Feminism – Page 67 – Feminism and Religion

The Beauty Way by Carol P. Christ

When I learned about the Navajo Beauty Way, I understood it to be a path in which human beings respect all beings in the web of life and live in harmony with them. But I didn’t understand why this path was called the “Beauty Way.” As a young woman, I knew that my worth was defined by many in terms of my ability to conform to ideals of female beauty promulgated in movies, tv, and advertising. I didn’t believe the Navajos were talking about beauty in that sense, but because of my conditioning, I was not yet able to fully grasp what they might mean by beauty. I would have called the way they were describing a “Way of Harmony” or a “Way of Respect for Life.”

Still, I wondered: why the Beauty Way?

Marija Gimbutas described the societies of Old Europe as peaceful, settled, agricultural, highly artistic, matrifocal and probably matrilineal, and worshipping the Goddess as the power of birth, death, and regeneration in all of life. Though I am impressed with the beauty of the many small works of art Gimbutas reproduced and interpreted in The Language of the Goddess, I sometimes inadvertently omit the words “highly artistic” when repeating in her definition of the culture of Old Europe. I have tended to view the fact that Old Europe was peaceful and matrifocal as more important than the fact that it was highly artistic.Yet this judgment is wrong. In calling the cultures of Old Europe “highly artistic,” Gimbutas was trying to convey her understanding that appreciation of the beauty of life was fundamental within them.

We have been taught that “high” or “great” art is most often monumental in size. The Pyramid of Giza is over 230 meters (756 feet) tall. The Great Sphinx of Giza is 20 meters (66 feet) high. The Parthenon rose to 14 meters (45 feet) and the statue of Athena inside it was 9 to 11 meters (35-40 feet). It is telling that we use the words “high” and “great” (originally measures of size) to describe the value of artistic creations.

Statue of Athena in Parthenon reproduction in Nashville, Tennessee

The purpose of monumental works of art is to diminish the viewer, to make the her feel small, to induce her to bow down, to worship, and to obey a power or powers greater and higher than herself.

In contrast, the small scale of the art of Old Europe does not diminish anyone or anything. Its purpose is not to make anyone one want to bow down. Instead small works of art make the viewer feel comfortable, welcomed, and part of the beauty of life that is depicted.

Marija Gimbutas viewed ancient Crete in the Bronze age as the final flowering of the culture of Old Europe. In Crete too, everything is on a small scale. Though the so-called Palaces or Sacred Centers are large, the rooms within them are small. There is not a single room where crowds could have bowed down to a King or Queen. Nor are there images of deities larger than life. The famous Minoan Snake Goddesses are less than 15 inches tall and the well-known pitcher Goddesses are even smaller. Such objects would have been held in hands during rituals or set on low benches in small rooms lit by oil lamps.

Snake Goddesses of Bronze Age Crete c. 1500 BCE

When my friend’s daughter Klia was seven years old, she spent her afternoons collecting stones by the sea. One day I asked her if the stones spoke to her. “Of course,” she replied. “What do they say?” “They say, ‘we are very beautiful.’”

Klia intuited the meaning of the Beauty Way. It has nothing to do with artificial beauty standards. It has nothing to do with size. It is recognizing beauty everywhere and in everything. When we do so, we walk in beauty, in the grace and joy of life. And yes, the Beauty Way has ethical implications, for no one who truly recognizes beauty could want to harm it. This was understood by the Navajos, the Old Europeans, and the ancient Cretans, and many others. Only we seem to have forgotten. We can remember.

Carol P. Christ is an internationally known feminist writer and educator living in Molivos, Lesbos, who volunteers with Starfish Foundation that helps refugees, assisting with writing and outreach. Carol’s new book written with Judith Plaskow, is Goddess and God in the World: Conversations in Embodied Theology. FAR Press recently released A Serpentine Path: Mysteries of the Goddess. Join Carol on the life-transforming Goddess Pilgrimage to Crete. Carol’s photo by Michael Honegger.

Happy Anniversary, Women’s March, with love from Madge by Elizabeth Cunningham

Like many in the FAR community, I participated in the world-wide 2017 Women’s March. So did Madge, the bodacious cartoon character who took me by surprise in 1990 and went on to become the narrative character of The Maeve Chronicles. Her life in print, as the first century Celtic Magdalen, satisfied her until….November 8^th, 2016 when Madge returned, mouthy as ever, to rejoin us in our own times.

