Eruptions of Inanna: Justice, Gender, and Erotic Power by Judy Grahn BOOK REVIEW by Carolyn Lee Boyd

Judy Grahn Eruptions of Inanna

Any new book by Judy Grahn is cause for celebration. For decades, Grahn has been a lyrical and passionate poet, author, mythographer, and cultural theorist whose work  features both goddess wisdom and contemporary culture centering on women and queer people. Nightboat Books has just published her newest book, Eruptions of Inanna: Justice, Gender, and Erotic Power, which offers ancient yet fresh world views with which to approach such issues as injustice, sexuality and gender, climate change, and more just when we need it most. 

In Eruptions of Inanna, she brings what she calls her “poet’s eye” to eight stories featuring the Sumerian goddess Inanna as well as religious practices of those devoted to her. She explores how these have directly influenced our world and, in her words, can continue to “feed our needs and help us take better care of each other and our world.” According to Grahn, Inanna “is a combination of human, creature, erotic and other energetic forces, and civilization. She also inherited very old powers that grew out of women’s rituals” (55).  Her essence engenders sovereignty and self-worth, especially in women and queer people.  She is a goddess of love, espousing passion and the joy of eroticism as integral to both life and society. She practices an expansive justice that creates positive outcomes in response to horrific acts. She creates a civilization of the arts, beautiful and useful crafts, abundance, and a jubilant communal life. She demands respect for nature and ecological sustainability.  

Seal of Inanna

Reading Eruptions of Inanna is to be immersed in a worldview and society that celebrates all Inanna’s qualities. Grahn writes with honesty and poignancy about how Inanna and women associated with her and the power of female beauty and eroticism, including Helen of Troy and Marilyn Monroe, transformed her over decades. By the end of the book, I, too, had a visceral sense of being embraced by the spirit of Inanna so completely was she revealed and enlivened by Grahn’s detailed and spirited retelling of the stories, her in-depth analysis, and her description of ancient Sumer. In many ways, Grahn is our generation’s Enheduanna, the world’s first named poet who wrote hymns celebrating Inanna, elucidating the goddess and her meaning for our own times. 

Eruptions of Inanna features Inanna’s expansive dispensation of justice. Through a cycle of five stories, we witness Inanna first gaining the power of judgment and the ability to make decisions about life and death. Inanna’s actions consider not only the impact on individual victims but also how the well being of all of society is harmed by the crimes. Eventually, she comes to seek not just retribution, the focus of so much of our 21st century justice, but responses that actually result in positive outcomes for all.  For example, after Dumuzi, her beloved, is murdered she creates a ritual to succor dead souls wandering in the desert. Finally, she joins with other deities representing the forces of nature to ensure that humans respect their primacy. 

Grahn explores at length the Babylonian story of Gilgamesh as well as the bibilical story of Job, demonstrating Inanna’s influence on worldwide cultures over the millennia, including our own. The story of Gilgamesh, which features Inanna as Ishtar, offers three views of life and death which we still grapple with today: a female-focused reincarnation and regeneration as part of nature’s cycles, a transcendent paradise, leading to the duality of good and evil, and secular humanism. She convincingly shows that the biblical story of Job had its origin in an earlier story Enheduanna told in her poetry of being dispossessed of her temple and position. A careful exploration demonstrates how Job’s story embraces Inanna’s ideas of justice and how the destructive demonizing of sin, Satan, and sex developed in the biblical worldview. In doing so, Grahn offers a perspective on coping with tragedy that is both healing and provocative.

Grahn has said “Eruptions of Inanna is my opportunity to place both women and LGBTQ people in a sacred context, a poetic tradition that is more than 4,000 years old.”  The formidable energy of femaleness and women’s spirituality and eroticism infuses the book through discussions of the power of menstrual blood and their relationship to menstrual taboos, myth and poetry positively portraying women’s sexuality, rituals celebrating the lives of girls and women, and the elevated roles of women and goddesses in ancient Sumer.

We also learn how Inanna’s stories center queer people. Her myths feature same-sex erotic relationships between Inanna and her minister Ninshibur and Gilgamesh and Enkidu. In a “headoverturning” ritual in Inanna’s temple, women and men were given the clothes and tools of the other gender and became shamanic temple officials. Inanna referred to them as “reed marsh” people, placing them back into Sumer’s creation story, which had divided people into binary genders, as reeds in the marshes weave together different elements. “Other Sumerian names for androgynous, cross-dressed, or hermaphroditic people were galaturra and kurgarra; they also performed elegies and lamentations in Inanna’s temple” (118).  Inanna was herself androgenous, possessing both the cloak of women and the mace of men, and associated with both female love and beauty through the third brightest evening star, and the male warrior-related third brightest morning star.

