Moon Worshippers by Beth Bartlett

You’d have thought it was the 4th of July the way people were gathering on the shore of the great lake, Gitchee Gumee – some with coolers and lawn chairs, kids and dogs in tow, each claiming their spot — waiting for the viewing as if waiting for the fireworks.  But what we awaited was far more spectacular – the “once in a very blue moon,”[i]  the second full moon in a calendar month, but also a “super moon” – so named because at this time when it is closest to the earth in its orbit it appears larger than usual. Super moons happen a few times a year and blue moons happen every two to three years, but super blue moons are rare. This one was probably the last in my lifetime since the next one will occur fourteen years from now in 2037.

My husband, dog, and our son’s dog, aptly named Luna, made our way to the lake, finding our spot on the ancient rocks, joining the other moon gazers. A feeling of community celebration arose with the moon as we strangers to each other together watched the first light of rising moon with shared anticipation and appreciation. The “blue moon” in fact appeared red as it came up through the hazy atmosphere, but as it rose higher in the sky, just as in the lyrics to the song, “Blue Moon,” the moon turned to gold, casting its golden glow across the waters.  As it rose, it seemed to grow even larger, rounder, brighter.

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Nineteen months and Counting: Experiencing  the Web of Life by Joyce Zonana

On February 28, 2022, I unknowingly drove into a deep snowbank, shortly after finding myself in  a strangely  unfamiliar landscape. Suspecting a TIA, my primary care physician  urged me to go to an emergency room for a possible CAT scan. There, a lesion in my right parietal  lobe was quickly discovered.

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Legacy of Carol P. Christ: The Sacred Feminine or Goddess Feminism?

This was originally posted on January 25, 2016

Carol Molivos by Andrea Sarris 2

In recent years “the Sacred Feminine” has become interchangeable with (for some) and preferable to (for others) “Goddess” and “Goddess feminism.” The terms Goddess and feminism, it is sometimes argued, raise hackles: Is Goddess to replace God? And if so why? Does feminism imply an aggressive stance? And if so, against whom or what?

In contrast, the term “sacred feminine” (with or without caps) feels warm and fuzzy, implying love, care, and concern without invoking the G word or even the M(other) word–about which some people have mixed feelings. Advocates of the sacred feminine stand against no one, for men have their “sacred feminine” sides, while women have their “sacred masculine” sides as well.

Nothing lost, and much to be gained. Right? Wrong.

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Why We Need to Bring Back God as a Woman, part 1 by Caryn MacGrandle

26,000 years ago, life was precarious and dangerous.  And so the human race revered the Mother.  Mother Earth, who provided food amidst scarcity, protection from the dangers of the wild and healthy babies who grew to adulthood.

The Goddess.

In her many forms.

Some of these Goddesses.

Venus of Willendorf.  The artifact known as the Venus of Willendorf dates to between 24,000–22,000 B.C.E., making it one of the oldest and most famous surviving works of art.

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From the Archives: Sacred Water by Molly Remer

This was originally posted on August 9, 2017

“Drinking the water, I thought how earth and sky are generous with their gifts and how good it is to receive them. Most of us are taught, somehow, about giving and accepting human gifts, but not about opening ourselves and our bodies to welcome the sun, the land, the visions of sky and dreaming, not about standing in the rain ecstatic with what is offered.”

–Linda Hogan in Sisters of the Earth

The women have gathered in a large open living room, under high ceilings and banisters draped with goddess tapestries, their faces are turned towards me, waiting expectantly. We are here for our first overnight Red Tent Retreat, our women’s circle’s second only overnight ceremony in ten years. We are preparing to go on a pilgrimage. I tell them a synopsis version of Inanna’s descent into the underworld, her passage through seven gates and the requirement that at each gate she lie down something of herself, to give up or sacrifice something she holds dear, until she arrives naked and shaking in the depths of the underworld, with nothing left to offer, but her life.