On the first anniversary of the historic march, I’d like to share a little of Madge’s millennia-spanning story and a few images from her two books of cartoons, now published in one volume.

Madge first appeared to me in 1990 as a line drawing of an ample woman sitting naked at a kitchen table drinking coffee. I had recently finished writing a novel, The Return of the Goddess, A Divine Comedy, and felt I had nothing more to say. I decided to play with magic markers for a while. Madge, as the naked woman introduced herself, was far from done with words. Fleshed out with peach magic marker, Madge told me she wanted “fiery neon orange” for her hair color. She also required speech balloons for her theological queries. (For example: If we are all members of the body of Christ, who is the twelve-year molar, the kneecap, the colon?) Enchanted with her sass, I invited her to be in my next novel. I pitched ideas to her. She rejected them all as too dull and said, “I want my own book of cartoons first.” Continue reading “Happy Anniversary, Women’s March, with love from Madge by Elizabeth Cunningham”

#MeToo and the Idolatry Trap by Tallessyn Zawn Grenfell-Lee

Really – everywhere we look – there are dead white guys. National holiday? Most likely in honor of a dead white guy. Statue on a green? Founder of a major Christian denomination? Dead white guy. Classic literature, painting, play, music ‘everyone’ is supposed to know about? Yup, probably by a dead white guy.

It’s a little exhausting.

It’s easy to develop a pretty negative attitude about all these dead white guys. I mean, some of them were pretty questionable if not downright oppressive people. Enough, already! Am I right?

Yes! Yes. Well… sort of. The thing is, some of them really did say and do wonderful, important things. I suppose we should not dismiss an entire portion of our history just on race and gender alone. And, truth is, I have a confession to make. I kind of really love the insights of some of these folks. I guess it’s easy to complain about all these dead white guys… until you fall in love with one of them.

“Oh For a Pair of Clean Dry Warm Socks” by Carol P. Christ

Stories about refugees in the island of Lesbos (where I live) are no longer front page news. Yet according the United Nations Refugee Agency, 12, 742 refugees arrived here in 2017. This number is equivalent to 15% of the year-around population of the island. Though this number is huge, it does not compare to the estimated 91,506 arrivals in Lesbos in 2016. In January 2018, 7572 refugees are estimated to be stranded in the island waiting for their applications for asylum to be processed. The government-controlled reception center has a capacity of 2000, but up to three times that number are being housed there at any one time, in conditions that must be described as inhumane. It is suspected that “someone” in Greece or the European Union is slowing the asylum process in order to discourage refugees from attempting to enter the EU via Lesbos.

Recently I have begun to work with the Starfish Foundation, a local non-profit helping refugees on the island, using my skills as a writer to help with outreach. Today I share with the FAR community a blog I wrote to contextualize the desperation of the situation the refugees find themselves in.

Think about it. Before you go out walking in town or countryside, you put on a pair of clean socks and then a pair of athletic shoes or boots. Your socks, which you take for granted—except when they get wet—protect your feet from blisters, callouses, and foot infections. Now imagine yourself as a refugee or migrant who has come across the wine dark sea, fleeing war. Your socks and shoes are soaking wet when you arrive. If you are lucky you will be given new shoes and socks, but then what happens?

You are taken to a refugee camp to wait for your asylum papers to be processed. While you are waiting, and it could be months or even a year, what happens to your socks? For sure they will get dirty, for you often have to walk on muddy and even sewerage infected paths in the camp. The toilets are filthy and when you have to use them, you try not to step in the muck, but sometimes you do.

You keep on wearing your socks, because you do not have a second pair. One day you decide to wash them and on that day blisters appear on your feet and become infected. You have always been a clean person, washing socks and underwear and all sorts of clothing for yourself and your family every day. But now you are facing the unknown, without even a clean pair of socks to put on your feet. You bind up your wounds and pray that your one pair of socks will not be stolen from the wire fence where you hung them out to dry.

There is an urgent need for socks in the refugee camps of Lesvos where thousands of refugees wait to learn if they will be granted asylum. It is hard for us who take our socks for granted to understand the difference a pair of clean dry socks could make in the life of a refugee. A pair of clean dry socks could make all the difference in the world.

