Erotic

Eruptions of Inanna: Justice, Gender, and Erotic Power by Judy Grahn BOOK REVIEW by Carolyn Lee Boyd

Judy Grahn Eruptions of Inanna

Any new book by Judy Grahn is cause for celebration. For decades, Grahn has been a lyrical and passionate poet, author, mythographer, and cultural theorist whose work features both goddess wisdom and contemporary culture centering on women and queer people. Nightboat Books has just published her newest book, Eruptions of Inanna: Justice, Gender, and Erotic Power, which offers ancient yet fresh world views with which to approach such issues as injustice, sexuality and gender, climate change, and more just when we need it most.

In Eruptions of Inanna, she brings what she calls her “poet’s eye” to eight stories featuring the Sumerian goddess Inanna as well as religious practices of those devoted to her. She explores how these have directly influenced our world and, in her words, can continue to “feed our needs and help us take better care of each other and our world.” According to Grahn, Inanna “is a combination of human, creature, erotic and other energetic forces, and civilization. She also inherited very old powers that grew out of women’s rituals” (55). Her essence engenders sovereignty and self-worth, especially in women and queer people. She is a goddess of love, espousing passion and the joy of eroticism as integral to both life and society. She practices an expansive justice that creates positive outcomes in response to horrific acts. She creates a civilization of the arts, beautiful and useful crafts, abundance, and a jubilant communal life. She demands respect for nature and ecological sustainability.

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This is for colored girls who are movin to the ends of their own rainbows: Ntozake Shange’s Choreopoem of Spiritual Healing by Carol P. Christ

Ntozake Shange’s choreopoem for colored girls who have considered suicide/when the rainbow is enuf has reopened at the Public Theater in New York City to rave reviews.

A scene from the new production of for colored girls

I first saw for colored girls in 1976 after my friend Carolyn Broadaway, who was visiting me in the city, insisted that we must see it.

Here is what I wrote about that experience:

Each of the three times I saw for colored girls performed on Broadway and each of the many times I read it or heard it performed [on the original cast album] on my stereo, I have felt chills of recognition up and down my white woman’s spine—shocks of recognition that tell me that something deep within me has been unlocked as I hear my experience voiced. (103)

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I Celebrate Love by Elise M. Edwards

Happy Valentine’s Day! I know, I know… so many of us do not like this holiday. It’s too commercialized, we say. We don’t need card-makers or florists to tell us how or when to show affection. Some of us don’t like Valentine’s Day because it reminds us of loves we have lost or never found. I get it. This day can seem shallow, overhyped, and falsely sentimental. It can be lonely. And yet, I won’t let today pass without celebrating and honoring love. Love is too important to concede to commercial interests.

Love, in its many forms, keep us alive and able to endure. Love is powerful because it is expansive, growing in unexpected places and ways. We tend to separate our celebrations of romantic love, friendship, familial love, self-love, and religious devotion. We make distinctions between our valentines and “galentines.” Rarely do we shout for joy in ecstatic worship while also celebrating the passionate longings of our innermost desires. But occasionally, in my religious tradition, we let our disparate loves come together. We unite them on holy feast days, enjoying the sensual pleasures of good food and company to mark spiritual occasions. So that’s my inspiration. Today, I’m celebrating love by reflecting on various forms of love merged together and sharing insight from poets and mystics about the power and beauty experienced in love.

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David’s Loves, Jonathan’s Laments by Dirk von der Horst

David’s Loves, Jonathan’s Laments by Dirk von der Horst

LGBTQ+ people in biblical religions often turn to the story of Jonathan’s love for David as an example of biblical affirmation of same-sex love. The biblical narrative in 1 and 2 Samuel stresses Jonathan’s love for David from the moment David and Jonathan meet to Jonathan’s death after which David utters the famous words, “your love to me was wonderful, passing the love of women.” Nevertheless, “love” can indicate many different kinds of relationship, both sexual and non-sexual, and one finds much resistance among biblical scholars to reading Jonathan and David as a model of sexually-expressed love between men. While some passages in the text are sexually suggestive, nothing in the Bible explicitly states, “David and Jonathan had sex.” Thus, the strategy of holding up Jonathan and David as a biblical vindication of same-sex love and desire only throws LGBTQ+ people back into the exhausting state of being endlessly debated.

My new book, David’s Loves, Jonathan’s Laments: Gay Theology, Musical Desires, and Historical Difference speaks from the pain of the experience of being caught in the crosshairs of that debate. Inspired in large part by Mary Daly, it also speaks from an impatience with the state of being stuck in a debate that endlessly repeats itself. This inspiration from Daly is only one way in which feminist thought deeply informs my project of rethinking the relationship of Jonathan and David.

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Resisting Shame and Choosing to Live through the Loving Eye by Stephanie N. Arel

This week, I finished reading The Politics of Reality: Essays in Feminist Theory by Marilyn Frye, a text I had not encountered in my studies of feminism (in literary theory, psychology, philosophy, or theology) until now. In some ways, I wish I would have read it sooner. In other ways, I am grateful for this more recent rendezvous. From my current position and perspective – theoretical and personal – I was, I think, more able to hear the core message Frye conveys than I would have been years ago. I have less to protect now, and my ego is less fragile. In the text, she names the mechanisms around which Western – and patriarchal – cultures are founded. Her argument is fluent and cogent, even as it threatens the stability this culture offers. Our lives are embedded in it, even if our personal ethics point to alternative, feminist ways of living. Frye pushes her readers to live alternatively, so that we can recognize the times that we conspire/feed into/comply with patriarchal messages and clean the residue of servitude off of our skin.

For the purposes of this post, I engage two opposing concepts Frye presents in the text: the arrogant eye and the loving eye. Located in the chapter entitled “In and out of Harm’s Way: Arrogance and Love,” Frye investigates how men in phallocentric culture exploit and enslave women. The opposing, contradictory eyes of arrogance and love directly relate to the experience of shame which effectively serves to subjugate women in patriarchal culture.

Shame functions within what I call a logic of exposure. Shame relates intimately to the concept of being seen. Affectively, shame results from our interest/excitement being partially truncated. For instance, we are drawn to someone (real or imagined); we are interested in their response to us, and somehow something interferes with the desire to connect. Contact is cut off, and interest/excitement partially halted. Shame ensues. We experience that someone (real or imagined) seeing us as other, different, foreign, maligned, wrong, or worthless. We are seen wrongly. This misperception alleviates joy and relates to the gaze of the arrogant eye under which (as the default gaze of phallocentric culture) we often find ourselves seeking approval.

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My Fanime Exploration of Fan Fiction—Questions of Consent and Erotic Expression

Sara Frykenberg Every year, my husband, sister and I attend the Japanese animation convention Fanimecon in San Jose, CA. We cosplay, watch anime and peruse the various panels designed for fan entertainment and education. This year I was even lucky enough to be interviewed for the student film Unconventional, about cosplay culture, which you can check out following the link above!

Since I can’t (and don’t want to) leave my feminist lens at home, I often seek out the panels that address issues of representation, gender, diversity and sexuality when attending this conference; and usually, the con does not disappoint. Here are some examples of the panels hosted at Fanimecon in the past three years: Continue reading “My Fanime Exploration of Fan Fiction—Questions of Consent and Erotic Expression”

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