Riane Eisler

From the Archives: Storytelling as a Spiritual Practice by Nurete Brenner

This was originally posted on April 10, 2019

“The master’s tools will never dismantle the master’s house.” Audre Lorde

Question: What tools do we have that are powerful enough to dismantle the Master’s house?

Answer: Storytelling.

Storytelling does not belong to the “master.” Storytelling is subversive because it belongs to the collective and not to the individual; it gives agency to the powerless; it is not dependent on time or money, and it makes visible those who are overlooked and ignored in our globalized industrialized system.

We are not seeking to overthrow the patriarchy or “master,” and replace him with a queen. We are seeking something which Riane Eisler (2002) would call a partnership society or a society in which polarities are well balanced, in which the masculine and feminine values which we all hold are given equal weight. We have become so indoctrinated in the patriarchal master’s way of thinking that we think we need some show of force, some violence, some upheaval to create the more beautiful world. But – truthfully – it won’t look like that. It might actually look like a group of women and men gathering together in a circle, in community, to tell stories. Storytelling is subversive because it belongs to the community; it is a medicine to transmute the toxins of industrialized society; it is a spiritual practice. Storytelling is the antidote to empire.

Storytelling as a Spiritual Practice by Nurete Brenner

“The master’s tools will never dismantle the master’s house.” Audre Lorde

Question: What tools do we have that are powerful enough to dismantle the Master’s house?

Answer: Storytelling.

An Archaic Trinity of Goddesses? Not Necessarily. by Barbara Ardinger

Barbara Ardinger In her comment following my last post which was about mythology, my friend, Carol Christ, expands on my paragraph about how the so-called “ancient triple goddess” was really invented in 1948 by Robert Graves in his book, The White Goddess. (Thanks, Carol.)

Back in the 1970s and 1980s, when the Goddess movement was just getting up on its feet and our ovular books were being published, the idea arose that if “they” have a holy trinity, “we” have one, too. And ours is older and holier. We see it in the three phases of the moon, new (Virgin), full (Mother), and dark (Crone). Here’s a tiny sample of these books that changed the lives of so many women and men:

Woman’s Mysteries Ancient and Modern by M. Esther Harding (1971, but first published in 1933)
The Goddesses and Gods of Old Europe (1974) by Marija Gimbutas
When God Was a Woman (1976) by Merlin Stone
Lost Goddesses of Early Greece: A Collection of Pre-Hellenic Myths (1978) by Charlene Spretnak
The first edition of The Spiral Dance (1979) by Starhawk
The Chalice and the Blade (1987) by Riane Eisler
Laughter of Aphrodite (1987) by Carol P. Christ
The Holy Book of Women’s Mysteries (1989) by Z. Budapest
The Reflowering of the Goddess (1990) by Gloria Feman Orenstein
Whence the Goddesses: A Source Book (1990) by Miriam Robbins Dexter

Triple goddess? ’Tain’t so. Our beloved triple goddess is one of our foundational myths. It’s nice and it’s perhaps inspiring, but it’s only a myth. Anyone who looks at a calendar or almanac—or up into the sky every night for a month—can easily see that the moon doesn’t have three phases. It has four: waxing, full, waning, and dark. And since the late 20^th century, women have lived long enough to go through more than three stages of life. Continue reading “An Archaic Trinity of Goddesses? Not Necessarily. by Barbara Ardinger”