cosmology – Feminism and Religion

Miriam MacGillis and Cosmology Revisited, part 2 by Janet Maika’i Rudolph

Part 1 was posted yesterday. Miriam MacGillis’ words from Education for a Small Planet continue:

“And those implications, have been the unspoken assumptions which lie at the heart of the way western civilization evolved, distinctly different from eastern civilization or from tribal civilizations. That’s why we look so different. That’s why in 300 years where I live, our ancestors totally, totally altered the natural world. Their obsession with development is outside themselves.

“So, what has transpired in the unfolding of western civilization has been this extra-ordinary capacity of the human in its rational, linear, analytical mode of knowing, to understand, to probe, to analyze, to uncover, to discover, to alter, to change, to redesign and to bring about a better state of affairs than what was. Whether it was the discovery of fire, or the wheel or the printing press or the computer, always the real issue behind the technology is not the technology itself, it’s the vision of bringing about development, the perfection of.

“Now ironically, it’s because of that very detachment from the world that the western mind was free to do that. “If this is just matter, you can do anything you want with it.” That’s not really where there is any moral dimension. Moral development happens between humans, human/human, human groupings and human/god. That is why the whole unfolding of western civilization, we were able to probe to such a depth of the physical energies of the world that in this century we were able to do what we did.

Miriam MacGillis and Cosmology Revisited, part 1 by Janet Maika’i Rudolph

Author’s Note: When my mother died in 2018, I became the custodian of her voluminous files. I found some gems inside them. My mother lived in NJ not too far from a place called Genesis Farms and its founder and proprietress was/is Sister Miriam MacGillis. There was a whole file on the farms.

Included in these files was a binder of cassette tapes from a workshop Miriam MacGillis gave in 1986 called “Education for a Small Planet.” There are 4 double-sided cassettes. When I first saw them, I was afraid to even touch them as 40-year-old cassette tapes are not known for their sturdiness. A friend helped me find an agency that agreed to digitize them. Since then, I have had the great honor of transcribing the tapes. It took me several months, but I have now completed the transcription. (They are a little rough as I added punctuation as I went.) I have been in touch with Miriam about them and she agrees that the message from 1986 is still important, in fact, likely more important now and they should have as wide an audience as possible.

Miriam MacGillis is a modern-day prophet who not only holds a broad understanding of cosmology but brilliantly expresses it. She was an early colleague of Thomas Berry, introducing many people to the Story of the Universe.

I believe these tapes need to be studied and shared and I am happy to make them available to anyone who is interested. Below is a taste of their wisdom. It is from Tape #1A (first tape, first side), lightly edited. This is really just an introduction and it will be in two parts.

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Reaching for New Language for the Sacred by Glenys Livingstone

The term ‘PaGaian’, which became the title of my work, was conceived in at least two places on the planet and in the opposite hemispheres within a year of each other, without either inventor being aware of the other’s new expression. It was some time before they found each other … one party in Australia, myself having published a book with PaGaian in the title; and the other party, Rob Blake – in the UK having registered the domain pagaian.org as the term seemed to him to express a cosmology constellating in his mind. The term PaGaian was actually conceived by my partner Taffy Seaborne in late 2003, enabling the book to manifest: heretofore the body of work developed there took six lines to express.

This reaching for a new word, was the reaching for a language, which is a power; to bring together an Earth-based – ‘Pagan’ – spiritual practice indigenous to Western Europe, with recent Western scientific understandings of the planet as a whole living organism – ‘Gaia’ as it has been named, and which by its name acknowledged resonance with ancient Mother Goddess understandings of our Habitat, as an alive sentient being. So, the term ‘PaGaian’ splices together Pagan and Gaian, and it may express a new autochthonic/native context in which humans find themselves: that is, the term may express for some (as it did and does) an indigeneity, a nativity, in these times, of belonging to this Earth, this Cosmos. For myself, the new expression consciously included and centralised female metaphor for sacred practice: that is, practice of relationship with the sacred whole in which we are, and whom I desired to call Mother, and imagine as the Great She. Continue reading “Reaching for New Language for the Sacred by Glenys Livingstone”

The Sphere: A Symbol of Ancient Greek Female Spirituality by Stuart Dean

Stuart WordPress photo Originally, in ancient Greek, ‘sphere’ simply meant ‘ball.’ Though its grammatical gender varied, it was primarily a feminine noun. It is in that sense and with that gender that it bounces into Western literature in the episode of the Odyssey where Nausicaa and her companions are playing catch on a beach (Odyssey 6.100 ff).

Nausicaa is said to be conducting her companions in ‘molpe,’ a curious term that seems to refer to dancing, music and poetry as a single form of performance art. Authorship (including possibly female authorship) and dates of individual episodes of the Odyssey remain debatable, but both from this episode as well evidence from other sources there is no doubt that in general what Nausicaa and her companions are doing here relates to an actual custom among Greek women that dates back to well before writing was adopted. Furthermore, molpe was spiritually significant. As the conductor of its performance Nausicaa is compared to Artemis.

The reference to Artemis as one of those who ‘holds heaven’ (Odyssey 6.150), suggests that the sphere with which Nausicaa and her companions are playing may have been intended (at least by the author of this episode) to be a symbol of the celestial sphere. That suggestion is bolstered by an appeal to what is to be found in the fragments that survive of the poetry of Sappho, who it is readily apparent considered herself as much a musician and choreographer as a poet. That is to say, whereas Nausicaa may be a fictional persona, with Sappho we have the only direct evidence of any substance directly from an actual woman of what constituted molpe. From how she refers to a female performer of molpe as goddess-like (S. 96), followed immediately by a comparison of yet another woman’s beauty to that of the moon, as well as other fragments of poems where either the appearance or movement of women in connection with a molpe performance is related to celestial events such as the appearance of a full moon or the movement of the Pleiades, it is clear that for Sappho choreography was in effect applied cosmology (see S. 154 and S. 34 and how it is surely echoed in a much later Latin poem here). Continue reading “The Sphere: A Symbol of Ancient Greek Female Spirituality by Stuart Dean”