Feminism and Religion

The Nature of Reality Is Relationship by Carolyn Lee Boyd

Water drops on spider web, US Fish and Wildlife Service, Public Domain.

According to the Universe, the true nature of reality is relationship. In fact, at the level of quanta, the smallest objects in the cosmos, we don’t even exist outside of our relationships¹. How different this is from our common 21st century understanding of ourselves as inherently alone in our bubbles of existence, our societies conceived of as a collection of individuals all wrestling each other for the basics of life. What if we took this truth about quanta to heart on our human level? What if we began to think of ourselves as not primarily alone, but rather as a node in a web of connection, an essential part of a greater, even universal, whole? How might our lives and societies be different? When I experience Goddess myths and traditions and look at some of the societies from which they rose, I seem to catch a glimpse of what this change in perception might be like in our daily lives.

Big Mama by Arianne MacBean

I used to tell my dance students that the dance floor was like a Big Mama, aways there to catch them, always there to sink into, always there to press back. This was my way of teaching them to trust the floor, that it was not a place where they needed to fear crashing into, but a place that wanted to take them in, hug them, love them. As dancers, we spend much time focused on the floor, how to release into it with control, how to push off it, even how to defy it and manipulate it. It becomes our partner in all dances, this blanket beneath us. But I haven’t been in a dance studio for a few years and so I have found myself looking up, instead of down.

Women’s Woven Voices at the Parliament of the World’s Religions by Brecia Kralovic-Logan

Imagine walking into a space surrounded by the woven stories of 1,000 women from around the globe and feeling you are at home. The Women’s Village at the Parliament of the World’s Religions conference in Chicago in August of 2023 offered a place where women could feel welcomed, safe, understood, honored, and inspired. It was surrounded by the color and texture of the Women’s Woven Voices project tapestry.

I am the founder of the international, collaborative, art project- Women’s Woven Voices- that supports women in claiming their powerful voices through writing, weaving, and sharing their stories. For six years I had been inviting women to reflect on their lives, write about their strengths, challenges, joys and what made them feel whole, and then, weave a strip of cloth to represent their story. I collected the woven “Story Cloths” and stitched them together into a collective tapestry. Having stitched over 1,000 stories into the tapestry from women from 10 different countries, I applied to participate in the Parliament as an art installation and then joined the Women’s Task Force to create a very special space for the thousands of women who would be attending the Parliament.

Judy Chicago, Feminist Trailblazer by Joyce Zonana and Janet Maika’i Rudolph

“Instead of looking to the male world for approval, I had to learn to rely on my own instincts. In some strange way, the rejections I faced strengthened me, but only because they forced me to learn to live as I saw fit and to use my values and judgment as my guides.”
The Flowering: The Autobiography of Judy Chicago

Janet: I live near New York City and am fortunate to be close to many museums. The New Museum has been showing an exhibit by Judy Chicago that takes up the entire facility of four floors. And it is remarkable. Not only is the breadth of her work astounding but so are the stories of how she has had to fight to be accepted in a man’s world of art. Joyce Zonana first recommended that I go. This blogpost came about as part of a discussion between the two of us.

Listening to Our Landscapes, by Molly Remer

Today the hawk is back, tail feathers lit gold and black by a bright and welcome sun. It stays only a moment before tilting out of the tree and continuing on its way, but this moment is enough to spark a sense of joy and wonder in my chest, the awake kind of glee that fuels and feeds me, that inspires and holds me. This feels like the Year of the Hawk to me, of clear focus and intentional commitment. I watch it glide away between the trees and take a deep breath of release and freedom. I re-center myself into my body and reconnect to the sacred What Is. I am open to clarity. I am open to trust. I am present with this day’s unfolding.

Star Beings? by Sara Wright

The well-known writer LESLIE MARMON SILKO has a very interesting idea – that star beings come to earth crossing over occasionally when the membranes of parallel worlds are more permeable than usual. She painted some star beings and they spoke to her without words…. Some were not friendly; most of hers lacked compassion and didn’t care much for human beings.

This made me think about astrology, a very popular cultural belief system that has ancient origins involving divination and was once correlated with the stars in our galaxy and the patterns they created (the stories they might have been telling and others we told about them), but has since split away into a very fixed system that make little sense to me. However, since the 60’s popular astrology has become a kind of religion for some. Perhaps astrology is taking the place of religions of various kinds that are in a state of collapse?

