In Part 1 of this series on labelling, I highlighted the difference between naming and labelling, and the search for a personal label as ‘participation ticket’ for life.
In Part 2 on professional and spiritual identity, I looked at what we can learn from the autoethnographic practice of disclosing various selves in research situations. I also discussed the effects of Christianity on the suppression of pagan traditions in northwestern Europe, and nature-based spirituality as part of our generic spiritual DNA.
Today I share a few final reflections including what groups celebrate their differences with ‘prides and games’, and which ones remain invisible? What are the effects of woke ideology on fear of expression and loss of voices, and an invitation for embodied presence as one characteristic of our shared humanity.
This post continues from Part 1, where I situated this essay as a reflection on Xochitl Alvizo’s article Human, Just Human. There, I questioned the difference between the power of naming versus the pressure to label. I then described my search for a personal identifier as ‘participation ticket’ to life. This feels important nowadays to join the conversation and not be dismissed by default. However, I wondered whether looking for things that set us apart emphasises otherness rather than shared humanity.
Today, I question what can we learn from autoethnography about the many selves we bring to different professional situations and how they might hide more than they reveal. I also describe the challenges of naming nature-based practices in a geographical area where 2000 years of Christianity forced our pagan traditions underground.
A Modern Pilgrimage to the Isle of Lewis & Harris, Part 2
In the previous post of October 14th, I introduced my recent pilgrimage to meet the Goddess, honour the physical and psychological changes that have happened inside me recently. I described the different mountain ranges that resembles the bodies of sleeping women, and an ancient well dedicated to the Celtic goddess Brighde.
If I was traveling over the body of the goddess, the Callanish Standing Stones would be her navel. It seems as if energy is flowing out from there to all edges of the island. The shape of the site resembles a Celtic cross. Unusual is that the site consists of one large, central standing stone, surrounded by 13 stones, and with stone avenues to the cardinal directions. With its solar alignment, paraphrasing Jill Smith, the configuration looks like a cosmic dancer who juggles the sun from east to west. The “arms” are aligned exactly with the sunrise and sunset at this time of year.
Model of the Standing Stones as seen from above, in Callanish Visitor Centre
Callanish 1, the main stone circle, is connected to 11 other sites across the island, some circles, some solitary standing stones. Together they are called the Callanish Complex. I visited Callanish 1 many times that week, and I was lucky to spend the Autumn Equinox there.
I’ve never come across stones that were so alive and expressive. Light would bounce off differently at different times of the day, accentuating irregularities, dulling, or sharpening edges, emphasising different aspects. I saw lion and wolf heads, young maidens, hooded wanders, gargoyle and dragon-like creatures, dolphins and even a Horned Dancer… Most importantly, it felt like in each of the stone circles in the area (Callanish 1, 2, 3, 4, and 8), there was at least one stone resembling a woman’s body, and I came to think of them as the Grandmother Guardians. They had a real living presence, that became even stronger as the day-visitors disappeared.
Usually there were 2-5 people there, sometimes I found myself alone. The sunset of the Equinox, however, drew many more people. There were about twenty tourists, who were taking snapshots of this magnificent light show, leaning, or pushing against the stones, talking, and giggling. Several professional photographers tried to capture a magical moment. And there were 5-7 fellow pilgrims, whom, like me, would stay long into the night. Everyone was so focused on the sunset, was I the only one who noted the rainbow in the east?
The below images were literally taken a minute apart – rainbow to the east, sunset and silhouettes to the west.
Rainbow during the Sunset at Callanish 1, on the Autumn Equinox, September 22, 2022Sunset at Callanish 1, on the Autumn Equinox, September 22, 2022
Eventually the tourists and photographers disappeared, and the rest of us gathered at the heart of the circle, in the remains of an ancient burial mound. With African and shamanic drums, a whistle, a singing bowl, an old man tapping his walking stick to the bottom of his tin mug, and some rattles, we improvised a rhythmic invocation to the spirits of the stones. With the rain becoming heavier, I soon found myself alone with the stones. Now I could finally sing, dance, weave between the stones without disrupting anyone, lean into the stones, close my eyes, and pray.
I felt very aware of the ‘balance’ in the year, the point of equally long days and nights. I asked for guidance on balance in my own life: between work and leisure, between doing and resting, between the first and second half of my life, between gathering wood for the fire and sharing it, between birth and death, and how I can better look after my body and energy living with an invisible auto-immune condition in these fast and demanding times.
