Samhain and the Goddess by Judith Shaw

The wheel of the year is turning us once again toward the dark half of the year. Here in the United States, the bright, shining days of youth and achievement receive the most attention. Death and darkness are rarely honored and often feared.

But the ancient Celts had a completely different view of their place in the world. With a strong belief in reincarnation, the Celts saw death as simply a point of transition in a very long series of lives. People honored the darkness of both night and winter as starting points. In the Celtic worldview a day began at sunset, not sunrise, and the New Year began on Samhain, October 31—the midpoint between Fall Equinox and Winter Solstice.

Samhain, one of the four great fire festivals of Celtic tradition, might have begun long before the Celts arrived in Ireland under the influence of an ancient goddess, Tlachtga (tclak ta). She was most likely from the time of the Fir Bolgs, (fair bolak) the Bronze Age inhabitants of Ireland from the East, and later incorporated into the Celtic pantheon.

Tlachtga--celtic-goddess-painting-by-judith-shaw
Tlachtga, Celtic Goddess of Sun & Lightning, gouache on paper

Early stories of Tlachtga are lost to us now. Tlachtga, translated as”Earth Spear,” was associated with both sun and lightning. She created the magical Pillar Stone called Cnamhcail, representing lightning. People believed it could blind whoever gazed at it, deafen those who heard it and kill all who touched it. This Pillar Stone gave Tlachtga the ability to kindle fire from the darkness. This power must have been great in the minds of the ancients who, before learning to start fire on their own, depended on lightning strikes on trees to provide the fire that humans could use. 

Tlachtga was the daughter of Mog Ruith. Legend states that Mog Ruith, a powerful, blind druid of Munster, could grow to gigantic size, cause storms with his breath, and turn men to stone. He wore a bird mask and flew in a machine called Roth Ràmach which translates to “Oared Wheel.”

However, as is the case with so many ancient goddesses, her legend that endures most strongly comes from the days of early Christianity.

The legend begins with Tlachtga (tclak ta) and her father, Mog Ruith, living in a cave on Valentia Island where the blind Mog Ruith taught his daughter all his skills. After a thorough search of the magical knowledge from the Celtic Lands, they traveled to other lands. Legend reports that they spent time in Italy, where they studied with the magician, Simon Magus. 

While in Italy studying, Tlachtga was raped by the three sons of Simon Magus. Certainly these stories were attempts to lessen the power of the goddesses. But powerful goddess that she is, she took this outrage and turned it into a positive for her community.

Returning to Ireland, she gave birth to triplet sons on what would become the Hill of Tlachtga, whereupon she died from the effort. She was buried there and her sons, Doirb, Cuma, and Muach went on to become great chieftains or great druids, depending on the telling. It was said that while their names were remembered, no harm could come to Ireland. 

It’s interesting to note the number three—three sons who committed the crime, three sons born as a result. Three holds great symbolic significance in many world cultures, signifying balance, harmony, and unity. Three is the first number that moves beyond individuality and duality, leading us to the oneness found within the cyclical nature of life. Thus, Tlachtga’s three sons emerge from her tragedy offering strength, resilience, and hope for their community.

And so we return to Samhain and its origins. The Hill of Tlachtga, where earthworks were created over Tlachtga’s grave, is now known as the Hill of Ward. It dates from approximately 200 AD. Here the tribes gathered on Samhain night to honor their ancestors, give thanks for another successful harvest, and celebrate the New Year with horse races, fairs, markets, assembly rites, political discussions, and ritual mourning for the passage of summer.

The work of planting and harvesting was over, and the people were facing the long, dark time of winter. Only Tlachtga’s fires could burn on this night, promising the people safe passage through the time of darkness and mystery, leading to rebirth in the spring. Each family would light torches to take back home to rekindle their own hearth-fires. Over time the ceremony became known as the Druid ceremony: the Bruane Samhna —the ceremony of death and rebirth enacted every year at Samhain. Samhain celebrations are still held in Ireland at the Hill of Tlachtga today.

Tlachtga’s death gave power to the land. In this act of birthing her sons and then dying, she becomes, in addition to the Goddess of the Sun and Lightning, the Goddess of Death and Rebirth. She remains a symbol of the transformation of the old year into the new year at Samhain. Hers is the promise of light’s return when the dark of winter has passed. She speaks to us of the power of the natural world and reminds us to remember our dearly departed, honor our ancestors, whose shoulders we stand on today, and move forward into a new beginning for ourselves.


Another ancient goddess, the Cailleach, Winter Queen, is associated with Samhain. The Cailleach ruled the dark half of the year and was credited with creating the hills and valleys of the land. It was told that she flew through the skies on Samhain Eve, riding her sacred wolf. When she landed, she struck the ground with her rod, causing it to freeze, thus ushering in winter.

The Cailleach Rides, gouache on paper

Samhain, meaning “Summer’s End,” is the time of year when the veil between our everyday world and the Otherworld is at its thinnest, creating the best opportunity for communication with Divine Beings and the spirits of the dead. Many myths tell of mortals and the Goddesses and Gods crossing over to each other’s realms on Samhain for various reasons—love, protection, mutual aid, and more.

