Magic – Feminism and Religion

Elemental Grannies: Snippets from Over the Edge of the World, A Fairytale Novel by Elizabeth Cunningham

Introduction: An old woman, Rose begins spinning the tale the children never tire of hearing. Grannies Sweep, Spark, Dirt, and Brine, were old, so old, they forgot who they were and how they came to live where they did: a sheer pinnacle, a walking forest, an old shoe, a ship moored off a hidden shore.

But Rose has never told the whole story—to anyone. The story of a world these children have never seen, where the rich lived inside a vast dome, protected from heat and cold, rain, wind—and hunger. Nor do the children know about madness or cruelty. She has never told them about Noone, the power behind the dome, his obsession with immortality.

If she never tells these stories, who will remember the bravery of the beauty singers who daily risked the ultimate penalty—being thrown over the edge of world. Who will remember the intrepid children who danced defiantly on the dung heaps. If Rose does not tell her own story, who could imagine her birth deep inside the dome, the dangerous secret of her existence. A secret guarded her two huge aunties, once ragged outside boys, who became outrageous bodyguards in towering wigs and heels. To protect the new world and the people she loves, it is time for Rose to tell…

“Over the Edge of the World” by Elizabeth Cunningham: A Book Review by Judith Shaw

Elizabeth Cunningham’s new book is a marvel you won’t want to miss. It’s subtitled, “A Fairytale Novel” which lets you know you are in for a magical experience. Fairytales have meaning and contain wonder, beauty and truth. Fairytales awaken new insights for the reader, inspiring us all to think more deeply about our world. “Over the Edge of the World” certainly does all that. It will leave you pondering the difficult reality of our world today and the sacrifice and grit needed to create it anew.

The Field of Belonging, by Molly Remer

May we be resilient
in the face of conflict and change.
May we lean in,
reach out,
root down,
and deepen into
the practices that nurture us
and sustain us.
May we cultivate wise discernment.
May we persist in reclaiming our power
and our attention.
May we embody our prayers.
May we dance bravely
on the bones of the coercive systems
that try to drag us down.
May we lift our heads
to meet the eyes of life.
May we persist in seeing,
in being,
in lifting our resilient and stubborn joys
up to soar.

I know we are weary, overwhelmed by how much damage can be done by sweeps of pen and distant deciding, callous disregard seeming to seep into all the edges and change how the world feels to live in. We may feel frozen with indecision, unsure of what to do or how to help or what to say. So much asks for our attention and our time, asks us to look and to not turn away. We wonder what there is to celebrate in the face of so much anger and so much need. It is hard to feel so small and human, hard to keep hoping, to trust in our own inherent magic and that goodness and beauty are still at work amid the pain.

From the Archives: A Ritual for Thanksgiving, by Molly Remer

This was originally posted Nov. 22, 2022

Find some pine trees
and a wide rock in the sun.
Settle down and feel gratitude
curl around your shoulders.
Listen to the wind
sense that there is sorrow too
in this place,
deep and old,
threaded through the
lines of sun
slices of shadows.
It tells of what has been lost,
what has been stolen,
of silenced stories,
and of fracturing.
Make a vow,
silent and sacred,
to do what you can,
to rebuild the web
to reweave the fabric.
Lie on your back in the pine needles,
feel your body soften into the ground
and become still.
Allow yourself to feel held,
heavy bones and soft skin
becoming part of the land.
Wonder how many of your
ancestors kept other people
from becoming ancestors themselves.
Watch the sunlight making tiny rainbows
through your eyelashes and pines.
Find a pretty rock.
Don’t take it.
Leave it where it belongs,
on the land that gave it birth.
Go home.
Keep your promise.

Herstory Profiles: The Season of the Witch by Anjeanette LeBoeuf

Throughout the modern ages there have been stories, legends, myths, and historical accounts of threatening people, mainly women, who have been linked with the supernatural, with containing powers, engaging with elements that go beyond the natural world, and who decentralize, shake up, and counter mainstream patriarchal systems and groups. And the predominate word which can be translated and transcend languages is that of WITCH. And since we are in the month of October, when it becomes somewhat acceptable for people to deck their houses with items long been associated with witchcraft, this month’s herstory profiles is diving into all things witchy.

