
“Freud once asserted that mortals are not made to keep secrets;
what they would like to conceal oozes from all their pores.”
Psychoanalyst Theodore Reik[1]
It’s remarkable how much female imagery there is in the Bible hidden within its wording. The more I delve into its passages, the more that I have found these hidden/not so hidden sacred feminine images, even deities. I have begun a project of digging in and rooting out these little gems. When people think about the sacred feminine or female deities in the Bible the most well known is the Shekinah. The Shekinah is a lovely presence. The word means “dwelling” and usually represents “god’s divine presence” or a place where the divine resides.
The problem is that the Shekinah as a feminine essence of the divine is never stated explicitly, it is an interpretation of how the word is used. I love the concept of the Shekinah but as an essence that upholds the entire weight of the feminine divine in the bible, I find it unsatisfying by itself. Luckily for me, Goddess Shekinah has lots of company. Sometimes they are indeed hiding in plain sight. Sometimes they hide in the translations. The passage I am presenting today has some of both going on. The following is the King James Version of Genesis 49:25. Jacob has been giving blessings to each of his sons and this is part of the blessing he gives to Joseph: Continue reading “Yes, There are Goddesses in the Bible by Janet Maika’i Rudolph”


Two recent posts,
Amongst Celtic peoples, the capacity to speak poetically was a divine attribute, regarded as a transformative power of the Deity, who was named by those peoples as the Great Goddess Brigid: She was a poet, a Matron of Poetry (along with her capacities of smithcraft and healing). And at Delphi in Greece, the oracular priestesses delivered their prophecies in poetic form: Phemonoe invented the poetic meter, the hexameter. And from Sumeria, humans have the first Western written records of literature, which is poetry written by the High Priestess of Inanna, Enheduanna in approximately 2300 B.C.E.. Poetry has been recognised as a powerful modality: Barbara Mor and Monica Sjoo described “poetic thinking” as an wholistic mode, wherein “paradox and ambiguity … can be felt and synthesized. The most ancient becomes the most modern; for in the holographic universe, each ‘subjective’ part contains the ‘objective’ whole, and chronological time is just one aspect of a simultaneous universe” (
Very early in Henri Bosco’s 1948 novel Malicroix, a young man, Martial de Mégremut, living placidly amid fruitful orchards in a tame Provençal village, receives a letter informing him he has inherited “some marshland, a few livestock, a ramshackle house” from a reclusive great-uncle, Cornélius de Malicroix. Against his family’s strenuous objections–with alarm they speak of “marshes, mosquitoes, miasmas”–Mégremut resolves to travel alone to the remote Camargue to claim his “wild” Malicroix inheritance. The house is on an island, and to reach it Mégremut must cross a rough river, at night, in a frail wooden boat piloted by a taciturn old man who meets him at dusk in the middle of a vast plain.
One of my favorite trainings I have received on my spiritual pathway is with Aloha International. I was ordained as an alaka’i (Hawaiian spiritual guide) in 2016. I began studying Huna intensely in 1997. In 2015, I personally met and studied with our Kumu Kupua (founder and shamanic guide) Serge Kahili King. I love the Hawaiian way as it is gentle, loving and teaches us to examine our beliefs, life practices and thought-patterns in a way which heals our wounds and nurtures our lives in many beautiful ways. Huna means secret but not as something we can’t share, rather something that is hard to discover or grasp like the mists of the sea. Dr. King, however, makes it easy and I am happy to share some of his teachings here.