“Human connections are deeply nurtured in the field of shared story.” –Jean Houston
“The universe of made of stories, not of atoms.” –Muriel Rukeyser
This month I went searching for a quote for one of my Red Tent Initiation students. She had shared some powerful reflections about the vulnerability required to reveal our personal stories—there can be a lot of risk, sometimes shame, and more, bound up in our ability to uncover ourselves and speak our truth. What I wanted to communicate with her was the idea that in sharing our stories, including the painful pieces, we free other women to do the same. Our courage to be vulnerable, to be naked, to be flawed, to experiment with ideas, concepts, or ways of being gives permission for other people to do the same.
In 2012, I went to a dancing workshop at Gaea Goddess Gathering. The facilitator mentioned that when facilitating ritual, you have to be willing to look a little ridiculous yourself, have to be willing to risk going a little “over the top” yourself, because in so doing you liberate the other participants—“if she can take that risk and look a little goofy doing so, maybe it is okay for me to do it too.”
After a lot of digging around, I found the quote! I should have known it was from one of my favorite authors and sister FAR blogger, Carol Christ, who said:
“When one woman puts her experiences into words, another woman who has kept silent, afraid of what others will think, can find validation. And when the second woman says aloud, ‘yes, that was my experience too,’ the first woman loses some of her fear.”
This is part of what makes Red Tent Circles so powerful. When women are willing to dig into the questions, activities, and processes, to turn them over, to explore how they work in their own lives…they lose some of the fear and they encourage others to lose their fear too. Continue reading “Story Woman by Molly”


In the Smithsonian Museum of American History, there is an exhibit on food and the way it has changed on the American table over the years. It is an interesting exhibit for a number of reasons. It shows, for example, a reproduction of Julia Child’s kitchen. It shows the advent of T.V. trays and Swanson frozen dinners. It shows when wine became a staple beverage. And, there is one of the most entertaining images in all of Washington, D.C. …
When the wheel of the year turns towards fall, I always feel the call to retreat, to cocoon, to pull away. I also feel the urge for fall de-cluttering—my eyes cast about the house for things to unload, get rid of, to cast away. I also search my calendar for those things which can be eliminated, trimmed down, cut back on. I think it is the inexorable approach of the winter holiday season that prompts this desire to withdraw, as well as the natural rhythm of the earth which so clearly says: let things go, it is almost time to hibernate.
I sat at the bottom of my stairs exhausted, lost, not knowing what day it was or rather not really caring what day it was. I was the overtired mother, who was still getting the knack of breastfeeding around the clock. Panicking each and every time I heard the baby cry. As soon as I heard his cries, I would think to myself, hurry and grab the boppy, the burb cloth, the iPhone so I could click on the breastfeeding app! Hurry, hurry, hurry….!
Last Tuesday marked my fourth day home in over two months. I was researching over the summer in Europe. When I was not working, I was climbing up castle ruins or carrying groceries or creatively managing my children’s laundry with very modest facilities at my disposal. Unlike all of my other summer colleagues, I had elected to bring my children with me, so my summer was work intensive in both the professional and parental capacities.