So, lets deconstruct what witches do and how they function in history and in modern times. When we look at the origins of magic – at the very core- is the manipulation of the natural world for supernatural outcomings. Those outcomes can be a range – from conversing with supernatural beings, healings, prophecy, alchemy, transformation, and to even holding secret knowledge. The word magic has origins in Ancient Persian and Proto-Indo-European languages with concepts of “being able to” and to “have power.” If we look at ancient cultures, civilizations, and religions we found multiple variations of people and roles being able to contain, control, and weld magic.

In Memoriam, Rachel Pollack JIA (8/17/45 – 4/7/23) by Janet Maika’i Rudolph

How do you speak about someone who not only rocked your own world, but those of countless others? Whose fertile imagination and generous nature inspired and transformed so many lives? My friend, teacher, and mentor Rachel Pollack died in April. It’s hard to wrap my head around what a huge loss this is, not only for me, but for the world. She had an encyclopedic knowledge at her fingertips of mythology, tarot, historical trends, cultural trends, ancient civilizations. She was a storyteller at heart, using personal stories, universal stories to teach. She encouraged and guided each of us to discover and tell our own stories. Her stories won both the Arthur C. Clarke and the World Fantasy Awards. I call her the Grandmother of the Tarot because her work in that area has been so ground-breaking, far-reaching and depthful.

I write JIA, instead of RIP, special for Rachel. JIA means Journey In Adventure. Rachel was adventurous to her core. Rather than resting in peace I see her continuing her immensely adventurous journey just now on the other side of the veil. I see it as a continuing wondrous, magical ride that she has earned.

ART AND SOUL by Iona Jenkins

One day, during a holiday at the home of Italian friends in the province of Lazio, some forty-five minutes by train from the centre of Rome, I experienced a powerful impression of the Sacred Feminine. She came to me in the Vatican of all places, centuries old male stronghold, and power centre of the Roman Catholic Church.

Even more surprisingly, her presence was more prominent in the Sistine Chapel, the Pope’s own place of prayer, where Cardinals sit in all male conclave. But there she was, shining through the restored colour on that famous ceiling through the brushstrokes of Michelangelo. I was picking up loud echoes immortalised for centuries through his art, tuning into the soul of the artist, seeing his inspiration in terms of angels speaking in colour and light. But then he was called after an Archangel whose name means Who is like God. God is creative, He created heaven and earth according to the scriptures, but now it was looking like She might have created it with him. Somehow over the years in Christianity, the real Sacred Feminine has been hidden away, negated, turned into a virginal statue with little visible life energy from earth.

A Ritual for Thanksgiving, by Molly Remer

The Norns, Spiritual Mystery and Me, Part 1 by Janet Maika’i Rudolph

In 2020, I began writing my biography because some weird things were happening in my life including some which were time-bending. To help make sense of it, I wrote up “conversations” with the mythical characters of Persephone, Inanna and the Norns of the Norse. Throughout my bio, I speak to the Norns as an out loud meditation on the nature of time, fate and energy.

The three Norn sisters are Urd, Verdandi and Skuld. Their names come from Old Norse which is not a spoken language. The actual translation of their names is open to speculation. In general, here are their common meanings.

Urd – past
Verdandi – happening or present
Skuld – future or debt.

By mythological tradition, they show up at a child’s birth and then weave their “fateful” decisions about that child’s life into a tapestry. They are considered more powerful and fearsome than the gods because even the gods are ruled by the hands of fate (or Norns in this case). They were also treated as oracles where kings and warriors went to consult them much as was done in Delphi Greece.[1]

Rites of May, by Molly Remer

It is important that we share these rituals of celebration and affirmation with our sons as well as our daughters. Men, too, should know the power of joined hands in a circle, voices lifted in song, and sweet words of connection surrounding one another on a bright spring day…

I rose early seeking Beltane dewdrops
with which to anoint my brow.
the cupped violet stems and clover
were dry
and I found no dewdrops
in the chickweed stars.
Instead, I put out oranges
for the orioles,
ran my fingers through the dandelions,
and pressed my nose into the lilacs.
I spotted green flowers
on the mulberry trees,
found the first wild pink geraniums
and tender bells of columbine
and came face to face
with the quiet black eyes
of solemn deer in the raspberry bushes.
These things
their own kind of anointing,
their own small and significant
rites of May Magic.

