Two weeks ago, I spoke at a conference entitled “The Role of Academia and Religious Leaders in Relation to Refugees and the ‘Refugee Crisis,’” in Bratislava, Slovakia. One of the main questions of the conference was: what role do academics play in the refugee crisis? Are academics activists? Many conference presenters and attendees directly linked the two ideas. However, there were some who voiced their concern as to how in-touch academics actually are with reality and surmised that because of this academics probably weren’t activists. Wait! What? How can we not be activists?
On the way to the first night’s dinner, I had a conversation with someone who did not see academics as activists. Why? The response I got was that academic research functioned in a way that was largely inaccessible to the public and therefore academic work, academic participation in conferences as well as publishing was, for lack of a better word, unrealistic and impractical. It would seem that some people are quite convinced that most academics are quite content being situated in that proverbial ivory tower. Continue reading “Academics and Activism by Ivy Helman”

Betty Friedan interviewed the unhappy housewives, their human potential unfulfilled by a lack of vocation outside the home. I wonder if her claim was just a premise of the lawn being more manicured on the other side. The book received criticism by reviewers asking who was really oppressed and what perspectives were ignored. I’ve been on a few lawns, and I am here to confirm there is no true green grass anywhere. Mostly it’s either covered with the blood of women who die in the Global South because of the poor working conditions that pay them too little to support their families or laced with pesticides for profit or sheets of concrete to the dismay of our feet. I suppose there might green grass somewhere, but it costs more than some of us can afford, meaning a woman would have to earn more than what is only enough to rent a room in someone else’s house, an apartment of her own being too expensive much less any sort of fund for a cabin in the woods. 
I was asked by my sculpture teacher to make a monument. “A monument to what,” I asked? “Anything,” he answered. The only parameter seemed to be that the work was produced in wood. Having seen some interesting stone and marbleizing paints, I had the immediate idea to transform the wood into a marble-like appearance. Marble, for some reason, probably because it is the cemetery standard, seemed like the right medium for a monument to me.
I was at a dinner party for twelve lovingly prepared by two ex-pat friends, when the subject of Woody Allen’s most recent film came up. I don’t remember which one of them it was, because, as I said at the time, “I vowed never to see a Woody Allen film again as my response to the way he treats women in his films and in his personal life.” I was immediately challenged by–it seemed to me at the time–everyone else at the table.
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