes to their husbands.”

We shout: “we’re not carrying cakes!”

I stand on a rock in the center of the cave and sing: she’s been waiting, waiting, she’s been waiting so long, she’s been waiting for her children to remember to return. My friends join the song and we move deep into the darkness where we face the “birth canal” at the back of the cave, listening to the small stream within trickle, laugh, and bubble as it emerges from the dark spaces deep within the heart of the earth. We begin to sing:

Ancient mother we hear you calling. Ancient mother, we hear your song. Ancient mother, we hear your laughter…

Just as we sing the words, ancient mother, we taste your tears, droplets of cave water fall on our faces, splashing our eyelids.

It might seem simple on the surface, but gathering the women and calling the circle is a radical and subversive act. A revolutionary act. In my work with women’s circles and priestessing, I am repeatedly reminded that gathering with other women in a circle for ritual and ceremony is deeply important even though it might just look like people having fun or even being frivolous, it is actually a microcosm of the macrocosm—a miniature version of the world we’d like to see and that we want to make possible.

In the book, Casting the Circle, Diane Stein observes that women’s rituals, “…create a microcosm, a ‘little universe’ may-2016-062 within which women try out what they want the macrocosm, the ‘big universe’ or real world to be. Within the safety and protected space of the cast circle, women create their idea of what the world would be like to live in under matriarchal/Goddess women’s values…The woman who in the safety of the cast circle designs the world as she would like it to be takes that memory of creation and success out into daily life…By empowering women through the microcosm of the ritual’s cast circle, change becomes possible in the macrocosm real world.” (p. 2-3)

It starts with these private ritual and personal connections and then, as Stein explains, “A group of five such like-minded women will then set out to clean up a stream bed or park in their neighborhood; a group of twenty-five will join a protest march for women’s reproductive rights; a group of a hundred will set up a peace encampment. The numbers grow, the women elect officials to government who speak for their values and concerns. Apartheid crumbles and totalitarian regimes in Eastern Europe end, disarmament begins, and laws to control polluters are enforced. Homes, foods, and jobs are opened to the world’s homeless, and often begins in the microcosm of the Women’s Spirituality ritual circle” (p. 3)

“Feminism catches fire when it draws upon its inherent spirituality. When it does not, it is just one more form of politics, and politics never fed our deepest hungers.”

–Carol Lee Flinders (in The Millionth Circle)

Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates
women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW, M.Div, and D.Min degrees and finished her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Brigid’s Grove.

“Girl . . . You’re Gonna Make It” by Carol P. Christ

https://vimeo.com/82884853

Why did this song,* this program, this woman mean so much to Oprah and Michelle, to you, to me?

Because Mary Tyler Moore was one of our first role models of cheerful independent womanhood.

Why does this song still bring tears to my eyes?

Because I had never learned that a girl could make it on her own.

Because I feared that I couldn’t and hoped that I would.

And guess what, I did.

Lots of us did.

With help from our friends.

Mary showed us that too.

The Mary Tyler Moore Show was broadcast on Saturday nights.

Many of us were home alone, watching faithfully.

We do not forget.

*The above version of the song is from the first season, the words “you’re gonna make it after all” were changed to “you’re gonna make it on your own” in season two.

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Carol is a leading feminist theologian and historian of religion who wrote the first Goddess feminist theology, Rebirth of the Goddess as with Judith Plaskow co-edited the path-breaking Womanspirit Rising and Weaving the Visions.

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For Strong Women… by Marie Cartier

This month I had planned to write a long column of finding joy in the midst of pain, or rather enjoying what you can still enjoy. I know you all will be reading this the day after Thanksgiving…I want to be grateful and I am… for so much. I want you to find what you are grateful for and hold onto it.

But, I am also scared and desperately raging and deeply upset that Standing Rock and the protesters there were recently hosed with freezing water, hit with rubber bullets and assaulted…

I am not even going to hotlink here the things that I am deeply and grievously upset by regarding Trump’s new “President-elect” status. As a confirmed and unapologetic sex predator, he will never be my President. I embrace the social media hashtag #NotMyPresident.

I am stunned by the fact that Hillary has closing in on 2 million more popular votes than him. I am #StillWithHer. I am grateful that she is considered the #ThePeoplesPresident.

But here we are with Trump in place, set to be inaugurated in January. I am doing everything I can to Flip the Electoral College. If you want more information about the electoral college and an opinion on why it isn’t working right now you can start here. If you want to know how to write letters and or call the electors to see if they can be persuaded to change their minds you can start here.

I am trying, in the midst of this time, as we approach the holidays to be grateful. I am a strong woman. I have been nurtured by strong women in the feminist movement. And that is what I want to give you, FAR family, this Thanksgiving—a poem for strong women. This is by one of my favorite writers, Marge Piercy. Continue reading “For Strong Women… by Marie Cartier”

Caring as Resistance and Sisterhood by Vanessa Rivera de la Fuente

sisterhood

Every week, the women participating in my workshops easily share their experiences in the social, political or community world. However, it is difficult for them to talk about themselves. Several of them face complex situations: A divorce or a long layoff, illness of a relative whom they are caretakers, raising a disabled child. They are ashamed to speak up about how they feel; this should not be so. We women have the right and the duty to speak openly about what ails us in our private lives. The idea that the personal is political has to be a perfect circle.

Bisi Adeleye-Fayemi says that the lack of attention to physical, emotional and spiritual needs of women has become one of the weak points in the work of feminists. In our own social and institutional spheres where we work, the combined effects of the strong reactions against women’s movements, harassment on social networks, cultural and religious fundamentalisms, the pressures for leadership and the challenge of finding a balance between multiple spheres of life make it difficult to conserve energy.

While activisms mean resistance to the hegemonic system, some dynamics could reproduce patriarchal control’s devices on women’s emotions and impact us negatively: The expectation of renunciation and silent sacrifice as supreme feminine virtue. Sadness, illness or emotional distress are political issues and a way to control us with them is through the imposing or adopted silence about. Continue reading “Caring as Resistance and Sisterhood by Vanessa Rivera de la Fuente”

Gender, Friendship, Collaboration, and Unacknowledged Authorship by Carol P. Christ

In recent weeks Judith Plaskow and I have been revising the manuscript of our new book Goddess and God in the World in preparation for sending it to the publisher. Yes, we have a publisher. We signed a contract with Fortress Press a short time ago. The book should be out in 2016.

We have been hard—and I mean very hard—at work revising the four chapters in the book that are jointly written. The versions have been going back and forth and forth and back as we revision what we want to say and revise each other’s revisions of the drafts we have. We both want the final manuscript to say things just right and it is very hard not to make one more set of (alleged) improvements.

In the process we have realized that while we often disagree on words and wording, we have come to think alike on a wide variety of issues to the point that it becomes hard to say who had the ideas first. In addition we have both become so familiar with each other’s positions that we can each easily articulate both sides of our dialogue on the issues on which we disagree.

All of this has gotten me to thinking again about authorship and co-authorship and original and shared ideas. This train of thought led me back to the subject of Judith’s and my first essay together originally titled “Against My Wife” but published as “For the Advancement of My Career: A Form Critical Study in the Art of Acknowledgement.” We discussed 5 formulaic tropes used in acknowledgements to wives in academic books, ending with “the wife as unacknowledged co-author.” Continue reading “Gender, Friendship, Collaboration, and Unacknowledged Authorship by Carol P. Christ”