Feminism and Religion

I Am Wicked by Chaz J.

*When I refer to Black women, I am referring specifically to descendants of African peoples that were forced to experience the dehumanization of chattel slavery in the United States. I refer to those who would build the foundation of the country, uncredited. Those whose descendants continue the legacy of fighting for liberation.

When a sister-friend invited me to see Wicked, I was hesitant. I’d never seen the show, and my attention span hadn’t even allowed me to finish The Wizard of Oz or The Wiz (the Black rendition). However, seeing the wicked witch, Elphaba, portrayed as a Black woman changed everything. It felt deeply personal; a reflection of my own life as a Black woman in predominantly white environments. As a womanist theologian, centering Black women’s experiences is central to my daily and theological framework, and this felt like a powerful synchronicity and spiritual experience aligning with my newly entered villain era!

Oran Mor, The Great Song of Creation, Part 2 by Iona Jenkins

Part 1 was posted yesterday. You can read it here.

After moving to Wales, I had more slow listening time, where I could even create personal rituals to tune into the Great Song. I became aware of the voices of birds, the rustling of daffodils, the washing of waves upon the shore below the cliff outside my window. Internally it is reflected as a beautiful chorale under a dreaming full moon, mystical merging with a starlit sky, or wakeful in the golden call of sunrise. The Universe puts on an inspiring sound and light show whether we listen or not. Sometimes when I write poetry it feels like Creation is singing through me.

Oran Mor, The Great Song of Creation, Part 1 by Iona Jenkins

Celtic myth tells of the Oran Mor, the Great Song of Creation that upholds life itself.

I remember my sense of wonder and excitement when I first stumbled across this concept in The Mist Filled Path, written by Scottish/Irish/American shaman Frank MacEowen. I began an immediate quest to discover more, but internet searches produced very little information, and as there were no books available relating only to the Great Song, I concluded that perhaps information had been passed down verbally by Bards, slowly receding into the mist as Christianity became more established in the British Isles. Each time I mention the Oran Mor to someone else, they too become energised and enthusiastic, as if they sense the magic reawakening. MacEowen, who certainly encountered it on his own Mist filled Path, wrote:

“The reason we find no evidence of this Celtic Creation story, is because it is a living story – A story that waits for us to remember. In other words, no matter how hard we look, we will not find the story outside ourselves. We have all been woven into the story, it is our story, and it continues to unfold.”
p.113, The Mist-Filled Path, Frank MacEowen, 2002 New World Library

Broken Human Bonds by Janet Maika’i Rudolph

Author’s Note: I originally wrote this in the fall when Andrea Robin Skinner started going public with her own story. It has taken me a while to contemplate posting it. It feels like this is such a common story that it needs to be shared. We all need to know that we are not alone and that each of us is lovable.

Whenever I hit a personal and/or emotionally raw topic, my first instinct is to turn to Tarot cards to see what lessons I need to learn. I use Rachel Pollack’s Shining Tribe deck (more on that later). I have been finding myself in this situation recently with the revelations of Andrea Robin Skinner, daughter of the renowned Nobel Prize winning writer Alice Munro. Andea waited until her mother died before she revealed publicly that her step-father began sexually abusing her when she was nine years old. When she had told her mother about it, Munro blamed Andrea for damaging her marriage. The stepfather at issue publicly called Skinner even though a child at the time, a “homewrecker.” He did this in a letter which included death threats. Abuse, blame, threats tools of patriarchy all. Skinner’s own mother didn’t seek to protect daughter but chose instead to shield the abuser. A betrayal of the most primal sort!

The Grandfathers, part 2 by Sara Wright

Yesterday’s post which you can read here, ended with this line from the Grandfather, “The young people will become confused and when all is finally lost then the Creator will return to restore not just the Tewa but all tribal peoples to the land.”

I experienced wild hope surfacing… I had heard words to this effect before but assumed that the people needed that story to go on. Suddenly I wasn’t so sure… something about the way this man talked to me made me believe him. He exuded a complex sense of deep humility, knowledge and authority. I thought about the ravages of Climate Change and the disgusting cross-cultural belief that the Earth’s job was to serve humanity. My rational brain went on overload giving me a thousand reasons why what he predicted couldn’t be true, almost as if it needed to win this round (ah, Patriarchy exposes itself – if you don’t win you lose). Yes, it was true that we were in a state of breakdown… he didn’t deny it but he also made it clear that this was not the end. First we had to survive the breakdown, and living through it is a challenge that some like me live with every day. These are dark times.

The Grandfathers, part 1 by Sara Wright

Moderator’s Note: Sara wrote this in 2019. This is its first publication and has grown all the more pertinent now.

Sapawe is an ancestral Tewa Pueblo located outside of El Rito. Until this weekend I had never been to the ruin. I didn’t know, for example, that it was the largest ruin in New Mexico, and perhaps the entire Southwest or that during the period it was built and occupied (1300- 1500’s) that ten thousand people lived there. Estimates suggest that there were at least 1,800 ground rooms and twenty – three kivas. Walking around the huge compound is something I have yet to do. It was too hot for me to do more than take in the astonishing view or traverse a small part of the plateau, briefly. I did note that there were artifacts and planned to come back another time – soon.

