Herstory – Page 18 – Feminism and Religion

To Childless Cat Ladies by Janet Maika’i Rudolph

I feel you. In a patriarchy where women’s reproductive abilities determine our worth, to be childless is a curse. We can thank VP candidate JD Vance for revealing this truth in all its ugly fullness. He is a walking billboard for patriarchy. Bottom line: Patriarchy is all about women’s bodies, our reproductive abilities and men’s desire to control them. We saw this in the Dobbs decision where it was declared that women have no constitutional right to the basics of healthcare, in Texas where it’s pretty much illegal to have a poor pregnancy outcome, and in Ohio where raped children are expected to give birth to their abuser’s child. Its endless

But it is JD who made it plainer than plain what this is all about. Besides childless cat ladies being an old trope, just think of the judgement involved. Who is JD to decide on anyone’s family constellation? Or their pets? He also made disparaging remarks about the “childless left,” who have no “physical commitment to the future of this country.” That is a statement that only a person who totally lacks empathy can make. He is making a sweeping generalization that people without children don’t care about the future. This statement is more confession than truth. He reveals that until he had children, he had no care about the future of our world. It’s beyond egocentric. If only his kids are the center of his “caring,” that shuts out most of the world’s other children.

The Case for Women’s Visionary Films by Freia Serafina

Power in the woods.
Creation of artist Jym Davis.

As a film history professor, I am intimately aware that women’s representation on screen is historically lacking. While preparing to teach a new course, I found myself hard-pressed to uncover significant academic discourse that highlights the divine feminine that doesn’t solely live in the realm of a Christian worldview. Indeed, film scholar Tenzen Eaghll points out that much of the existing scholarship from the past 100 years “all tend to equate religion with Christian theology in some manner, and … focus[es] narrowly upon Christian themes such as Jesus, salvation, faith, etc.” He states that scholars of religion and film essentialize all religion as Christianity, and that many scholars of cinema additionally speak of religion as an all-encompassing umbrella organization giving us a condensed notion of a shared theological worldview, devoid of nuance and alternate meaning. Eaghll goes on to argue, as I do, for a more critical approach to the study of film that requires us to pay closer attention to how “representations of religion in film conceal issues of race, class, gender, colonialism, secularism, and capitalism – common themes in ideological critique – as well as notions of origin, authenticity, narrative, violence, and identity.” I believe the solution lays in the inclusion of women’s visionary films.

Chloe’s Shadow by Sara Wright

Gently nibbling seed
a bear bird’s
hind legs
charcoaled nose
glimpsed
through
shade fogged
windows…
Imagining…
Standing
where you just stood
matter is
frozen light
yours
a golden circlet
emerald star
circling
above us all
a beacon of
Cosmic Light
I weave a
crown of grape leaves
round and
round crafting
Prayers
for body soul –
Your
Protection
and mine…
Standing in your Shadow
One.
Still, Earth’s Keening
keeps us
awake at night.

A House for the Goddess by Annelinde Metzner

For the past few years I’ve been contributing to FAR as a poet. So grateful for the opportunity to connect with you wise women! This month I realize I should share with you another side of me, my music.

On June 8th, I produced, directed and composed the music for “A House for the Goddess” in Asheville, North Carolina, featuring 29 performers including two sopranos, a cellist, myself and another pianist, two dancers, an MC and a women’s choir. The concert, whose venue was offered generously by Land of the Sky United Church of Christ, was a sellout, and over three thousand dollars was raised for the Linda Norgrove Foundation for the women and children of Afghanistan (https://lindanorgrovefoundation.org.)

My compositions, both choral pieces and solo art songs, always find their birth through the inspiration of poetry. At this venue, the texts of the poetry were displayed on two screens overhead as the songs were sung.

Who Speaks Into Your Life by Michelle Bodle

An occupational hazard for a woman in a religious setting is having people try to claim authority to speak into my life that they simply do not have. Two recent examples were so blatant that they caused me to pause and reflect on the underlying dynamics that led to these unrealistic expectations.

In the first event, I was out with a friend for coffee, and someone from her congregation approached. They wanted to pray for an upcoming service, but then, during the prayer, he started to pray against the “confusion” at our table. His sudden praying against this “confusion” is notable in that it only arose after my colleague introduced me as the lead pastor at a church (not an associate) in a denomination where this particular gentleman’s church broke off. After the prayer ended, he tried to explain his “prophetic gift” and how he arrived at praying against any confusion, which was tied to his own confusion during the prayer. However, the truth was, there wasn’t any, and he thought he had authority, during prayer, to speak into my life in a way that he did not.