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Ancient Her-Story by Annelinde Metzner

Lately I’ve been rereading and refreshing myself with important books of the Great Goddess.  Three books at a time! I would switch off, chapter by chapter, among  When God Was a Woman by Merlin Stone, When the Drummers Were Women by Layne Redmond, and one that had remained overlooked on my shelf, Sanctuaries of the Goddess, The Sacred Landscapes and Objects, by Peg Streep (1994.)  I’ve been immersed in the knowledge of 30,000 years of honoring and worship of women’s bodies and the Great Goddess. When I got to Chapter 7 of Peg Streep’s well-researched book, “The Goddess at the Peak: Crete,” I was blown away with the evidence we still have, in art, architecture, religion and culture, of a highly advanced society, full of life and joy, where women were central to all life. With my mind, my heart, my intuition and my sense of past lives, I’ve attempted to place myself there, before any influence of patriarchy.

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Legacy of Carol P. Christ: TWO TORTOISES IN THE WEB OF LIFE

This was originally posted on March 14, 2014

The Gods made only one creature like them—man.  Greek TV documentary

The sight of a reptile or an amphibian usually provokes, at the very least, a feeling of repulsion in most people. Natural History of Lesbos

testudo marginata face

In the past days and weeks thetwo tortoises with whom I share my garden have woken up from a long winter’s sleep.  Henry, testudo marginata, has been up for a while now.  More than a month ago when I was cutting back and weeding in the area of the garden where he had been sleeping, Henry roused himself to sit in the sun near me for a few hours each day before creeping back under a shrub.  At first I thought I had disturbed him, but when he came back out day after day while I worked, I began to wonder if he was coming out to say hello.

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How Mary Magdalen Came into My Life: an excerpt, edited for brevity, from My Life as a Prayer: A Multifaith Memoir by Elizabeth Cunningham

(Author’s note: Mary Magdalen, or Magdalene, comes to people in many ways. To me, she came as an unconventional, fictional character. I worked hard to get the first century setting of her story as accurate as possible. Otherwise, I make no claim to historicity. I respect all the ways in which others know her.)

When I finished writing my novel Return of the Goddess in 1990, I thought I had nothing more to say. Yet, I sensed there was something—someone—missing.

An artist friend suggested I take up drawing or painting for a time—visual art being a form in which I had no experience, skill, and best of all, no ambition. I dabbled in paint and charcoal but soon reverted to magic markers, my childhood medium. 

One day a line drawing in brown marker took shape. An ample woman sat naked at a kitchen table having a cup of coffee. The round clock on the wall read a little after three in the afternoon. (The same time of day I was born.) She told me her name was Madge.

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Aviana, 20th Century Crane Goddess by Judith Shaw

People think that goddesses only came into being long, long ago. People think goddesses are only found in ancient mythology. But people are wrong.  I know because I am Aviana, the Wetlands Crane Goddess who helped create the Bosque del Apache Wildlife Reserve of New Mexico. I first manifest on Earth as an Otherworldly force in the early 1900s. It was the migrating birds and waterfowl, in particular sandhill cranes, who called me into being.  

You see before Euro-Americans arrived in the land of the American Southwest, the Rio Grande was a mighty river which flooded every year bringing life and renewal to the land. These wetlands were a favorite wintering habitat of the Sandhill Cranes. They left their summer nesting grounds of Alaska, Canada and the northern United States and headed south for the winter.  Every year in November hundreds of thousand of cranes arrived in New Mexico. Here they fed on grasses and small animals throughout the short winter days. 

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The Legacy of the Goddess: Heroines, Warriors and Witches from World Mythology to Folktales and Fairy Tales by Rachel McCoppin

This is part 1 of a two part posing. Part 2 will be posted tomorrow.

In this blog post, I would like to take the opportunity to discuss my new book, entitled: The Legacy of the Goddess: Heroines, Warriors and Witches from World Mythology to Folktales and Fairy Tales. This book argues that hundreds of folktales and fairy tales from around the world have preserved elements related to goddess worship from the sacred myths of many ancient civilizations.

Powerful goddesses were worshipped in most global cultures for centuries, until, in many regions, episodes of diffusion, conquest, colonialism, etc. caused the worship of these goddesses to be revised, lessened, or in some cases eliminated. To “preserve at least part of the reverence of goddesses, as well as the memory of the powerful religious and social roles women once held as representatives of goddesses”, hundreds of folktales and fairy tales were created, “told, and retold, most often by women storytellers” to impart goddess ideology (McCoppin, 2023, p. 5). Thus, many folktales and fairy tales portray myriad examples of powerful female characters who portray important messages connected to the goddesses and sacred women of ancient mythology.

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