As a family, we traditionally celebrate the May by making a Green Man face in our field, using natural items that we find that day. As a goddess-focused person who walks an almost exclusively goddess-centered/nature-based path, this is one of our few family rituals that centers around more masculine sacred imagery. It is a favorite for my kids—rituals involving multi-age groups should always be as highly participatory as possible. I have written several times for FAR about how my hearth-priestessing has evolved over the years, letting go of more and more control, doing less and less planning, and being more freeform, spontaneous, flexible, and playful. My four children now range in age from 7-18. We have celebrating the turning of the Wheel of the Year for their entire lives. I love how our memories of past rituals inform the present—for example this year’s Green Man had the same rock for a nose that we used for last year’s Green Man.

This year, May Day was bright and sunny with a wild wind. We circled near the driveway, building our Man on the gravel, where his features would stand out against the brown rocks. We gave him antlers formed from cedar branch and white-tailed deer and a crown of a split stump of gray oak. My oldest son trimmed off cedar branches for his beard, my husband pruned the hydrangeas of last year’s dead growth to frame his face, my sixteen year old gathered golden stalks of dry bluestem grass for a mustache, and my 11 and 7 year olds gathered pieces of grass and cinquefoil to trim his hair and beard.

We stood around him in admiration for a few minutes and then I spoke of the bounty, growth, and renewal of this time of year. We stood hand in hand and read the following blessing together (me calling a line and then all repeating it):

A sweet blessing
of the singing sky
to us.

A slow blessing
of the shining flame
to us.

A strong blessing
of the crashing wave
to us.

A soft blessing
of the pulsing earth
to us.

We then offered a wish to one another in turn with a spritz of “Valiant Heart” spray (from Honey and Sage Co). For example, I spritzed my daughter (11) and wished her curiosity and creativity and then she turned to her father and spritzed him wishing him health and prosperity.

I gave everyone four rose petals (whole flowers would have worked well, but I was working on the fly!) and invited everyone to kiss each petal in turn and then offer it to the Green Man (the wind whirled most of our petals away as we released them, which was pleasant as well—our wishes, accepted), based on this past poem:

Find four flowers
and bring them to your lips
one at a time.
One for wonder.
One for joy.
One for love.
One for magic.
Make your promise
invite them in,
one by one
the spell is done.

We sang a few lines together, laughing, from one of Tom Bombadil’s ditties in The Fellowship of the Ring and shouted out, “Happy May!” after finishing our raucous rendition:

Now let the song begin! Let us sing together!
Of sun, stars, moon and mist, rain and cloudy weather,
Light on the budding leaf, dew on the feather,
Wind on the open hill, bells on the heather,
Reeds by the shady pool, lilies on the water…

We then each took a handful of wildflower seeds and sang “Call Down a Blessing” over them, each of us plugging in a blessing word in our turn.

Call down a blessing
Call down a blessing
Call down a blessing
Call down
__________before you
__________behind you
__________within you
and around you.

This song is based on Cathy Parton and Dave Para’s song, but is sung collaboratively with each person choosing a blessing to sing together in the blank space. (A recording of our women’s circle singing this together during a ritual is available here.) We then scattered to plant our handfuls of seeds in whichever place we wished to do so.

This whole ceremony took less than thirty minutes and we closed our largely spontaneous ritual by joining hands and offering our family’s usual closing prayer (learned from our own dear Carol Christ): May Goddess bless and keep us, may wisdom dwell within us, may we create peace.

My oldest son is graduating from high school this month and this week I took him to register for his first college classes. At this threshold moment in parenting, I feel the odd psychological sensation of overlapping generational “timelines,” sometimes feeling like I, myself, have become my parents, while at the same time, feeling like I am a college student myself. But, for now, at this moment, we stand here together under a Beltane sun, laughing together around a Green Man in the stones.

Molly Remer, MSW, D.Min, is a priestess, teacher, and poet facilitating sacred circles, seasonal rituals, and family ceremonies in central Missouri. Molly and her husband Mark co-create Story Goddesses at Brigid’s Grove (brigidsgrove.etsy.com). Molly is the author of nine books, including Walking with Persephone, Whole and Holy, Womanrunes, and the Goddess Devotional. She is the creator of the devotional experience #30DaysofGoddess and she loves savoring small magic and everyday enchantment.