women’s journeys – Page 8 – Feminism and Religion

Poetry, Plays, Pens, Persistence, Underpin Voice: Both Jean & Eleanor Live by Margot Van Sluytman

Stepping into the autumn season offers time to think about summer. Time to think about what happened during those hazy, lazy, crazy days. Digesting. Re-wording. Steeping one’s self in recent memories and drawing forth, indeed permitting to re-surface, what touched us most deeply. For me, The Beatles song, Eleanor Rigby, was conjured. That imagined woman. That fictional woman. And her voice and her voicing. Buried she was, in a church, along with her name. Nobody came.

What is it that invites this negation of voice? Voices? Voice-ing? Particularly those of womyn? No matter class, culture, creed. This question continues to journey with me, as I myself, note the accumulation of years. As I breathe the beauty of my Grand-Children’s energies. And with-ness their lives unfold. Unfold in a world that is slowly, ever so slowly, yet determinately, and with unceasing tenacity, resurrecting the lost voices of womyn. Too long buried and silenced.

Why Ritual in Turbulent Times? by Terry Folks

It is Autumnal Equinox. Five women gather equidistant apart beneath a giant avocado tree in the garden at Evi’s place near the village of Zaros. This little hamlet is under the watchful loving eye of Psiloritis (Mount Idi) on the Island of Crete in Greece. We leave the solitude of our individual cottages where we have been quarantined to co-create an Autumnal Equinox ritual I have initiated for this occasion. Since we are still testing positive for COVID, we maintain our distance. I have a nasty strain as I’m exhausted, foggy, my nose bleeds, and I’m coughing so much my head hurts. Still … this ritual is important as our morale seriously needs a boost. We are dubbed the five “Corona Sisters” or the “COVID Girls” whose Goddess Pilgrimage on Crete was cut short when we contracted the virus somewhere between our homes in Australia, Canada and the United States, and our arrival in Heraklion a few short days ago. We have renamed ourselves the “Avocado Sisterhood” to acknowledge the blessing of our togetherness, and we represent a quarter of the women participating in Carol Christ’s Goddess Pilgrimage to Crete in 2023.

Seeds of Life by Sara Wright

I have been involved with plants since I was a toddler. My first word was ‘fower’ for bright yellow buttercups, a nickname I was given by my grandfather that stuck.

I guess it’s no surprise that I started out with gardening as a three-year-old under my grandmother’s tutelage. Her large vegetable plot fed us for most of the year. I seeded my first yellow summer squash into rich moist earth and watched with wonder as the seed emerged with two emerald ears.

In college when students were decorating their rooms with drapes and bedspreads, I bought a pepper plant to brighten my cement surroundings and soon had a windowsill full of plants.

As a young adult I grew many house plants and often talked to them, noting that we seemed to have an uncanny personal relationship, a childhood reality that I had been educated out of. I also gardened with herbs outside my back door, because I loved to cook and needed tasty condiments. Soon I moved on to planting a full – fledged vegetable plot. I canned what I could like my grandmother still longing for the bountiful flower gardens of my dreams. I come from a lineage of female flower gardeners and farmers that stretched back three generations (that I know of) but as a young single mother who worked and one who was frozen from loss, I didn’t make the time.

The Awakened Woman: Remembering and Reigniting Our Sacred Dreams by Woman Writer Dr. Tererai Trent by Maria Dintino

Moderator’s Note: This piece is in co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women. The site was founded by sisters Theresa and Maria Dintino. To quote Theresa, “by doing this work we are expanding our own writer’s web for nourishment and support.” This was originally posted on their site on January 14, 2020. You can see more of their posts here.

Breaking the Bronze Ceiling – Statues of Real Women in Public Spaces

I cannot imagine a woman more deserving than Dr. Tererai Trent, her likeness one of ten life-size bronze statues unveiled in New York City on Women’s Equality Day on August 26, 2019.

Australian global public artists and activists, Gillie and Marc Schattner, revealed the statues of these inspirational women on 6th Avenue (Avenue of the Americas) that glorious summer day! Their organization, Statues for Equality, is on a mission to achieve gender balance in public statues worldwide. In NYC prior to their unveiling, only 3% of the statues depicted females; this climbed to 10% on August 26.

I Really Like My Dirty Feet by Caryn MacGrandle

Last night, I had a dream where a nicely dressed woman leaned towards me and said, ‘Come with me, I’ll show you how to do it.’

