Through the Eyes of the 21st Century Bird Goddess by Carolyn Lee Boyd

Carolyn Lee BoydWhen I raise my eyes to a bird soaring over me in flight, I am no longer bound to the Earth by gravity. I stop my round of daily tasks and widen my vision to view myself and our world from above through birds’ eyes. For just a moment, as I observe beyond my usual narrow horizon, I perceive truths about myself and others that have been hidden and grasp wisdom that has previously eluded me.

From Neolithic times onwards in cultures stretching across the globe, as described by Judith Shaw, bird-shaped goddesses have embodied life, death, rebirth, and more. More recently, as noted by Miriam Robbins Dexter, these beautiful winged beings were perceived of as monsters and flying through the air was one of the accusations made against the women persecuted as witches in the Burning Times. What greater demonstration could there be of the intense terror this powerful relationship between women and birds creates in those who demand dominion over women’s bodies and souls?

Continue reading “Through the Eyes of the 21st Century Bird Goddess by Carolyn Lee Boyd”

Horse – Symbol of Power and Freedom by Judith Shaw

judith shaw photoThe horse was first depicted in art about 32,000 years ago on the cave walls of southern France and northern Spain. Though  archeologists disagree as to whether the paintings are realistic depictions or symbolic markings, many concur that they are both. Perhaps our ancestors applied a numinous meaning to the horses and the symbols painted on those ancient cave walls.

Continue reading “Horse – Symbol of Power and Freedom by Judith Shaw”

To Love the Earth and Fear the Forest: My Paradox as an Ecofeminist by Tallessyn Zawn Grenfell-Lee

I am privileged to live near a wood where I can walk with my family, my dog, or alone – when I have the courage. I fear the woods, see; not because of physical danger from humans or wild animals, at least, not really. I fear the woods because time in the wilderness forces me to think and feel things I normally can distract myself from.

It took me years to figure out why I resist going to the woods alone. I’m not really alone, of course – there are other people and their dogs on the trails, not to mention all the wild animals and plants whose homes I am visiting. But without a walking companion, sometimes, something rushes in, something that crushes me, so that I can’t breathe. Is it Nature’s Wall of Grief, as nature connection mentor Jon Young posits – the stark reality of the ecological crisis and my own disconnect with my earthly roots? Is it the summation of all my past grief and trauma, or a fear inherited from my ancestors? Is it whatever feelings of fear, inadequacy, or pain that I usually process in smaller, more manageable quantities? All of the above? No, no… it’s much safer to wait until someone wants to go with me. Continue reading “To Love the Earth and Fear the Forest: My Paradox as an Ecofeminist by Tallessyn Zawn Grenfell-Lee”

Gifts from the Sea by Molly Remer

“Island living has been a lens through which to examine my own life…I must keep my lens when I go back… I must remember to see with island eyes. The shells will remind me; they must be my island eyes.”

–Anne Morrow Lindbergh, Gift from the Sea

Each winter, we travel with our family to a small island in the Gulf Coast outside of Alabama and spend a month living on the beach. There is something about being on an island that quite literally transports you into another world. The sensation of stepping out, stepping off, and stepping into is palpable as we cross the bridge to the island and settle into the slow, quiet rhythm of island life, guided by the tides, the moon, and the rising and setting of the sun. Our sleep and waking schedules change. Our priorities shift. Our to-do lists become very short. While we enjoy a creative, home-based life and business at home in Missouri, there is something incredibly freeing, and clarifying, about laying everything aside and having the biggest item on the schedule be a long walk on the beach (we walk from two to five hours each day). We actually bring our business along with us in a travel trailer, so we aren’t truly “off work” during this month, but instead of making everything as we go, we only sell the inventory we’ve already completed and brought with us, which leaves us with many extra hours a day compared to our work at home.

As I shed layers of myself at the beach, watching dolphins, running with my children, picking up shells, walking hand in hand with my husband into the setting sun, life feels simple, and what I need and want feels very clean and very clear. My intense self-motivation and drive softens, my itch to get more done and to make more lists fades away, and I am left with the core of myself and discover, anew, how very much I like her.

This year, the morning after we arrived at the island, my husband and I headed to our favorite part of the beach where the beachcombing is the best and the shells are the biggest. We were stopped on the road at a little guard tower and told we could not continue. When we inquired why, the sour-faced man told us with the smirk that the beach was “gone” and it had been destroyed in a hurricane last fall. He clearly took delight in breaking the news to us and very much enjoyed the act of turning us away.

