Exploring the F-word in religion at the intersection of scholarship, activism, and community.
As we move deeper and deeper into full autocratic rule, the timeless themes found in mythology help me find my way.
My first thought for these days was of Pandora, whose story in the myth of Pandora’s Box serves as a powerful metaphor for the complexities of human choice—relevant today by the choice of many to elect Trump, resulting in multiple destructive consequences.
The quote that describes Jesus as the “front door of God” is found in the Bible, John 10:7, where Jesus says, “I am the door of the sheep”; essentially meaning that the only way to access God is through Jesus, as he is the entrance point to God’s presence.
I have been calling on Hathor, and last night, She came.
Ah, let me back up a few steps.
I have up to now not given much thought to Egyptian Goddesses instead preferring my Celtic and Greek ones. But a few days ago, I attended this lovely workshop by Tahya who has developed a modern day systrum, the percussion instrument used by Priestesses in honor of Hathor. And as so often happens on my path, when you crack the window, She comes.
The last two days I have been listening to Hathor meditations, the Mother of all creation, the Goddess of Love, an Egyptian Goddess whose worship may have begun in the Predynastic Era over 5,000 years ago.
Continue reading “Opening All the Windows and Returning the Goddess to Her Rightful Place by Caryn MacGrandle”In the origin stories of the Greek deities the overarching importance of water, which surrounds their domain, is undeniable. Water held the power of life, death and renewal.
In each successive pantheon of Greek goddesses and gods — the Primordials, the Titans, and the Olympians — a goddess and a god ruled the seas together. During the time of the Primordial deities, it was Thalassa and Pontus, followed by the Titans, Thetys and Oceanus, and Doris and Nereu, and finally by the Olympians, Amphitrite and Poseidon.
It was a class that changed the course of a personal history. Mine. The year was 2001. I had arrived in the United States a couple of years earlier to study journalism. In my last term – after four semesters of trying hard to navigate the American education system, what with its confusing terminology of credit hours, electives, majors, minors, I decided to venture out of my comfort zone (this was my Breaking Bad moment) – and took a 3-credit grad course, Religion in China, as an elective (that word again; and oh, when I first arrived, I thought 3 credit hours meant dedication to a grand total of three hours of coursework over the entire semester; you get to choose when).
It was in this class I was first introduced to Guanyin, the Chinese goddess of Infinite Compassion and Mercy. Guanyin, a bodhisattva[i] who rushes to the aid of her devotees upon hearing their cries, herself has quite an interesting history. She arrived in China from India as Avalokiteshvara or “the lord who gazed down at the world” as a male. Little wonder then that this gender fluidity makes her a popular deity among members of the LGBTQ community. Somewhere along the journey, Avalokiteshvara transforms into Tara. Apparently, so moved was Avalokiteshwara by the suffering of those trapped in samsara[ii] that he wept copiously, his tears creating a lotus from which sprang the goddess Tara.
Continue reading “Guanyin: My Very Own Goddess of Compassion”Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We have created this column so that we can all revisit some of these gems. Today’s blogpost was originally posted December 25, 2015. You can visit it here to see the original comments.
One of my colleagues at Feminism and Religion recently wrote of Xmas and Feminine Wisdom. My blog, for Christmas Day continues this exploration.
Elen of the Ways is a figure primarily studied by scholar, Carolyn Wise. She wrote two core articles available on the web here and here. Wise writes that in order to “track” and find Elen of the Ways she had to peel back the layers:
Continue reading “From the Archives: There Is No Santa-The Antlered Flying Goddess With Gifts by Marie Cartier”…to the earliest track ways, the migratory tracks of the Reindeer and Elk. Elen moves across vast tracts of time, and land, cloaked and masked appropriately for each age.
This was originally posted Nov. 22, 2022
Find some pine trees
and a wide rock in the sun.
Settle down and feel gratitude
curl around your shoulders.
Listen to the wind
sense that there is sorrow too
in this place,
deep and old,
threaded through the
lines of sun
slices of shadows.
It tells of what has been lost,
what has been stolen,
of silenced stories,
and of fracturing.
