The Flesh and the Fruit by Vanya Leilani, PhD: Book Review by Janet Maika’i Rudolph

Subtitle: Remembering Eve and the Power of Creative Transgression

I have learned that every good story of spirit has many layers of meaning and pathways of understanding. Dr Leilani has found particularly relevant and even beautiful aspects of the biblical story of Eve. She uses Eve’s actions as a template of her own spiritual journey. Her pathway begins in obedience (listening to the voice of authority), travels through transgressive acts (eating of the fruit), and finally results in a self-knowing that had not been possible at the beginning of her journey.  In this book we follow along on her quest to learn about herself with Eve as her inspiration.

This is a luscious book. Vanya Leilani’s insights are not only profound but are written with a poetic sensibility. I found myself speaking some of her passages out loud because the vibration of her words are powerful and feel so sensuous on the tongue. I wanted to take them into my body, as well as read them on the page.

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From the Archives: I Sing Asherah Exalted! by Janet Maika’i Rudolph

This was originally posted Dec. 16th, 2021

With this season of the festivals of light upon us (Hanukkah, Christmas, Solstice, Kwanzaa), I wanted to focus on the more joyful aspects of our lives. For that, I have been diving into passages about joy and singing in the bible.

Sometimes when I write these posts, they take me in directions I never thought to go. This post is one of them. The surprise direction I found is in the Psalm below:

Sing unto him, sing psalms unto him: talk ye of all his wondrous works.
Glory ye in his holy name: let the heart of them rejoice that seek the LORD.
Psalm 105:2-3 KJV

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By Song, All Was Created by Janet Maika’i Rudolph

This blogpost is part of an on-going collaborative project between myself and my dear friend Ecuadorian elder and medicine woman, Susana Tapia Leon. The purpose of the project is to illuminate in word and images the underlying pagan meanings of biblical verses. There are many rich verses that got hidden within translations. This has had the effect of erasing their original meanings or at least making them very difficult to uncover. I have come to call these hidden gems because they were not erased completely. In this post, I am offering alternative translations of 3 verses that focus on song.  

Susana Tapia Léon, Cantadora 1
“She came alive after a month of work
She was always inside waiting to be revealed.”
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The Place of All Possibility: Cultivating Creativity Through Ancient Jewish Wisdom by Rabbi Adina Allen

In her book Pentimento, author and playwright Lillian Hellman describes a phenomenon that often occurs when we return to a piece of art we once worked on after much time has passed: “Old paint on a canvas, as it ages, sometimes becomes transparent. When that happens it is possible, in some pictures, to see the original lines: a tree will show through a woman’s dress, a child makes way for a dog, a large boat is no longer on an open sea.” Hellman speaks of the way the aging paint allows for older layers to show through, offering an opportunity to see, in her words, “what was there for me once, what is there for me now.”

Like the painting Hellman describes, Torah, too, is a work in process. Layers and layers of interpretation have been added to it over time, according to the needs, desires, fears, and longings of those who devoted their lives to making meaning out of these sacred words. Some layers add to the beauty and power of the overall piece, strokes and shapes that bring the picture more clearly and compellingly into focus. And some accrue like varnish, making the painting hard and impenetrable. Each one of us is invited into this process of excavation, of peeling back layers of what we have been taught or what we think we know, and seeing, as Hellman writes, what is there for us now. And each of us is called to our creativity — to bring our brush back to the canvas anew, reencountering and reworking the stories, ideas, and images that lie at the very foundation of who we are and who we could be.

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What an Outdoor Movie Taught me about Biblical Women By Alicia Jo Rabins

Once I went to a free outdoor movie in Miami Beach. The film was projected on the side of the giant concert hall. There was a grassy park with palm trees stretching out from the wall; families brought picnic dinners and cans of beer and stretched out to watch the movie once the sky darkened.

