Parvati is a gentle mother goddess. But as Kali, she also wields enormous power. The daughter of Himavan, the king of the Himalayas, consort of Lord Shiva, and mother of Ganesha, the Elephant-Headed Lord, Parvati is the embodiment of all the energy in the universe. Her seat is on a lion or a tiger. In the words of a hymn to this goddess, she is “the auspiciousness of all that is auspicious.”
Lakshmi, the consort of Sri Maha Vishnu is often depicted as a very beautiful woman, seated on a full-bloomed lotus, holding lotus buds in two of her hands, a pot of gold in the third. She is flanked by elephants, reflecting her royal status. Lakshmi, as the Goddess of Prosperity, is brilliant in red silk, gold and precious stones. She also offers peace and a sense of balance.
Mother’s Day provided good reason to remember these Hindu deities. They lent their names to the two cows who were milked daily to feed me in the first six months of my life in my grandparents’ home by the sea in Thiruvananthapuram—or Trivandrum, Kerala. I wrote those foreign place names for decades in application letters and immigration forms but it was more than five decades before I first returned to the place where I was born. Continue reading “A Mother’s Gifts by Dawn Morais Webster”
Since the U.S. has elected a reality TV show billionaire to represent our nation, we should be no longer be able to shy away from the ignorance, violence, and frivolity that is within us. Happiness and peace in humanity seem to be in short supply. How many of us experience continuing bliss, or do we only fantasize and find brief reprieves in our suffering? Even the more extreme privileged among us most likely share the same emotional landscape.
Much of our lives lack the rich culture of ritual that I think would help us repair the relationships we have with our own bodies and with the earth. The Rg Veda is one of the oldest collection of hymns from India. In them, I find a playful and introspective expression of desires and fears that, at first, did not seem to me to hold much wisdom for a modern contemplative. But lately, I have been noticing how the speakers communicate to or about the earth, and how their lives seem centered around trying to take a part in creation. Mostly, these hymns are stories and supplications for rain, cows, victory in battle, and a long life. But there is a deep understanding of the power and divinity in the universe that is the very earth-based wisdom that our humanity-in- crisis needs. If the Qur’an is God calling for humanity to be grateful, the Rg Veda is a model of a humanity that could be nothing else.
Although “the” Ramayana is a fluid narrative, scholarship has traditionally recognized the Sanskrit Valmiki Ramayana as the most authoritative of Ramayanas. But recent studies have brought to light the hundreds of regional stories of Rama and Sita which are more popular with the masses. These would include Krittibasa’s Ramayana in Bengal, Kamban’s Tamil Iramavataram in South India, notably in the state of Tamil Nadu, Tulsidas’s Ramcharitamanas among the Hindi-speaking belt of northern India, and so on. But even here, a pattern seems to emerge; all the above-mentioned authors are male. Within this scenario, a rather unique text stands out, and that is Chandravati’s sixteenth century Bengali Ramayana, for its author was a woman. Even more fascinating is the double-toned nature of the narrative – through Chandravati’s own voice and through the voice of its tragic heroine, Sita.
This continues my reflections on the Devidasis in 
I recently re-watched a BBC documentary my students and I had discussed in class last Fall. “
As a teenager, I grew up wondering where exactly I belonged. Aside from the confusion resulting from straddling two entirely different, perhaps even opposing, cultures, my main concern seemed to center on which country was I from – India or Zambia? Or was I inherently British because of an education and upbringing enveloped by things English – values, books, magazines, not to mention people? Was I American because I grew up on TV shows like Charlie’s Angles, Wonder Woman, Six Million Dollar Man and Dallas that played a major role in fashioning my idea of the world around me? Perhaps I was Zambian because I had been living in that part of the world since the age of one. Or maybe I was from India because that was after all the land of my birth, to where I returned as an utterly confused and disjointed teenager who believed she now had to be “Indian” even though I could not relate so much as an iota to my immediate surroundings.
According to the Great Indian Cultural Lexicon, being light-skinned or “fair” translates to being “lovely.” A look at commercials that promise a make-over, courtesy of Fair and Lovely skin lightening cream will attest to this. 
I started this post just after getting back from an India trip, always very challenging because of memories that haunt me not only through their high negative recall value, but also in that I often find myself reverting to the diffident, fearful person I used to be while living there. In fact, palpitation is the first to greet me at Bombay airport even now after nearly seventeen years of being an expat. But with every trip, I also find myself evolving as a person, as a woman. And of course, it is always fun to meet up with family and old friends, all of whom I hold very dear. But the highlight of this trip was Queen.
Feminism and Religion 