We returned to our beach house in a state of confusion and shock. Our long walks on the beach, our hopes for the new treasures we would discover, the part of the island we so love and have so many happy memories of, all swept away. We walked on a different part of the island feeling a genuine sense of distress and grief. How could the beach just be gone? Does the island now just abruptly drop away into the sea? We feel a sensation that something had died. As we walk, we decide that the “gift” in this disappointment is that we will now explore and learn from different parts of the island than we are used to and that we can find new things to do and love while here, that we need to release our attachment to past visits and the ways things used to be and enjoy discovering what is right here, right now. But, then I say that I do not want to rush to “make it all better,” but instead I would like to just sit with and acknowledge the grief, and loss, and disappointment, rather than hurrying to turn everything into a lesson.

We walk in silence for a time and then realization dawns. There is no way the beach we long for can actually be “gone.” There is still a road visible headed in that direction and many dump trucks and earth-moving equipment driving back and forth. That part of the beach is damaged, we realize, but the facts we can see with our own eyes do not point to the total erasure of it as suggested by our power hungry little friend in his road blocking shed.

Back in the beach house we google to discover that yes, the beach sustained significant hurricane damage in the fall and restoration efforts are underway. The correct description from the guard should have been that the beach is “closed for restoration” and not “gone.” We continue to try to accept our “gift” of making new discoveries in the face of disappointment, but a few days later we decide to ask at the rental company if there is a way we can still go to the closed part of the island. They are able to give us a pass to enter it, and so, in fact, we are able to walk on our favorite part of the beach after all. The parking lot is damaged, but the beach itself is still very much there and very much alive.

This is a new gift, I muse. Rather than accepting our initial grief and disappointment, we tried again. Sometimes, you do not actually need to accept no for an answer, but you can push a little more and get what you want. What if we had just turned away in grim acceptance and “gone with the flow” instead of twisting a little harder and asking for what we want? I try to reconcile the two lessons—the letting go and the pushing, our refusal to let go. And then, a third lesson: not everything has to be a lesson, sometimes things just are.

My favorite shell in the world is from a moon snail. Round, smooth, and beautiful, curling in a wave to a perfect tiny spiral in the center, with colors ranging from brown to pale blue, many of the moon shells we find are small, the size of a quarter or smaller. My holy grail (holy snail) is a palm-sized moon shell that will fill my hand. In the morning as we walk on the previously forbidden part of the beach, I stop to take a photo of one of my goddesses on a piece of faded green driftwood. I am in that state of total presence that I experience often in our island walks, the complete immersion in the moment, stripped of all other purpose or task, but simply myself, walking on the beach. It is a type of what I call: “stepping through,” like I have stepped out of myself, out of reality, and into a different plane of relationship with the natural world. We find several fighting conch shells fairly close together and I say to my husband: “what we really need to do is find where the moon snails come up.” I turn away from the driftwood to continue walking and just as his foot begins to come down on the sand I see it…right below where his foot is poised to step, the distinctive curve of a huge moon snail shell, half-buried in the sand. I grab his arm and pull him back, making an indistinct babbling sort of squeal in my throat. I dig it up and there it is, a sun-bleached moon snail shell that exactly fills the palm of my hand. I laugh with joy and exhilaration and nearly cry in my delight. I tell my husband I feel as excited and happy and full of wild euphoria as if I’ve just given birth to another child. This is one of the best moments of my life! I crow, laughing semi-hysterically, this ranks right up there with the time we saw the otters at the river!

Then, realizing what I have said, I laugh some more. Is it sad, perhaps even pathetic, that some of the best moments of my life have been seeing wild otters and finding perfect shells? No, I decide, I adore being the kind of person who sees with island eyes and who discovers the best moments of her life simply by paying attention to what is happening on the shore. 

 

Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW, M.Div, and D.Min degrees and finished her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of WomanrunesEarthprayer, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Brigid’s Grove

Children of German Immigrant Farmers in Cherry Ridge: American Stories by Carol P. Christ

In my genealogy research, I traced my father’s grandmother, Catherine, to her roots on the Iloff farm in Cherry Ridge, Honesdale, Pennsylvania, about two hours north of New York City. Catherine’s parents were Henry Iloff, who emigrated in 1841 from St. Nicholas, Saarland, and Catherina Lattauer who emigrated in 1845 or 1846 from Ober-Floerscheim, Hesse-Darmstadt. They were married February 2, 1846 at St. Matthew’s Church in “Little Germany” on the Lower East Side of Manhattan.

Iloff farmhouse

In 1850, Henry and Catherina purchased land in Cherry Ridge, Honesdale, where they built the farm that remained in the family for a hundred years. In 1851 Catherina’s sister Agnes Lattauer Schweizer emigrated with her family from Ober-Floerscheim to Cherry Ridge. The Schweizer farm also remained in the family for a hundred years.