After the rain departed, the clouds tore open, revealing the clearest and most brilliant night sky I’ve ever seen. The silhouettes of the stones reaching up into the night was truly magnificent. Moving, weaving, pausing, I made my way clockwise around all the 13 stones in the circle. I stood at either side of the stones, outer and inner, and took my place in between them, as if I was a moving stone myself. I reflected on centre and circumference, on axis, on direction, on the wheel of life, turning, turning, turning, turning… and felt connected to similar circles across Europe lighting up in the darkness, as a radiant hub of energy-places.
Photo Collage: Impression of Night Sky, by Eline Kieft October 1, 2022
After having completed my weaving of the circle, by which time I had enjoyed half of my ginger tea for a warm kick, I decided to return to our cottage – also an act of balance. Having a cold already, I did not quite have the proper gear to stay out in the windy and rainy night. My lovely bed was calling! On my way home I saw three deer next to the road. I stopped the car and could be with them for several moments before they wandered off.
I had been so attuned to the rhythms that I woke up well before the alarm. I laid in the comfortable darkness, until it was time to return to the stones to witness the sunrise. My mom came along this time. Again, there were several photographers ready for ‘the moment’ (no tourists at this hour!). I just HAD to dance, and chose my spot at the far western end, out of line of any cameras. A dance of ground, earth, mountain, honouring the mother and my mother, weaving the light, the turn of seasons, changing, praying, calling, giving thanks, celebrating, welcoming, and letting go. Strong, soft, vibrant, still…
Both Images of Sunrise at Callanish 1, on the Autumn Equinox, September 23, 2022
Standing against the central menhir, looking east, we finished the last of the ginger tea. So special to be able to share this together. Mother and daughter in a circle of ancient Grandmother Guardians, witnessing the sun rise on a new day. Sacred land, ongoing cycles of time, and a modern-ancient pilgrimage…
It will take many moons to fully digest and integrate the richness of this journey, but I already know this precious experience seeped deep into my bones.
May the magic of the land touch you too, wherever you are.
Mother and Daughter – this photo was in fact taken at another moment, against another stone, mid-afternoon on 22nd…
I’d love to invite you for my series of Embodied Spirituality Masterclasses that are going to start today, 21st October! Have a look if you’re interested in reconnecting body and spirit, re-anointing the body as sacred, nature as a temple, contemporary ceremony and much more… You can still join until Christmas, so don’t worry if you can’t make the first session live, it will be available in replay!
Jill Smith is a deep well of goddess lore on Lewis:
Mother of the Isles (2003)
The Callanish Dance (2000)
Bio
Eline Kieft danced from a young age, including rigorous classical and contemporary training to become a professional dancer. She then studied anthropology, deepening her fascination with worldwide similarities between indigenous traditions regarding intangible aspects of reality and other ways of knowing, including embodied epistemologies and shamanic techniques.
She completed her PhD in dance anthropology at Roehampton University, trained in depth with the Scandinavian Centre for Shamanic Studies and the School of Movement Medicine. Eline worked at the Centre for Dance Research (C-DaRE) at Coventry University for five years, where she created a Somatics Toolkit for Ethnographers, and pioneered soulful academic pedagogy. Her recent book Dancing in the Muddy Temple: A Moving Spirituality of Land and Body was well received as a unique blend of theory and practice and a medicine for our times.
She is now a full-time change-maker and facilitates deep transformation through coaching and courses both online and in person. Her approach The Way of the Wild Soul offers a set of embodied, creative, and spiritual tools to re-connect with inner strength and navigate life’s challenges with confidence.
Moderator’s Note: The blog was originally posted November 21, 2015. The movement for the sacred land is still relevant and active.
It seems like there is a perpetual debate over acquiring land for progress and growth versus the protection of land that has ties to religion, customs, and cultures. The history of America is littered with stories and events that deal with acquisition of land. The sake of growth, expansion, and progress takes precedence in the history of America. Our country’s geography is a road map of acquired land and the pushing aside sacrality.
Our country has treated sacred land in a variety of ways. Religious sites have found their way, at times, to the front lines of protest and change. Religions across the globe carry some sort of Mother Earth element. Hinduism has the goddess Pṛthivī, the Greeks worshiped Gaia and Hestia, and the Hopis called her Tuuwaqatsi. Papahānaumoku is Mother Earth to Hawaiians. She is the life-giving force and the ancestor to all human beings. Honoring the earth becomes honoring our mother.
I was recently asked how I reconcile being a Christian with also being a critic of Christian theology, traditions, and culture. I am asked this often and my answer is always the same. I have not found reconciliation and might always be finding a way to reconcile this – an endless cycle of trying to make my heart fit into a structure in which centers whiteness and domination.