Early yesterday morning I met with four other people to see the shrine that was located outside the pueblo. This was the place that secret ceremonies were held on behalf of all the people in the pueblo. On the surface all that could be seen was a large raised stone circle, but there was a sense of presencethere that felt both powerful and peaceful probably because few people knew about this shrine and the natural power of place had not had a chance to dissipate. After having explored a couple of other Tewa ruins, I learned that it was very important to allow place to speak in its own time, and to allow that to happen I had to return again and again with an open heart, eyes that could see beyond the obvious, and an active inner ear … The land speaks to those that can listen.

Legacy of Carol P. Christ: “The Language of the Goddess” In Minoan Crete

This post was originally published on Oct. 8, 2012

While the “war against Marija Gimbutas,” rooted in what my friend Mara Keller calls “theaphobia,” is being waged in the academy, her theories continue to unlock the meaning of hundreds of thousands of artifacts from the culture she named “Old Europe.”

According to Gimbutas, the Neolithic and Chalcolithic cultures of Old Europe c. 6500-3500 BCE were peaceful, sedentary, agricultural, matrifocal and probably matrilineal, egalitarian, and worshipped the Goddess as the power of birth, death, and regeneration in human and all forms of life. The cultures of the Old Europe contrasted with the Bronze Age cultures of the Indo-Europeans who brought the Indo-European languages and value systems to Europe and India and to all of the European colonies. The Indo-European cultures were patriarchal, patrilineal, nomadic, horse-riding, and warlike, and worshipped the shining Gods of the sky.

“The language of the Goddess” includes a series of signs and symbols that the people of Old Europe could “read” as surely as you and I know that a cross on top of a building marks it as Christian or that a woman wearing a star of David pendant is Jewish. Gimbutas identified the meaning of these symbols through a painstaking process that involved comparison of artifacts, attention to where they were found, and clues from the recurrence of similar symbols in later cultures. In twenty years of leading Goddess Pilgrimages to Crete, I have found Gimbutas’ theories an indispensible “hermeneutical principle” which unlocks the meanings of the artifacts we encounter.

Continue reading “Legacy of Carol P. Christ: “The Language of the Goddess” In Minoan Crete”

From the Archives: “Shemot: Women’s Misbehaving and Disobeying as the Key to Liberation.”

Author’s Note: This blog was originally published five years ago to the day (12 January 2020). It rings as true then as it does today.

Shemot will be read in synagogues on 18 January 2025.

This week’s Torah portion, or parshah, is Shemot (Exodus 1:1-6:1). This parshah sets the scene for the liberation of the Israelites from slavery both by introducing main characters and elaborating on just how difficult life was for the Isrealites under Pharoah’s rule. The parshah contains many noteworthy aspects: the death of Joseph and the multiplication of the Isrealites in Egypt; the increasing wrath of the Egptians; the birth and adoption of Moses; Moses’ encounter with the Divine in the form of a burning, yet unconsumed, bush; the revelation of the divine name, G-d’s plan for Moses’ role in the liberation of the Israelites from slavery; Moses’ attempts to get out of his assigned role; and Moses’ first confrontation with Pharoah.

In addition, there are many women, who are integral to the salvation of the Israelites, in this parshah. For the most part, Jewish tradition has acknowledged their part when it comes to discussions of this parshah, especially Shifra and Puah. Yet, their role is often overshadowed by Moses’ varied miracles, the mighty power of the divine, the revelation of the Torah, the wanderings in the desert, and so on. However, the Israelites’ liberation from slavery would have looked quite different without women.

Guanyin: My Very Own Goddess of Compassion

It was a class that changed the course of a personal history. Mine. The year was 2001. I had arrived in the United States a couple of years earlier to study journalism. In my last term – after four semesters of trying hard to navigate the American education system, what with its confusing terminology of credit hours, electives, majors, minors, I decided to venture out of my comfort zone (this was my Breaking Bad moment) – and took a 3-credit grad course, Religion in China, as an elective (that word again; and oh, when I first arrived, I thought 3 credit hours meant dedication to a grand total of three hours of coursework over the entire semester; you get to choose when).

It was in this class I was first introduced to Guanyin, the Chinese goddess of Infinite Compassion and Mercy. Guanyin, a bodhisattva[i] who rushes to the aid of her devotees upon hearing their cries, herself has quite an interesting history. She arrived in China from India as Avalokiteshvara or “the lord who gazed down at the world” as a male. Little wonder then that this gender fluidity makes her a popular deity among members of the LGBTQ community. Somewhere along the journey, Avalokiteshvara transforms into Tara. Apparently, so moved was Avalokiteshwara by the suffering of those trapped in samsara[ii] that he wept copiously, his tears creating a lotus from which sprang the goddess Tara.

Heart Drum by Sara Wright

I listened to
my heart
murmuring
softly
her voice
a viscous fluid
slow moving river
changing course
from right
to left
pumping molten minerals
over bones
tunneling around limbs
amazement
overcomes me
Whole Earth
holds heart songs
my dogs and me
whistling turkeys
scolding nuthatch
twittering titmouse
cheeping chickadee
browsing deer
astonishment lingers
I am treasuring the
sweet sounds
of this heart
thrumming through
heartbreak
submerged
in a flow
of wonder…
the kind of
awe that moves
mountains of stone
a raging body
waterlogged
by grief
– how can it be
this heart
continues
to pulse
drumming
to Nature’s rhythm
while a
crimson soul
breaks open
over and over
keens
drowning
in losses
too deep?
Twin chambers
pulse in my breast
expanding contracting
as they continue
thrumming
Life’s Drum.
Trees, birds
dear friend
(you know who you are)
My Beloved
Healer
Thank You
All
With every heartbeat
my gift to you is
the promise of
Embodied Love.