“I’ll show you how to get those feet clean,” and she looked down at my dirty feet in disgust.

And I knew what ‘it’ she was referring to. She had a nice car and a big beautiful home and a well coiffed outfit. She was one of my children’s friend’s parents, successful the way that mainstream society defines it.

And my small self said, ‘sure, okay’.

But then my Large self said ‘wait a minute. Stop. I like my dirty feet.’

They’re part of me, you see.

Sing Anyway by Dr. Jamie Marich

I often find myself sitting in conservative Catholic spaces. My brother is a Roman Catholic priest in the Dominican order and I remain in support of his vocation. Every time, before a Mass officially starts, I’m overcome with a sense of: “You belong here…and you don’t.”

The part of me that has always felt at home in a Catholic setting is that love of the ritual and ceremony, the smell of the incense, the familiarity of the chants and songs. It was a Catholic priest, the late Fr. Ciaran O’Donnell, who taught me how to play the guitar and got me started with the healing practice of songwriting. When I sink into these associations, I feel connected to my Croatian ancestors and our Catholic faith. And there’s the other part of me—the queer feminist and an advocate for other queer and transgender people to live the fullest, most open expressions of themselves in all spaces of life, especially faith-based spaces. As a survivor of several forms of sexual assault and as a trauma specialist who has guided countless other survivors in their healing process over the years, I can’t sit in a Catholic Church and not feel uneasy about the legacy of abuse and silencing survivors within the church. Between my queer identity and dedication to supporting survivors, I feel that I don’t belong.

Dear Mr. Vance, Love, A Childless Cat Lady

I am a writer, one who sometimes touches on personal issues. But this is the first time I elaborate on why I don’t have children, no doubt, provoked by your “childless cat lady” jibe.

I am childless or childfree; to me, it is a matter of semantics. I have two cats whom I consider my children. In many ways, I am like most Americans; I love my job, I love my students, I love my colleagues.

And I love my cats.

Fight, Fight, Fight? by Caryn MacGrandle

I have two divorces under my belt. I’m not proud. I made bad choices. I didn’t have the support network nor the mental ability to thrive in the situations. But I had gumption. And I didn’t stay.

So here I am. 54. And starting over.

It can be rather terrifying as motherhood and family has always been my focus.

After my recent second divorce, part of my stability plan was Land. The Blue Ridge mountains in North Carolina called me. The Appalachians. I spent a year looking. I had a list: unrestricted land, at least five acres, a water feature.
I had several adventures on my own looking, but I will never forget the day I found it. I was with my son James, and I knew it right away.

Ten acres. A third of it a bog along a creek. Away from it all, but not ‘too away’ as it has a road running through it that leads to a partly developed mountain subdivision.

Home.

I can breathe.

She in Archetypes, Images, Energy… Emerging by Dale Allen

If it weren’t for my mother, I wouldn’t have gone to church on Saturday evening at 5pm. It was a special trip made by me, my daughter and my 89-year-old mother who is visiting here in Connecticut from Ohio. We are met at Holy Name of Jesus Church in Stamford, CT by one of my aunts, some cousins, one of my sisters, a brother-in-law, nieces and nephews – part of our big family.

Holy Name of Jesus Church is in walking distance from the house where my mother grew up: the house where her Polish-immigrant parents raised 8 children. My mother and her siblings attended Holy Name of Jesus Catholic School next to the church from 1^st through 9^th grade. The school is still there and now houses a daycare and learning center.

The Connection between Matilda Joslyn Gage’s Woman, Church and State and L. Frank Baum’s The Wonderful Wizard of Oz by Mark I. West

My introduction to Matilda Joslyn Gage (1826-1898) goes back to my long-standing interest in her son-in-law, L. Frank Baum. I regularly teach Baum’s The Wonderful Wizard of Oz in my children’s literature courses, and I always point out the book’s feminist qualities. I mention, for example, that Dorothy Gale, the central character in the novel, is one of the first female characters in American literature to go on a bona fide quest. When I first started teaching this book, I wondered what caused Baum, a male writing in the late nineteenth century, to write such a feminist book. One day, while preparing for class, I came across a reference to Gage. This reference stated that Gage was a leading suffragette during the second half of the nineteenth century and that she lived with Baum and his family in Chicago when Baum was launching his career as a children’s author. After reading more about Baum’s life, I realized that Gage played a major role in shaping his nontraditional views on gender roles. However, I was still not sure what role she played in the development of women’s rights.