
With every wonderful, heart-wrenching, deeply researched, and inspiring post I read on F.A.R., I feel less inclined to share my own somewhat out-of-step contributions to this world. Nevertheless, I keep reminding myself that they are the things that I do, and I do them because I feel compelled, and have consistently been compelled in those two specific directions — art and agriculture/wildcrafting — since childhood. Also, the paintings and prints are a product of my always thinking about and feeling into both feminism and spirituality, and the fruits of the intersection of the two. So here is another offering.
I’ve always had a fondness for the visual aspect of playing cards, and collect books on them. One image of an uncut sheet of cards printed in 1585 in Frankfurt, where the black and white cards were jammed in every which way on large sheets of paper, inspired the look of these four prints, The Cuisine Cards.
They are conceived as celebrating food and cultures from various parts of the world. The face cards are non-hierarchical in terms of rank and gender. The 10 is a Table of the suit’s food, then there are the Shaper, Mover, and Taster, who, although usually carrying on in a certain sequential order, each contribute equal value to the whole experience of eating food. Two suits have all female face cards and two all male.



According to Marija Gimbutas, the religion of Old Europe celebrated the Goddess as the power of birth, death, and regeneration in all of life. Agricultural peoples understand that seeds must be kept in a cold dark place during the winter if they are to sprout when planted in the spring. People who work hard during the long days that begin in spring, peak at midsummer, and continue through the fall, are grateful for the dark times of the year when they can rest their weary bones on long winters’ nights. Long winters’ nights are a time for dreams, a time when people gather around the hearth fire to share songs and stories that express their understanding of the meaning of the cycles of life.