This time is different though. When I was asked my mind immediately returned to the Earth. Nature. Creation. How I have always longed for a plot of sacred Earth of my own in which I would continually give birth to and create life in various ways. How so far this dream has seemed from my brown fingertips. Never in my almost twenty-nine years, have I imagined I would have the opportunity to own my own land. However, in the last few years since I worked and lived on a farm and have been manifesting with lunar energy and ritual that one day I would harvest and care for a land of my own. A land that I would pass down to my children. A land in which we would find God. A land which would sustain us.
Early in January I discovered a chickadee with a broken wing floundering in the snow. I rescued him, providing him with a safe haven in the house, hoping he might recover use of his wing. For the first couple of days we conversed at the edge of the mesh that covered the sides of his cage and he seemed pleased to be with me. I named him Blue.
On the third morning, a solitary chickadee chirped just behind me outside the window. I immediately suspected it was his mate because Blue became almost frantic jumping back and forth on the mesh that faced the window.
After that incident, things changed radically. Blue bit me hard whenever I changed his water. He tried to escape repeatedly. I knew that to let him go was to consign him to death because sub-zero temperatures were the norm for this time of year. I resisted. It took a few more days to face the truth. I could feel and sense it. I had to let him go although I knew he would die.Continue reading “Wings by Sara Wright”
So much has happened since my last post. From the inauguration of President Joe Biden and Vice President Kamala Harris, the GameStop Investment, the military coup of Myanmar, the 2nd Impeachment Trial and Republican Acquittal of Donald Trump, a catastrophic Artic Freeze of Texas, and other states, and the upcoming “no holding back, tell all” from the Duke and Duchess of Sussex. But what I really want to focus on this month is on something that is struggling to maintain publicity and support despite its importance; The Farmer’s Protest/Strike in India.
As I have witnessed both the joy of so many across the world at the nomination of Kamala Harris for Vice President and the deep sorrow at the death of Ruth Bader Ginsburg, I am struck by the fact that, in 2020, supremely qualified women still need to be trailblazers to hold high office. After all, goddesses and wise women gave a number of cultures their systems of laws and governance and have been celebrated for their wisdom as judges for millennia.
Here are a few of the goddesses and wise women lawgivers:
the Italian goddess Egeria gave Rome its first laws and taught the correct rules for Earth worship;
the Babylonian Kadi, was goddess of Earth and justice;
Ala of the Ibo people of Nigeria is both the Earth Mother and lawgiver of society;
the Greek Themis, daughter of Gaia, symbolized the social contract and cohesion of people living on Earth;
the Inuit Sedna both gave humanity abundance from the ocean for life from her own body and withheld it when her laws were broken;
Marcia Proba, whose historical reality is unclear, is said to have created the ancient Celtic system of laws known as the Marcian Statutes that may have influenced later British law;
past and present Women’s Councils and Clan Mothers of the Iroquois and other Indigenous peoples as well as those of Societies of Peace have brought harmony and well being to their people for tens of thousands of years.
Yet, I was content enough here wasn’t I [living part of the year in Abiquiu, New Mexico]? The desert was starkly beautiful, and I loved the place I lived, doing my best to create a home, planting trees and creating small gardens. I had escaped the too long winters, the heavy physical work associated with them. Yet questions gnawed at me. What did it mean to feel at home? Why the profound feelings of emptiness and lack of clarity? And what about the light?
I couldn’t escape the problem of light. One of the reasons I set out for the river in the dark was because I wanted these walks to end before sunrise. There was a quality of intense light present during the day in the too thin air that I found disturbing. Too much light, air, wind, and on the other extreme, too much stone. The crust of the earth held little in the way of new life in the desert. Survival of any plant species was precarious and dependent on the rains that rarely came. Almost everything I planted ended up dead. The desert had little to offer in terms of containment for people or plants. The sky gods ruled the desert, and did so with an iron will. Stone doesn’t surrender; it is incapable of receiving. This was not a forgiving place. Continue reading “In Sight (Part 2) by Sara Wright”
In the precious hour before dawn I walk down to a river that no longer empties into the sea – the circle of life has been broken – the earth’s veins and arteries are hopelessly clogged by human interference (stupidity) – the birds and animals that used to be able to rely on the river waters for food and resting places can no longer do so because dams control the water flow and westerners “own” the water. This morning black stone sculptures appeared overnight because the water level has been dropped another foot. And yet, acknowledging the flowing waters in their death throws seems like an important thing to do. For now, at least, the river turns crimson, reflecting the raging beauty of a pre dawn sky, and I am soothed by water rippling quietly over round stone.
I open the rusty gate to enter the Bosque, a place of refuge, for the cottonwoods and for me. Now I am surrounded by desert scrub and graceful matriarchs arc over my head. As I traverse the well – trodden path I enter a meditative state without effort. Soon I am walking in circle after circle passing through the same trees and desert scrub hearing voices.
feminismandreligion.com 