Though Tlachtga was an Irish Celtic Goddess, both the Cailleach and Samhain were honored throughout the whole Celtic world. In the Scottish Highlands, young men ran the boundaries of their land with blazing torches to protect the family from faeries or malicious spirits who could more easily cause mischief on Samhain night. In addition, the thin veil present at Samhain made predicting the future easier. The Druids were busy with ritual fortune-telling on that night.

Times have changed greatly since the days of our pastoral ancestors. Modern life takes us further and further away from our connection to Earth and the portals that exist between mortal life and the Otherworld. On Samhain, we can hear the call of our ancestors more easily. May we open our hearts to what we must let go of in order to move forward into a new beginning of connection; an understanding that there is unity in our diversity; and the ability to live in harmony on our beautiful Mother Earth. May we hear their whispers on this sacred night, reminding us that we are all connected in the great mystery of life.

Judith’s Celtic Goddess Oracle deck is available here.
Judith’s prints, merch and some originals are available at Judith Shaw Art.


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Author: Judith Shaw

Judith Shaw, a graduate of the San Francisco Art Institute, has been interested in myth, culture and mystical studies all her life. Not long after graduating from SFAI, while living in Greece, Judith began exploring the Goddess in her art. She continues to be inspired by the Goddess in all of her manifestations, which of course includes the flora and fauna of our beautiful Earth. Judith has exhibited her paintings in New York, San Francisco, Mytilene Greece, Athens Greece, New Orleans, Santa Fe NM, Taos NM, Albuquerque NM, Houston TX and Providence RI. She has published two oracle decks - Celtic Goddess Oracle and Animal Wisdom Oracle and is hard at work on an illustrated fairytale - Elena and the Reindeer Goddess.

15 thoughts on “Samhain and the Goddess by Judith Shaw”

  1. Judith – very interesting mythology here but these festivals are much older and universal in origin – the language changes but the stories remain the same…The Anishinaabe are on my mind because I went to see the Sandhill cranes in Maine yesterday – as I listened to their haunting cries I reflected upon why these birds are considered to be the messengers between worlds because they DO carry a resonance and of course yesterday was Nov 1 The day the spirits of those who have gone before us are honored as those that helped us along the way – today we honor our dead …. as the year comes to a close.

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  2. Blessed Samhain season, Judith. This post, images and stories, speaks so deeply. I love knowing that the Celtic new year begins in at the dark time, just as life, plant and animal begins in the dark of the earth and the womb. Thank you for reminding us of our enduring connection with the great continuity of life, death, and rebirth.

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    1. Elizabeth,

      I love knowing about the Celtic worldview of darkness and light too! It feels like such a fundamental difference that created a deep connection to the “great continuity of life, death, and rebirth.”

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  3. Thank you for sharing the wisdom of our ancestors. Just last week I learned from my Irish grandmother that we have Scottish ancestors. I am now planning to research our family tree and see where it takes us, alongside séance work and meditation already in progress.

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    1. Spooky,

      That’s great! Researching your ancestors will most surely bring you to a deeper understanding of your place in the world today. I have a large number of Scottish ancestors. My trip to Scotland a few years ago was transformation. The connection to my ancestors, together with the beauty of the Scottish Highlands, created an even stronger connection to Mother Earth, from whom we all spring forth.

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      1. I also have Scottish ancestors. Being there I felt at home. I have a profound memory of sitting in a field in Edinburgh late at night and hearing bagpipes in the distance — the pipes, the bens and lochs, all felt like they were calling to me. Thank you for your sharing of the goddesses of Samhain.

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        1. Beth, That’s a wonderful memory! The land, the bagpipes, the people still call me to what felt like home to me also. Unfortunately our current world of borders, passports and papers doesn’t see it that way.

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  4. “women with wings are biding their time until Her Collective Voice rises out of the ashes of a civilization crumbling in collapse…..”
    I wrote these words in 2017 when I still believed then that woman power was stronger than the forces that oppose kindness honesty decency – I know longer do

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      1. I have hope but it is not attached to our present culture which HAS to collapse first – we are NOT living sustainably – we live in separate bubbles – this is deliberate and a way to isolate us more and more – and this imbalance – how do you see it – as a blip??? – In this country we are addicted to hope at any cost – and it’s part of why we are in the mess we are – too painful to see what is happening overall. This is more than opinion – it’s based on what????

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        1. My hope is not based on our present culture either and I think there are many in our country who feel the same way. It is collapsing and it’s very painful for most of us who are collateral damage. I don’t know what will emerge after the collapse is complete but I do have hope that it will be better. Time will tell….

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          1. But I know what you mean as many people think we can manifest our way out of this mess. Maybe so but we still have to go through the pain of the rebirth.

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          2. This kind of hope is authentic because we are not predicating it on a collapsing culture… There is someone in me that wonders what would happen if we just let go of false hope that things are getting better – a good example is the current election results that may indicate people are worried but have latched on to patriarchy’s false hope again. The problem is that this country is more focused on economy than anything else – we are soldiering on to extinction – the travail that plagues the planet doesn’t even get a nod… MY QUESTION: WHAT WOULD HAPPEN IF WE REVERSED OUR PRIORITIES AND ADVOCATED FOR THE EARTH WHO SUPPORTS US FIRST – would our energy/alignment with the earth help us survive this inevitable collapse? I have an uncanny sense that it might…

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