The movie was Star Wars, but as Princess Leah appeared, I was thinking about a different mythic canon. For over twenty years I’ve been studying and teaching stories of Biblical women from a feminist Jewish perspective, and after all this time, I was surprised to find that the way I feel while interacting with these stories was oddly, powerfully similar to the feeling of watching Star Wars projected on the side of a building on this Miami night.

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TRUMP AS MESSIAH by Esther Nelson

Once upon a time long, long ago, I identified as an evangelical Christian. The term “evangelical” has evolved over time, however, evangelicals can probably be found in every branch of Protestant Christianity. Wherever you find them, they emphasize the authority/ inerrancy of the Bible, a “born-again” experience into the Kingdom of God, and a personal relationship with Jesus Christ. Generally, evangelicals are socially conservative and rarely does their thinking go beyond the borders of their insulated theology.

It comes as no surprise to me that many (most?) evangelicals embrace Trump with a fervor akin to their enthusiasm for Jesus. Trump supporters, especially those who identify with the Religious Right may love Jesus, but Jesus is not the Messiah they yearn for.

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Miriam Speaks by Janet Maika’i Rudolph

Wikimedia Commons: Anselm Feuerbach

Intro:  I have been working on a project inspired by Charlene Spretnak and her book Lost Goddesses of Early Greece. I am writing biblical stories through the eyes and words of the women. The scribes who wrote down the tales of the bible, wrote mostly from men’s point of view. And they had their own which was to destroy evidence of the Goddesses. I tell Noah’s story through Naamah, his wife. Abram and Sarai’s journey to Egypt through the eyes of Sarah. Exodus in Miriam’s voice. In my telling, Miriam went to Midian with Moses and, while there, experienced the Burning Bush and worked with Moses’ wife Zipporah to protect knowledge of the Goddesses. Below is an abridged version of this section of Miriam’s tale.  

I look around at your world today. You, yes you, are my descendants. My beloveds. I mourn for what you’ve lost. No, I am angry, how could things have gotten this bad? I dare you, I dare any of you to challenge my work. We did everything we could. It should not have taken this long to find our clues. But then I see the job the scribes did. It was better and more thorough than even we, who saw so much, could have imagined. I look around at this precious earth we bequeathed to you and see how damaged it is.

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Jacob’s Ladder, A Feminist Perspective by Janet Maika’i Rudolph

Today, I embark on my retelling of the biblical story of Jacob, the section usually referred to Jacob’s ladder or Jacob’s pillow. The entire story-arc of Jacob is filled with mystery and a sense of shamanic-style questing. What is the goal of a shamanic quest? There are many but the foundation is to open gateways to travel amidst thresholds. It is through these passages that we can gain knowledge of ourselves, have ecstatic experiences, do healing work, divination . . 

I believe this is a feminist issue because when we look at Jacob’s story more holistically, we can strip away the patriarchal assumptions inherent in the tale as it’s come down to us. For example, in my retelling, there is no male grand deity standing above, judging and dictating human actions and interactions. 

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A Serving of Vegetables with Love: Plastic, Poison, and the Simple Salad Solution

Years ago, I remember looking around one day and realizing that I was surrounded by plastic bottles. Of course I already knew it on some level; I had bought them, after all. But it was one of those epiphanal moments – you know, where you kind of freeze, and time seems to slow down, and everything goes a little out of focus. And I realized – yet again – that I had been hoodwinked. That we all have.

Because I felt like I needed every single one of them. Yet somehow – and not that long ago, either – everyone used to get along fine without all these plastic bottles in their lives. Yes, it probably involved more domestic labor; but it also just stemmed from a local, circular economy based on common sense.

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From the Archives: Aren’t We All Divine Children? by Janet Maika’i Rudolph

This was originally posted March 18, 2021
Note from Janet: Thank you all who supported the launch of my book Desperately Seeking Persephone on May 19. Due to a printer’s error, the original books sent out were deeply damaged without formatting, editing and with uncertain content. If you received one of these books you are entitled to a free replacement. I have put instructions at the bottom of the post for anyone affected to receive their copy.

Consider the following four birth stories:

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