I had been told about the family Henry Iloff had with two wives who were somehow related: nine children with his first wife and nine with his second over a forty year period–fourteen of whom were living at the time of his death in 1889. I was shocked to learn that when his first wife died in 1869, Henry married his wife’s sister’s daughter Johanna Schweizer–who was half his age and his children’s cousin. I suspect that the marriage was considered scandalous in a conservative farming community, and that it did not sit well with the children of the first marriage, four of whom left the local area. Nonetheless, Henry Iloff was elected to the prestigious position of Wayne County Commissioner a decade later. Continue reading “Children of German Immigrant Farmers in Cherry Ridge: American Stories by Carol P. Christ”

The Beauty Way by Carol P. Christ

When I learned about the Navajo Beauty Way, I understood it to be a path in which human beings respect all beings in the web of life and live in harmony with them. But I didn’t understand why this path was called the “Beauty Way.” As a young woman, I knew that my worth was defined by many in terms of my ability to conform to ideals of female beauty promulgated in movies, tv, and advertising. I didn’t believe the Navajos were talking about beauty in that sense, but because of my conditioning, I was not yet able to fully grasp what they might mean by beauty. I would have called the way they were describing a “Way of Harmony” or a “Way of Respect for Life.”

Still, I wondered: why the Beauty Way?

Marija Gimbutas described the societies of Old Europe as peaceful, settled, agricultural, highly artistic, matrifocal and probably matrilineal, and worshipping the Goddess as the power of birth, death, and regeneration in all of life. Though I am impressed with the beauty of the many small works of art Gimbutas reproduced and interpreted in The Language of the Goddess, I sometimes inadvertently omit the words “highly artistic” when repeating in her definition of the culture of Old Europe. I have tended to view the fact that Old Europe was peaceful and matrifocal as more important than the fact that it was highly artistic.Yet this judgment is wrong. In calling the cultures of Old Europe “highly artistic,” Gimbutas was trying to convey her understanding that appreciation of the beauty of life was fundamental within them.

We have been taught that “high” or “great” art is most often monumental in size. The Pyramid of Giza is over 230 meters (756 feet) tall. The Great Sphinx of Giza is 20 meters (66 feet) high. The Parthenon rose to 14 meters (45 feet) and the statue of Athena inside it was 9 to 11 meters (35-40 feet). It is telling that we use the words “high” and “great” (originally measures of size) to describe the value of artistic creations.

Statue of Athena in Parthenon reproduction in Nashville, Tennessee

The purpose of monumental works of art is to diminish the viewer, to make the her feel small, to induce her to bow down, to worship, and to obey a power or powers greater and higher than herself.

In contrast, the small scale of the art of Old Europe does not diminish anyone or anything. Its purpose is not to make anyone one want to bow down. Instead small works of art make the viewer feel comfortable, welcomed, and part of the beauty of life that is depicted.

Goddesses of Old Europe c. 5000 BCE

Marija Gimbutas viewed ancient Crete in the Bronze age as the final flowering of the culture of Old Europe. In Crete too, everything is on a small scale. Though the so-called Palaces or Sacred Centers are large, the rooms within them are small. There is not a single room where crowds could have bowed down to a King or Queen. Nor are there images of deities larger than life. The famous Minoan Snake Goddesses are less than 15 inches tall and the well-known pitcher Goddesses are even smaller. Such objects would have been held in hands during rituals or set on low benches in small rooms lit by oil lamps.

Snake Goddesses of Bronze Age Crete c. 1500 BCE

When my friend’s daughter Klia was seven years old, she spent her afternoons collecting stones by the sea. One day I asked her if the stones spoke to her. “Of course,” she replied. “What do they say?” “They say, ‘we are very beautiful.’”

Heart of stones in Lesbos

Klia intuited the meaning of the Beauty Way. It has nothing to do with artificial beauty standards. It has nothing to do with size. It is recognizing beauty everywhere and in everything. When we do so, we walk in beauty, in the grace and joy of life. And yes, the Beauty Way has ethical implications, for no one who truly recognizes beauty could want to harm it. This was understood by the Navajos, the Old Europeans, and the ancient Cretans, and many others. Only we seem to have forgotten. We can remember.

Carol P. Christ is an internationally known feminist writer and educator living in Molivos, Lesbos, who volunteers with Starfish Foundation that helps refugees, assisting with writing and outreach. Carol’s new book written with Judith Plaskow, is Goddess and God in the World: Conversations in Embodied Theology. FAR Press recently released A Serpentine Path: Mysteries of the Goddess. Join Carol  on the life-transforming Goddess Pilgrimage to Crete. Carol’s photo by Michael Honegger.

Reclaiming My Body by Carol P. Christ

Shortly after writing “Asking for Help,” a blog in which I described losing my physical strength following a series injuries, I finally took a friend’s advice—mainly to stop her from badgering me—and went to the doctor. This is something I don’t usually do, as not only have I almost always had excellent health, but also, I believe that, for the most part, the body can heal itself.  The first doctor sent me to an orthopedist who told me that the persistent bursa on my knee was nearly healed and to go ahead and exercise in order to regain my strength.

