Women’s Spirituality – Page 3 – Feminism and Religion

Keyvermestn by Janet Madden

in memory of Esther Shumiatcher-Hirschbein

1.
On a sunny Elul afternoon
I kneel at your grave
a sprig of rue in my pocket.
I recite a tkhine for visiting the graveyard
and imagine that you know this ritual–
stretching string to calculate
the space your body inhabits.
The unspooling wick rests gentle
on rough-cut grass, touching
the edges of mortality,
its twists separating and connecting worlds:
the dead and the living
the past and the now
mine and yours,
a woman I never met,
a writer dead these 40 years.

Sex Radical. A new film by Andy Kirshner; film discussion by Janet Rudolph

At the bottom of this post you will find information for a free streaming of the film.

We are witnessing now in real time what happens when the full weight of the Federal Government turns its attentions and goes after individuals and even companies with the intent to squash dissent, intimidate and punish dissenters. This is perhaps most prominent among the immigrant population and those who the administration have been targeted with the legal system. But before there was Mahmoud Khalil, CBS, The Washington Post, UC Berkeley and all the others who have been hounded by government, there was Ida Craddock who faced the full weight of a government that turned its sights on her.

From the Archives: Censored Angel: Anthony Comstock’s Nemesis. A Novel by Joan Koster

This was originally posted on October 10, 2024.

Moderator’s Note: With the Trump administration getting closer and closer to re-establishing the Comstock Laws in their efforts to stop all abortions in the United States, we felt it important to repost this story. It is about Ida Craddock, her life and her efforts to stand against Anthony Comstock. Joan Koster wrote a powerful book about her. This post today is also a prelude to tomorrow’s post which will discuss a new movie Sex Radical that will be premiering this month about Ida Craddock’s life.

“I would lay down my life for the cause of sex reform, but I don’t want to be swept away. A useless sacrifice.” Ida C. Craddock, Letter to Edward Bond Foote, June 6, 1898

In 1882, Ida C. Craddock applied to the all-male undergraduate school of University of Pennsylvania. With the highest results on the entrance tests, the faculty voted to admit her. But her admission was rejected by the Board of Trustees, who said the university was not suitably prepared for a female. (U of P only became co-ed in 1974)

With her aspirations blocked, Ida left home determined to leave her mark on women’s lives by studying and writing about Female Sex Worship in early cultures. At the time, little information was available to women about sexual relations. To do her research, Ida resorted to having male friends take books forbidden to females, such as the Karma Sutra, out of the library for her.

An unmarried woman, she turned to spirituality and the practice of yoga, a newly introduced practice to the American public at the time, as a way to learn about sex. In her journals, she describes her interaction with angels from the borderlands, and in particular, her sexual experiences with Soph, her angel husband through what was likely tantric sex.

Sauna, Culture, Sweat and Spirituality: On the Architectonics and Cosmology of Sacred Space by Kaarina Kailo: Book Review by Beth Bartlett

Living as I do in the midst of both Finnish immigrant and Anishinaabe cultures, and where the two merge in the many here who identify as “Findians,” I was intrigued by the description of Kaarina Kailo’s book, Sauna, Culture, Sweat and Spirituality, as a comparative exploration of Indigenous sweat lodges — madoodiswan in Anishinaabemowin — and Finnish saunas.[i] As an outsider to both cultures, I have no ancestral or traditional knowledge of either saunas or sweat lodges and I wanted to learn more about both. Kailo’s book did not disappoint. What I hadn’t expected and was delighted to discover was that Kailo connects both with ancient goddess religions, contemporary feminist spiritualities, and ecofeminism.

Kailo’s book is a widely and deeply researched cross-cultural comparative study of the elements, practices, intentions, and spiritualities of sweat cultures ranging far beyond various Native American sweat lodge practices – Delaware Great Houses, Anishinaabe sweat lodges, Pueblo kivas – and the Finnish sauna,to Iberian/Galician saunas, Irish sweathouses, and Old Europe. As Kailo herself says, the value of such cross-cultural studies is the way they help to expand our thinking, enabling us to see things we might not have otherwise. She repeatedly says that she is looking for the “affinities” among these various sweat cultures, rather than focusing on their differences, and she finds many. In the process, she reveals the role of sweat lodges, sweat houses, and saunas as sacred spaces of healing, restorative balance, connection with the spirits, rebirth and regeneration, women-centered spirituality, and Great Bear religions. Infiltrated throughout are her reflections on how reviving the widespread use of sweat cultures and saunas, and the woman and life-centered spiritualities at their heart, would provide an antidote to the current economic, ecological, and political threats to the world.

A Cave Story by Arianne MacBean

A few years ago, I took a pilgrimage to Crete with the hope of meeting the Great Goddess. I was yearning from something undeniable, proof that would allow me to be a card-carrying believer. Although our group was led to powerful ancient sites where we enacted sincere rituals and dances, each time I failed to feel greeted by Her universal power.

Except once. And I almost missed it.

The great cavern, Skotino (Photo by Helen Marie Traglia)

One day, a small but determined group of women took it upon us to co-lead a ritual at Skotino cave, an ancient site used for sacred purposes from the Bronze Age through the Roman era. The collaborative approach to facilitating a ritual was new to us, so we all felt especially ignited and giddy. Before we descended into the depths of the cave, I sang, (something I NEVER do). I had been provided lyrics, but I made up my own melody, which my fellow initiates sang back to me, as a call and response.

