We treat the physical assault and the silencing after as two separate things, but they are the same, both bent on annihilation. Rebecca Solnit
When I was in my twenties and in therapy I had a recurrent dream in which a strange man was chasing me and caught up with me and started to strangle me and I could not scream. I was asked to act this dream out by my therapist, who told me that this time I would scream. I could not. She got up and came over and put her hands around my neck and started to squeeze. I still could not scream.
Two decades later I had a dream in which I was a baby and suffocating in my crib. I asked my current therapist if she thought someone had tried to suffocate me when I was an infant. Her answer was simple: “There is no need to think about this happening when you were an infant. You have been silenced all your life.” Continue reading ““We Say the Silence Has Been Broken” by Carol P. Christ”

Two weeks ago, I spoke at a conference entitled “The Role of Academia and Religious Leaders in Relation to Refugees and the ‘Refugee Crisis,’” in Bratislava, Slovakia. One of the main questions of the conference was: what role do academics play in the refugee crisis? Are academics activists? Many conference presenters and attendees directly linked the two ideas. However, there were some who voiced their concern as to how in-touch academics actually are with reality and surmised that because of this academics probably weren’t activists. Wait! What? How can we not be activists?
Betty Friedan interviewed the unhappy housewives, their human potential unfulfilled by a lack of vocation outside the home. I wonder if her claim was just a premise of the lawn being more manicured on the other side. The book received criticism by reviewers asking who was really oppressed and what perspectives were ignored. I’ve been on a few lawns, and I am here to confirm there is no true green grass anywhere. Mostly it’s either covered with the blood of women who die in the Global South because of the poor working conditions that pay them too little to support their families or laced with pesticides for profit or sheets of concrete to the dismay of our feet. I suppose there might green grass somewhere, but it costs more than some of us can afford, meaning a woman would have to earn more than what is only enough to rent a room in someone else’s house, an apartment of her own being too expensive much less any sort of fund for a cabin in the woods. 
I was asked by my sculpture teacher to make a monument. “A monument to what,” I asked? “Anything,” he answered. The only parameter seemed to be that the work was produced in wood. Having seen some interesting stone and marbleizing paints, I had the immediate idea to transform the wood into a marble-like appearance. Marble, for some reason, probably because it is the cemetery standard, seemed like the right medium for a monument to me.
I was at a dinner party for twelve lovingly prepared by two ex-pat friends, when the subject of Woody Allen’s most recent film came up. I don’t remember which one of them it was, because, as I said at the time, “I vowed never to see a Woody Allen film again as my response to the way he treats women in his films and in his personal life.” I was immediately challenged by–it seemed to me at the time–everyone else at the table.
In a previous 

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