A few days later, I found myself walking to the end of my cobblestone street with my little dog and continuing on to the harbor, a walk of about fifty minutes that included a good deal of up and down, as my house is situated above the sea. As I had only planned to walk a short distance, I was amazed that I found the strength to go farther. Soon I found the perfect walk. Leaving home at 4:30 in the afternoon, I follow the road past houses and open fields down to the sea and around the harbor quay out to the lighthouse. The sun sets while I am on the quay and on most days the clear winter sky lights up and the sea turns rose-gold. The return around the harbor takes me past the little church of Agios Nikolaos where I stop to light a candle and say a prayer. Then back up the hill to my house, where I arrive just before dark. Continue reading “Reclaiming My Body by Carol P. Christ”

Wisdom of Reindeer Goddess and Owl by Judith Shaw

judith shaw photo

At this time of year in the Northern Hemisphere we are called to embrace the darkness. Nighttime rules, the cold has set in and we curl up for the long winter nights with our hot beverage and an anticipation of the messages found in our dreams.

There are certain animals which stand out as guides for us during this time of cold, long nights. Reindeer of course comes to mind by all of their associations with Christmas, Santa Claus and gift-giving. Northern European goddesses such as the Antlered Ukrainian Winter Goddess Rozhanitsa; Saule, Lithuanian and Latvian Goddess of Sun and Light; and Beaivi, Sun Goddess of the Sami all flew through the sky with their flying reindeer on the winter solstice bringing the gifts of light, life and nourishment to the people. Continue reading “Wisdom of Reindeer Goddess and Owl by Judith Shaw”

“It Came Upon a Solstice Morn” by Carol P. Christ

It came upon a Solstice morn,

that glorious song of old,

with angels bending near the earth,

to touch their harps of gold.

“Peace on the earth.

good will to all,”

from heaven’s all glorious realm.

The world in silent stillness waits,

to hear the angels sing.

 

I wake in the dark of Solstice morn.

Mountains shrouded in clouds,

cold wind blowing,

light dawns.

 

My mother heard

the angels sing,

on Solstice eve,

calling me to life,

her Christmas Carol.

 

Blessed Mother Always With Us.

 

Longing for my beloved,

on Solstice morn,

I heard Sappho sing:

Thank you, my dear

You came and you did

well to come: I needed

you. You have made

love blaze up in

my breast–bless you!

Bless you as often

as the hours have

been endless to me

when you were gone.

 

Cold tiles,

bare feet,

coffee brewing,

elderly dog stirring,

I open the garden door.

 

And there it is.

Solstice miracle.

Three purple irises.

blooming in the cold.

Life triumphing over death,

every time.

New words to the traditional carol “It Came Upon a Midnight Clear” by Carol P. Christ.

Sappho translated by Mary Barnard.

Thanks to Miriam Robbins Dexter for the digging iris bulbs from her garden for me to plant in mine.

My mother promised my father to name me Susan or Peter but when she heard carolers in the hospital, she changed her mind.

 

* * *

a-serpentine-path-amazon-coverGoddess and God in the World final cover designCarol’s new book written with Judith Plaskow, is  Goddess and God in the World: Conversations in Embodied Theology.

FAR Press recently released A Serpentine Path: Mysteries of the Goddess.

Join Carol  on the life-transforming and mind-blowing Goddess Pilgrimage to Crete. It could change your life! Spring tour filled, sign up now for Fall 2018.

Carol’s photo by Michael Honegger

 

A Winter Woman by Molly Remer

“When winter comes to a woman’s soul, she withdraws into her inner self, her deepest spaces. She refuses all connection, refutes all arguments that she should engage in the world. She may say she is resting, but she is more than resting: She is creating a new universe within herself, examining and breaking old patterns, destroying what should not be revived, feeding in secret what needs to thrive…

Look into her eyes, this winter woman. In their gray spaciousness you can see the future. Look out of your own winter eyes. You too can see the future.”

–Patricia Monaghan, Seasons of the Witch

When the wheel of the year turns to winter, I always feel the call to retreat, to cocoon, to pull away. I also feel the urge for significant de-cluttering—my eyes cast about the house for things to unload, get rid of, to cast away. I also search my calendar for those things which can be eliminated, trimmed down, cut back on. I think it is the inexorable approach of the winter holidays that prompts this desire to withdraw, as well as the natural rhythm of the earth which so clearly says: let things go, it is almost time to hibernate.

This shift toward winter is a time of discernment. A time to choose. A time to notice that which has not made it through the summer’s heat and thus needs to be pruned away. In this time of the year, we both recognize the harvest of our labors and that which needs to be released or even sacrificed as we sense the promise of the new year to come. Continue reading “A Winter Woman by Molly Remer”