Elemental Grannies: Snippets from Over the Edge of the World, A Fairytale Novel by Elizabeth Cunningham

Introduction: An old woman, Rose begins spinning the tale the children never tire of hearing. Grannies Sweep, Spark, Dirt, and Brine, were old, so old, they forgot who they were and how they came to live where they did: a sheer pinnacle, a walking forest, an old shoe, a ship moored off a hidden shore.

But Rose has never told the whole story—to anyone. The story of a world these children have never seen, where the rich lived inside a vast dome, protected from heat and cold, rain, wind—and hunger. Nor do the children know about madness or cruelty. She has never told them about Noone, the power behind the dome, his obsession with immortality.

If she never tells these stories, who will remember the bravery of the beauty singers who daily risked the ultimate penalty—being thrown over the edge of world. Who will remember the intrepid children who danced defiantly on the dung heaps. If Rose does not tell her own story, who could imagine her birth deep inside the dome, the dangerous secret of her existence. A secret guarded her two huge aunties, once ragged outside boys, who became outrageous bodyguards in towering wigs and heels. To protect the new world and the people she loves, it is time for Rose to tell…

Divining Goddess: Tattooed Sawbonna & Serpent by Margot Van Sluytman/Raven Speaks/Heyoka

Tattooed upon my body. Residing in my soul. Sawbonna. Serpent. Snake. SHE who is. Was. Always will be. Like waking from a solemn sleep. I walked with the intention of heading to my home where I have been building houses. Papier-mâché mansions and tiny, tiny shacks. Sheds too, that speak of shelter. Of warmth. Of community.

After time with Jess and Benn in Emma’s office, heading in the direction of my cozy cave of light. My sanctuary. Where silence rarely slumbers. I looked up. Above me there, right there, blue, blue, sky. Fat potent clouds. One errant, silent-speaking breeze redolent with hope. Reeking of Sawbonna. I knew that the time had come.

I knew what I had do.
I did not return home.
I turned left on to Hunter Street.
Wended my way to Simcoe Street.

After conversation with Nelson at Henry’s Barber Shop, Riverside Tattoo and I became acquainted. It was mid-afternoon.

If I am The Mother* by Rebecca Rogerson

If I am The Mother

then I am holy. Made of moonbeams and shadows, darkness and light, questioned and answered, lost and retrieved;

discovered remains

If I am The Mother

then I am a reflection, a depiction, an inflexion of a cosmos in bliss and chaos, birth and destitution; a primordial sound unleashed to form planet, life, and

you and me

If I am The Mother

then I am fermented in humanity, and sour the illusions of precipices we’re told that

we cannot cross

Cross the trinity of three’s and return to

the magic of all

Hopscotch Spells by Annelinde Metzner

In my work with the folklore and music of children’s games and circles, I’m enchanted by how many bits of magic are interwoven into everyday children’s games from many, many years ago. Our childhood closely intersects with the deep, witchy, magic world of spells, talking animals and whispering spirits.

POEM: “Hopscotch Spells”

One, two, three, O’lary,
four, five, six, O’lary….

I’m pulled like a slingshot’s band
back to those childhood, everyday spells.

Ally, ally, in-come-free!

Each day, we’d open the screen door
and hurry to our witches’ college,
pursuing a degree in the Child’s School of Magic.

One potato, two potato, three potato, four!

What drew us to each other this way?
The circle of street kids, our pals,
our fists beating out the rhythms,
our jumps and our skips conjuring powers.

Offerings to the Labyrinth on Papoura Hill, excerpt from the novel by Sylvia V. Linsteadt

Sylvia’s discussion of Papoura Hill was posted yesterday; read it here.

I have so many words I want to pour out of my vessel of milk and honey upon Papoura Hill, on the big scar in Crete’s earth where the airport is being carved, on all the places slated for the construction of electricity pylons, and into so many other scars left by millennia of conquest and occupation, but for today what follows is just one song to her. These words are not full of fighting rage or defiance, but of praise, and softness, and memory. Of motherlines that cannot die, and fatherlines almost lost, but not quite. These words come from the beginning of a novel that I began writing during my first season living in Crete almost seven years ago now, a novel that has metamorphosed with me across these many years, shedding skins and growing new ones— both me, and the novel. The book is still in process, close to being born, but here is one of her many skins, laid at the center of the labyrinth on Papoura Hill with my love.

Moonrise Over Old Crete
an excerpt

The earth tilted toward dusk.
Along the shores of Crete, the Aegean turned for a moment to gold.

Women flocked down to the sea like dark birds to pour jugs of oil and wine into the water. Amphitrite of the cockle crown, they murmured, Aphrodite mother of vessels, mother of the foam and deep, bring our men home safe. The sun lowered under the edge of the world, leaving the last light along the coast. Threads of it pooled in sea-caves and in the inlets where fishermen kept their summer boats. The old storytellers said that in lost times, when the queen was called the Ariadne and her king the Bull, the women of Crete could gather up the last light from the sea onto their distaffs and take it home to spin golden thread for their skirt hems and finest vests.