Grahn demonstrates that Inanna has never left us, shining through in Greek, Roman, and biblical stories that are the foundation of western culture, our obsession with female beauty, the goddesses Astarte, Ashtoreth, Shekinah, and Aphrodite, stories of Helen of Troy, Simon Magus and Faust, the work of many poets, joyful celebrations and processions such Mardi Gras, and so much more. Inanna’s wisdom, power, and world view is emerging just as we need new ways to reimagine justice, the inherent sacred value of all people, the positive influence of eroticism, the primacy of nature, and the overarching joy and beauty of life. In Judy Grahn’s ending words, “Inanna erupts in new forms periodically. In our era, she’s overdue” (146).

Bio

Carolyn Lee Boyd is a writer, student drummer, and herb and native plant gardener who lives in New England.  Her essays, short stories, memoirs, reviews, and poetry have been published in, among others, Feminism and Religion, Return to Mago E-Magazine, Sagewoman, The Goddess Pages, Matrifocus, and The Beltane Papers, and various anthologies. She would love for you to visit her at her website, www.goddessinateapot.com where you can find some of her free e-books to download.

Photo: Seal of Inanna, 2350-2150 BCE, Ancient Akkadian cylinder seal depicting Inanna resting her foot on the back of a lion while Ninshubur stands in front of her paying obeisance, c. 2334 – c. 2154 BC. Oriental Institute of the University of Chicago, Sailko, CC BY 3.0 <https://creativecommons.org/licenses/by/3.0&gt;, via Wikimedia Commons



Categories: Divine Feminine, Erotic, Gender, Gender and Power, Gender and Sexuality, Goddess, Goddess feminism, Goddess Spirituality, Justice, LGBTQ, Poetry, Queer Theology, Queer Theory, Scholarship

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8 replies

  1. Wow, erudite post! Yes, a visit from Innana is overdue…”

    “She convincingly shows that the biblical story of Job had its origin in an earlier story…” this comment really interests me because that story never made sense on any level – I always felt it was “wrong” somehow.

    And the Marsh -Reed people – I like this a lot…. as a naturalist I am struck by how rich those in-between areas are – they are my favorite places to explore in my kayak – full of LIFE.

    Liked by 1 person

  2. Thank you Carolyn for this wonderful review. I look forward to reading this book (one of my many favorite parts of this site is how my reading list gets filled with so many wonderful books that have been recommended here).

    As a survivor of both rape and abuse, I have lately been delving into both the myths of Inanna and Persephone as a template for my own inner journey. I am writing my own myth about them (not sure yet if it will be just for my own private processings or for something more public.)

    On Inanna’s trip to the underworld she has to pass through the 7 gates and give up a piece of her external life at each of the gates. How familiar is that to those of us who have been through such an experience? And how do we get out? The trip downwards is explained in quite some detail but the trip out – harder to find.

    I love that myths and stories can be read on so many layers and all of them are true. Thank you for bringing these stories to us.

    Liked by 3 people

    • Judy writes a lot about the descent/ascent story in the book – I think you will find it very meaningful. I know that I have also found great meaning in that myth when faced with hard times in my own life. I will look forward to your myth if you choose to share it (though I completely understand if you want to keep it for yourself also).

      Liked by 1 person

  3. Can we pray to Inanna to deal with the noisy, evil creature that used to inhabit the White House? Also to his followers, who are indeed in great need of healing and feminine judgment? Can we bring the myths to life in the 21st century and make it a better place for women and other people who need Inanna’s help?

    This sounds like a good book. I shall plan to read it. I agree that Inanna is overdue and we need desperately to see her present among us. Bright blessings!

    Liked by 1 person

    • I definitely believe we can bring myths to life in the 21st century in our own ways to make the world a better place! And your rewritten and original myths and stories that you share here on FAR are wonderful for doing that!

      Like

  4. Thank you for this detailed and thoughtful review. I will definitely have to get this book! I too find that the story of Inanna’s descent and ascent is helpful when I’m going through a difficult passage in my life. I had no idea that the book of Job was based on one of Inanna’s stories.

    Liked by 1 person

    • I didn’t know about the origin of Job in poetry about Inanna either until I read Judy’s book! One of her tremendous insights is how much of our culture actually comes from these ancient sources related to female divinity. Sometimes it can seem so challenging to find these roots of women’s power in our world, but they are there if we just know to look for them.

      Liked by 2 people

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