Legacy of Carol P. Christ: Body, Nature, Ancestors

This was originally posted on January 23, 2012

Some years ago, womanist theologian Karen Baker–Fletcher asked about ancestors following a lecture I gave on the body and nature. I have since come to realize that ancestors are a missing link between the two: we cannot speak adequately of embodiment and interdependence in the web of life without recognizing the ancestors whose lives made ours possible. Our mothers quite literally gave us our bodies. All of our ancestors gave us their genes. Care and callousness with origins going back longer than conscious memory was imprinted on the psyches of our parents and grandparents and transmitted to us. All of our ancestors give us connections to place. While many black people in America can recite oral histories that begin with slavery in the United States, I come from a family where stories of origin for the most part were not valued or told. Both of my father’s parents lost their fathers when they were very young, and my father, who was raised Catholic at a time when Catholics were discriminated against, preferred to think of our family as “American now.” Like the hero of the film Lost in America, most members of my family dreamed of “melting right into that pot.” In the process we lost stories we need to help us to understand ourselves and the complex realities that “becoming American” involved.

The Journal Gender a výzkum/ Gender and Research

I would like to introduce this community to Gender a výzkum (in Czech) or Gender and Research (in English), a transdisciplinary, peer-reviewed journal founded in the year 2000 and dedicated to research in Feminist and Gender Studies in the Czech Republic. While the journal’s main focus is work pertaining to Central and Eastern Europe, it is open to a wide range of geographical locations and topics. The journal, which publishes articles in Czech and English, often puts out calls for individuals or groups of people to edit monothematic issues. Past monothematic issues include feminist reflections on Covid, an issue on the use of language concerning sex and gender, gender in popular culture, children, adolescence and sexuality, feminist interpretations of Islam, and postcolonial and decolonial thinking in feminist theory to name just some. If you would like to read them, the journal is available online as well as in print.

Rereading Adrienne Rich’s “Compulsory Heterosexuality and Lesbian Existence” by Xochitl Alvizo

I recently reread the essay titled “Compulsory Heterosexuality and Lesbian Existence,” by late poet and essayist Adrienne Rich, with my students this semester. Published in the summer of 1980, on the heels of the Women’s Liberation Movement, I found that the essay still maintains its relevance and challenges us to remember that feminism is a political movement that itself must be continually interrogated.

The essay (which you can read here, with a foreword from Rich published 23 years after the original) has four sections which are titled only with the roman numbers I-IV. I labeled these sections for my students to try and capture the focus of each: I. Compulsory Heterosexuality – The Groundwork; II. Male Power and the Inequality of the Sexes; III. Lesbian Existence as Political Identity; and IV. Woman-Identification as Source of Power and Energy.

Is “Barbie” Feminist Media?

Is Barbie a kind of counter-apocalyptic feminism? I am quick to embrace liminal violence in my own theories. Why not liminal joy or fun? Or, is Barbie just product placement?

Lately I’ve been thinking a lot about the idea of feminist media in light of all the hype around the Barbie movie and the backlash over the fact that neither director Greta Gerwig nor Margot Robbie (Barbie) received Oscar nominations. And while America Ferrera did receive a nomination for best supporting actress, a lot of critical attention has gone to the fact that Ryan Gosling (Ken) received a nomination for best supporting actor. I see the point. I understand the feminist critique here: female power is given an “atta girl,” but her creative contribution and leadership is overlooked. All that said: I didn’t really love the movie and the performance of the “I’m Just Ken,” song was my favorite part. Ferrera’s “iconic” monologue fell flat for me. Haven’t I read those words before, all over social media? The Barbie movie leaves me wondering, not for the first time, just what is feminist media?

When Game of Thrones was at its height of popularity, I saw so many online posts about the amazing female power (read feminism) of the show. But, having read the books, I took great issue with this characterization of the HBO blockbuster. Book five of The Song of Ice and Fire features, from what I recall, a double-digit number of sexual assaults against women. Every strong female in the story uses power as violence and dominance, and then of course, they are punished for it (as I wrote about in another blog). HBO’s Girls received similar feminist (and/or “post-feminist”) cred, featuring women who were supposedly friends but clearly seemed to disdain or ignore one another. Carter Hayward’s concept of “alienated power,” runs rampant in these two shows, and we enjoy it, because, as she explains, we have a hard time seeing power as anything else in a patriarchal system.