Queering the American Dream by Angela Yarber, Book Review by Janet Maika’i Rudolph

I love stories about journeys or pilgrimages. They are quests that take us out into the world even as we are forced to face our innermost selves. They are sure to be filled with adventure, challenges, and unexpected beauty. Such a journey has the ability to rip apart our world and reform it in new and unexpected ways. Like I said an adventure. Each journey not only affects us personally but changes corners of the world and all the people that it touches. Angela Yarber’s book is one such journey. Reading it changed my world.

Rev Ang traveled with what she calls her “queer little family;” herself, her wife Elizabeth and their toddler son Ru. They set off into the country where they could not take for granted they would be accepted. They knew they might be seen as other and have to face down hatred. It is a vulnerable place to be, and it can be frightening, especially in the backcountry where being queer can be seen as an invitation for violence. That takes even an extra level of courage.

Rev Ang speaks with an honesty that is remarkable.

Sojourner Truth, the photos by Beth Bartlett

Moderator’s Note: We inadvertently left out the photos from Beth’s posts on Sojourner Truth. The photos, all by themselves, pack an emotional punch and so we want to be sure they can be seen. These are Beth’s photos from Sojourner Truth Legacy Plaza in Akron, Ohio

You can see Beth’s posts here. Part 1 and Part 2

Turning Towards the Light by Sara Wright

I won’t walk in this fog bound soup – the air is so toxic it’s literally not breathable – let’s hope this is not a prelude to the rest of the summer like it was last year. The solstice marks a turning of the wheel in ancient cultures – a process (more than an event) that is still celebrated by countryfolk and by those who are attached to the land.

As we move deeper into the first days of summer many (most) wildflowers are seeding up even as the sun’s heat intensifies around the longest, days of the year… As I walk through the woods and around my home, I note the first yellowing leaves dropping from fruit trees, others are shriveling, insect ridden. My beans are spiraling skyward … Overall, a vibrant deep green canopy appears to replace luminous lime, and for a moment luminous fireflies light up the night…gardens are overflowing. Tadpoles are birthing back legs, and within the month a radical transformation will have occurred as miniature froglets begin their adult lives in seeps, brooks. ponds or greenery… a miracle of Becoming. There is a poignancy to this turning for me. The birds are fledging, birdsong is somewhat muted. Summer heat and fierce thunderstorms mark the season ahead…cold clear waters and forests are calling…

Priestesses of the Shtetl? The Jewish Women Spiritual Leaders of Eastern Europe by Annabel Gottfried Cohen

‘Four thousand years ago, in the ancient Near East, women were poets, drummers, scholars, dancers, healers, prophets and keepers of sacred space.’ In The Hebrew Priestess (2015), Rabbi Jill Hammer argues that as the Israelite cult became more centralised, leadership roles were restricted to men and women’s spiritual leadership was gradually repressed. Yet, as Hammer and co-author Taya Shere demonstrate, ‘the remnants of the priestesshood remain for those who seek them out.’ Combining a close reading of biblical and rabbinic texts, alongside other contemporary sources and archaeological evidence, Hammer has identified thirteen models or netivot of feminine Jewish leadership, which she argues persisted, albeit in altered and marginalised forms, into the medieval, early modern and even modern periods. My own research supports these conclusions, suggesting that Hammer’s netivot framework provides a useful lens by which to better understand Jewish women’s traditions that, in a patriarchal culture, have often been marginalised.

Women’s Spirituality in the Film Classroom by Freia Serafina

Freia presenting at Princeton Theological Seminary for the American Academy of Religion, Regional Conference

Recently tasked with the co-creation of a film ethics course, I thought extensively about what material would best serve film acting students in a New York City Conservatory. I wanted to include films that would focus on diversity, story inclusivity, and encourage them to wonder if what they saw on screen impacted or influenced their reality. In a course centered on ethics, religion and spirituality tend to enter the conversation. This entrance provided me with the opportunity to introduce a plethora of women’s visionary films that would be used to examine the spiritual lives of women and how religion and spirituality impact the film narrative. Women’s visionary films can be defined as films that are “written, directed, and/or produced primarily by women and share women’s vision of realities. The sacred themes of these films, in diverse cultural contexts, engage women’s self-reflective use of the arts to convey greater insight into the colors, shapes, emotions, and spirituality of women’s lives—women’s imagination, suffering, hopes, beliefs, and dreams.” (Mara Keller, 2018)