Make a vow,
silent and sacred,
to do what you can,
to rebuild the web
to reweave the fabric.
Lie on your back in the pine needles,
feel your body soften into the ground
and become still.
Allow yourself to feel held,
heavy bones and soft skin
becoming part of the land.
Wonder how many of your
ancestors kept other people
from becoming ancestors themselves.
Watch the sunlight making tiny rainbows
through your eyelashes and pines.
Find a pretty rock.
Don’t take it.
Leave it where it belongs,
on the land that gave it birth.
Go home.
Keep your promise.
This was originally posted on October 22, 2014
“Ritual has the power to end our alienation from the earth and from each other. It allows us to enter a world where we are at home with the trees and the stars and other beings, and even with the carefully hidden and protected parts of ourselves that we sometime contact in dreams or in art.” –Margot Adler
Margot Adler died of cancer on July 28, 2014. A Pagan priestess, she asked for memorial events to be held in the season of Samhain, also known as Halloween. At this time of year, the rituals of many religious traditions remind us that we are all connected, the living, the dead, and those to come, one continuous communion. In this spirit, I offer a tribute to the late Margot Adler.
Continue reading “From the Archives: In Memory of Margot Adler (1946-2014) Priestess, Journalist, Skeptic, Mystic by Elizabeth Cunningham”When I travelled to Crete on a Goddess Pilgrimage last year, we were asked to introduce ourselves by our matrilineal lines. I am Arianne, daughter of Bernadette, granddaughter of Helen and a long line of women, known and unknown, stretching back to Africa. Many of the women in the group were able to intone long lists of names in their matrilineal lines. I was not able to go further than my Grandmother, Helen. No one in my mother’s large Polish family could remember my Great Grandmother’s name.
My journey toward Ariadne has been as circuitous as the labyrinth itself. In many ways, I have been searching for her since those first bedtime stories my father used to tell me as a child, when Theseus was the main character and Ariadne, merely a stop on his road. I longed for her, even then, to have her own heroine’s journey. I tried to imagine what that might look like but, without models, could not conjure anything beyond holding the red thread so others could triumph. Later, I began a more conscious search for Ariadne as I became curious about the connections between her choices, feelings, expressions and my own longings, betrayals, and outbursts. Since then, there have been moments when I let myself fantasize about being connected to her in some real way, beyond being named after her, or feeling and acting as she may have. In these fleeting moments when I imagine we are bonded, I am awash in an intense sense of belonging, something I never felt as an only child of divorced parents. But then in a flash, my mind takes a sharp turn, as in a labyrinth, and I negate those feelings with logic. You want to be connected to Her, so you are finding ways to make it true.
Continue reading “Ariadne and Me – The .5% by Arianne MacBean”This was originally posted October 21, 2013
In an earlier blog, I suggested that women might have blown red ocher around their hands to leave their marks in prehistoric caves.
At the time I thought this was a rather bold suggestion.
Had I been asked why I thought the images were made by women, I might have said that people have understood caves to be the womb of the Great Mother, the Source of All Life, from time immemorial. I might have added that those who performed rituals in the caves cannot have been performing simple “hunting magic,” but must also have been thanking the Source of Life for making life possible for them and for the great beasts they hunted. Still I am not certain that I imagined women as the artists in the Paleolithic caves.
In 2012, shortly after I finished my priestess ordination process and I’d been facilitating women’s retreats for two years, I got a wild idea to go to a goddess festival of some kind. I did a google search and found one that sounded great—Gaea Goddess Gathering–and it was happening in just two weeks. Imagine my surprise to then look at the bottom of the screen and see that it was located only a five-hour drive from me, just over the border into Kansas. I decided it was “meant to be.” My mom and a friend signed up with me (and my then 18 month old daughter) and we packed up my van and went! The night before we left on our adventure, I sat down at the kitchen table and felt a knife-like stinging pain on the back of my leg. I’d accidentally sat on a European giant hornet (these are not regular hornets, they are literally giant hornets about two inches long).
Continue reading “Listen to the wise women by Molly Remer”
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