A plea for 300 pairs of socks for men and women from Euro Relief was one of the first postings on Starfish Foundation’s web page Needs Hub, established to connect organizations helping refugees on the island of Lesvos with donors. The request for 300 pairs of socks may soon be answered, but the need for socks in the refugee camps is on-going and immense. And socks are only one of the many things—from baby strollers and wheelchairs to shampoo and toothpaste–that the refugees need. Your gift, whether large or small, really could make all the difference in the world to a vulnerable person who needs your help.

Starfish Foundation is a Greek non-profit organization. Founded at the height of the refugee migration to the Aegean islands, which was called the greatest humanitarian crisis since the Second World War, Starfish Foundation works in co-operation with other organizations dedicated to helping refugees and migrants in the island of Lesbos. Please visit Stafish’s web page Needs Hub to learn what you can do. Donate to Starfish Foundation here.

Carol P. Christ is an internationally known writer and educator living in Molivos, Lesbos, who volunteers with Starfish Foundation to assist with writing and outreach. Carol’s new book written with Judith Plaskow, is Goddess and God in the World: Conversations in Embodied Theology. FAR Press recently released A Serpentine Path: Mysteries of the Goddess. Join Carol on the life-transforming Goddess Pilgrimage to Crete. Carol’s photo by Michael Honegger

Being a Woman & Using Certain FOUR-letter Words by Valentina Khan

Throughout my life I refrained from hard core cursing and substituted certain four letter words with modified publicly suitable words. I just didn’t think it was becoming of me to curse, but if and when I did do it it was about something pretty major, and I would softly let it out.

Being a woman and holding yourself with “old world” elegance means to negate any kind of cursing. I’ve always thought that until the last four years of my life. My cursing content has gone up 10 times since I became a mom. Suddenly it felt so much more potent to add f-ing to the word tired. Or instead of saying, “wow, that really sucks” and replacing with “that’s bullsh!t.” My choice of curse words has no boundaries anymore as it once used to. I feel sad about that. Like I’ve lost discipline–but in a way I also feel liberated.

It’s now a new year. The season to make changes to makes oneself better and to make progress to a healthier state of being. I could say, OK I’ll go back to my innocence, so to speak. I’ll refrain from cursing, since it’s totally taboo in my family to begin with, not really appropriate in my field of work, philanthropy, and simply not lady like. It really isn’t. But, I still enjoy it when I feel like using those words. Continue reading “Being a Woman & Using Certain FOUR-letter Words by Valentina Khan”

Considering Our Spaces in the Pursuit of Justice by Elise M. Edwards

This past summer, my friend and I were perusing the exhibits at the National Museum of African-American History and Culture when she urgently called for my attention. “Psst… Isn’t this where you are from?” she asked, pointing at a placard titled African American Life in Montgomery County. Yes! I grew up, I was educated, and I was churched in Montgomery County, Maryland. So I eagerly read the exhibit’s description:

By 1900 there were at least eight African American communities in Montgomery County, Maryland. Unlike many rural African Americans, the residents were not tenant farmers—they owned their property and homes. This gave them greater control over the land and the crops they produced. They also directly benefited from improvements to their homes, which was an incentive to make additions and to stay in place. Descendants of these early settlers still live in these communities today. Continue reading “Considering Our Spaces in the Pursuit of Justice by Elise M. Edwards”

Reclaiming My Body by Carol P. Christ

Shortly after writing “Asking for Help,” a blog in which I described losing my physical strength following a series injuries, I finally took a friend’s advice—mainly to stop her from badgering me—and went to the doctor. This is something I don’t usually do, as not only have I almost always had excellent health, but also, I believe that, for the most part, the body can heal itself. The first doctor sent me to an orthopedist who told me that the persistent bursa on my knee was nearly healed and to go ahead and exercise in order to regain my strength.

