I have begun to call my mother the “Reaper,” which I understand could be to some mums sort of insulting. Images of the Reaper are typically not terribly flattering, you know, with all that sunken skin and stringy black cloth flying around. My mom looks nothing like that, by the way. In fact, she has at all stages of her life borne a striking resemblance to Elizabeth Taylor, causing many a stranger to run up to her over the years, exclaiming, “Oh my goodness, do you know who you look like?” And, let me add, often much to the consternation of those in Mom’s company, such as, well– me, for example– when I was trying to deliver my first baby and the attending nurse ignored me in order to chat with my mom about her resemblances. But, I digress here.
Mom is the Reaper because she is at that point in her life when she rather unabashedly tells it like it is, “reaps truth” as I have come to think of it. Though she may look all violet eyes and white diamonds, she is beyond mincing words.
Is this a feature of aging? I once read that the decreased estrogen and increased testosterone levels in post-menopausal women may contribute to a personality shift where women are more inclined to report on what they are thinking. This may be a factor, but I would find it likelier that many women, menopausal or not, simply get to a point when they have seen/heard/experienced/endured enough that they find little merit in putting up fronts, regardless of hormonal predisposition.
Plus, I am wildly unimpressed by some of the material out there on menopause. It seems like a lot of conflated nonsense that correlates every aspect of female sexual maturation with hormonal imbalance and impending doom. I recently read a book by an “expert” named Dr. Miriam Stoppard – great last name for a menopause specialist, right? – that actually gave medical advice alongside hints about make-up tricks, relationship management tools for your depressed mid-life spouse, and what girdles to wear to help hold up your sagging flesh.
It is interesting that “women who speak their minds” are even an object of contemporary cultural commentary at all. I mean, would there be any talk at all about males who speak their minds? Young girls who speak their minds are cast as feminists, strong-willed, scary to boys, unfeminine, and so on. Of course, the embedded androcentric assumption is that they are doing something contrary to normative female behavior. Older women who “speak their minds” are cast as rude hags and crones, spreading around their venom and disappointment, especially if they swear. This blog on post-divorce dating, kind of says it all:

During the summer I had the opportunity to interview Edwina Sandys, the creator of the sculpture, Christa. Initially, I was drawn to this sculpture during a seminary class with Whitney Bodman – “Jesus and His Interpreters.”
On June 22, 2015 Carol Christ translated 
She’s his only savior. African in origin, her figure bears witness to her homeland: her hair twisted in dreads, her lips full, her color dark, her chest broad with pendulous breasts, her stomach flat and firm, her legs slender, her feet broad and ample.
Last week, the Catholic Studies Chair in the public university where I teach sponsored an event that brought Monsignor Kevin Irwin from The Catholic University of America; School of Theology and Religious Studies, Washington DC, into our midst. His hour-long talk was titled, “Pope Francis’ Teaching on the Environment.”

Society has created this vortex of fear surrounding women aging. Yet, as I turn 30, I am only feeling awe. Awe over everything I accomplished in my twenties and awe in all the things yet to be realized in my thirties. The interesting thing is how other people are experiencing me turning thirty. Some are reminiscent of their twenties or how their experienced their thirties. Others start to bring up certain things which are apparently still lacking in my life. The biggest ones are a husband and children. They look at my eve of thirty-hood as the clock ticking away on me finding love and most definitely on my biological clock.
One of the most exciting times of the semester occurs when we watch “Sita Sings the Blues” in class. This film by Nina Paley – one she has made available to the public by withholding copyright – is a wonderful addition to what has come to be known as the Ramayana tradition. Unlike a few decades ago when scholarship focused on only pan-Indian literary Ramayanas, scholars today are beginning to acknowledge that most people get to know of Rama and Sita through folk and oral tales, women’s songs and local and regional tellings.