A few days later, I found myself walking to the end of my cobblestone street with my little dog and continuing on to the harbor, a walk of about fifty minutes that included a good deal of up and down, as my house is situated above the sea. As I had only planned to walk a short distance, I was amazed that I found the strength to go farther. Soon I found the perfect walk. Leaving home at 4:30 in the afternoon, I follow the road past houses and open fields down to the sea and around the harbor quay out to the lighthouse. The sun sets while I am on the quay and on most days the clear winter sky lights up and the sea turns rose-gold. The return around the harbor takes me past the little church of Agios Nikolaos where I stop to light a candle and say a prayer. Then back up the hill to my house, where I arrive just before dark. Continue reading “Reclaiming My Body by Carol P. Christ”

30 Years of Activism by Vanessa Rivera de la Fuente

Diseño sin título

My first memory as an activist is of attending my first political public meeting to listen leaders of the resistance talking against the Dictatorship, marching holding a sign that read “Democracy Now,” and taking my first dose of tear gas. It was 1988. I was 13 years old. My first menstrual period had come six weeks before. At that time, I didn’t know what feminism was; there were many books forbidden. Social Sciences such as Anthropology, Philosophy, and Sociology were banned in most universities.

But lack of theories could never prevent experience from happening and leaving its imprint. In 1990, at 15, I was gender conscious without recognizing my actions as feminism.

Continue reading “30 Years of Activism by Vanessa Rivera de la Fuente”

My Guardian Angel Is a Socialist by Carol P. Christ

When I began to research our family tree, my father told me that his grandfather George Christ emigrated from Germany because he was a socialist. I eventually learned that it was not George Christ but his parents, Thomas Christ and Anna Maria Hemmerlein, who emigrated from Bavaria. Thomas died in 1863 when George was an infant and George died in 1895 when my grandfather was an infant, which explains how their stories got confused.

Thomas and Anna Maria emigrated less than a month after negotiations for a new constitution following the uprisings of socialists and democrats the 1848 revolution ended in failure. Thomas and Anna Maria boarded the ship to America under different surnames and listing different villages of residence. This suggests that they had fallen victim to concords signed by the church and state that prevented poor men from marrying. Besides not being permitted to marry her beloved Thomas, Anna Maria was herself an illegitimate child, one of three born to sisters in the family of the poor teacher George Hemmerlein after he died.

It is easy to imagine Thomas and Anna Maria supporting the revolution of 1848 in hopes that they would be allowed to marry and be given land to farm. Nor is it difficult to understand that they were deeply disappointed and perhaps afraid of being persecuted for their beliefs when they decided to leave Bavaria in 1849. Anna Maria, who lived until 1907, would have been the one who told these stories to her son and grandsons. Continue reading “My Guardian Angel Is a Socialist by Carol P. Christ”

“It Came Upon a Solstice Morn” by Carol P. Christ

It came upon a Solstice morn,

that glorious song of old,

with angels bending near the earth,

to touch their harps of gold.

“Peace on the earth.

good will to all,”

from heaven’s all glorious realm.

The world in silent stillness waits,

to hear the angels sing.

I wake in the dark of Solstice morn.

Mountains shrouded in clouds,

cold wind blowing,

light dawns.

My mother heard

the angels sing,

on Solstice eve,

calling me to life,

her Christmas Carol.

Blessed Mother Always With Us.

Longing for my beloved,

on Solstice morn,

I heard Sappho sing:

Thank you, my dear

You came and you did

well to come: I needed

you. You have made

love blaze up in

my breast–bless you!

Bless you as often

as the hours have

been endless to me

when you were gone.

Cold tiles,

bare feet,

coffee brewing,

elderly dog stirring,

I open the garden door.

And there it is.

Solstice miracle.

Three purple irises.

blooming in the cold.

Life triumphing over death,

every time.

New words to the traditional carol “It Came Upon a Midnight Clear” by Carol P. Christ.

Sappho translated by Mary Barnard.

Thanks to Miriam Robbins Dexter for the digging iris bulbs from her garden for me to plant in mine.

My mother promised my father to name me Susan or Peter but when she heard carolers in the hospital, she changed her mind.

* * *

Carol’s new book written with Judith Plaskow, is Goddess and God in the World: Conversations in Embodied Theology.

FAR Press recently released A Serpentine Path: Mysteries of the Goddess.

Join Carol on the life-transforming and mind-blowing Goddess Pilgrimage to Crete. It could change your life! Spring tour filled, sign up now for Fall 2018.

Carol’s photo by Michael Honegger