Priestess or Goddess? The Real Morgan le Fay by Kelle ban Dea

Morgan le Fay is a popular figure for goddess-women and those interested in depictions of female spirituality, as well as a role model for some witches and pagans. Entire modern spiritual traditions such as the Avalonian tradition in Glastonbury have been created around her. She’s been portrayed in various ways in popular media and culture, and for many is more beloved than her mythical contemporaries, Arthur and Merlin. Which is interesting, because she’s a wholly fictional character, first encountered in the medieval Vita Merlini. Or is she?

While Morgan herself is, indeed, a fictional creation, many have seen echoes of ancient Celtic myth in her story. She’s a healer and magic worker, living on an Otherworldly island, sometimes with her eight sisters, guardian of Avalon with its magical apples and mists. In later iterations she’s a darker figure, an enemy of her brother Arthur, a witch and a seductress. A story we’ve all heard before.

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 Standing Under the Stars by Sara Wright

one winter night
 a velvet cloak
wrapped herself
 around me
starry cosmos
poured down
 points of light.

kindled a planetary fire
 casting a circle
 inviting Spirit to hover
  recovering
 abandoned Body…

once embraced
 Winged Animal
Presence
Guided me Home.

 A little Story about How Nature Heals

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Opening All the Windows and Returning the Goddess to Her Rightful Place by Caryn MacGrandle

The quote that describes Jesus as the “front door of God” is found in the Bible, John 10:7, where Jesus says, “I am the door of the sheep”; essentially meaning that the only way to access God is through Jesus, as he is the entrance point to God’s presence.

I have been calling on Hathor, and last night, She came.

Ah, let me back up a few steps.

I have up to now not given much thought to Egyptian Goddesses instead preferring my Celtic and Greek ones. But a few days ago, I attended this lovely workshop by Tahya who has developed a modern day systrum, the percussion instrument used by Priestesses in honor of Hathor.  And as so often happens on my path, when you crack the window, She comes. 

The last two days I have been listening to Hathor meditations, the Mother of all creation, the Goddess of Love, an Egyptian Goddess whose worship may have begun in the Predynastic Era over 5,000 years ago.

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The Grandfathers, part 1 by Sara Wright

Moderator’s Note: Sara wrote this in 2019. This is its first publication and has grown all the more pertinent now.

Sapawe is an ancestral Tewa Pueblo located outside of El Rito. Until this weekend I had never been to the ruin. I didn’t know, for example, that it was the largest ruin in New Mexico, and perhaps the entire Southwest or that during the period it was built and occupied (1300- 1500’s) that ten thousand people lived there. Estimates suggest that there were at least 1,800 ground rooms and twenty – three kivas. Walking around the huge compound is something I have yet to do. It was too hot for me to do more than take in the astonishing view or traverse a small part of the plateau, briefly. I did note that there were artifacts and planned to come back another time – soon.

Early yesterday morning I met with four other people to see the shrine that was located outside the pueblo. This was the place that secret ceremonies were held on behalf of all the people in the pueblo. On the surface all that could be seen was a large raised stone circle, but there was a sense of presencethere that felt both powerful and peaceful probably because few people knew about this shrine and the  natural power of place had not had a chance to dissipate. After having explored a couple of other Tewa ruins, I learned that it was very important to allow place to speak in its own time, and to allow that to happen I had to return again and again with an open heart, eyes that could see beyond the obvious, and an active inner ear … The land speaks to those that can listen.

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St. Brigid: Reproductive Justice and the Realms of the Miraculous by Elanur Williams

St Brigid being carried away by angels, in a painting by John
Duncan (1913)

One of my favorite saints is St. Brigid of Kildare, the patroness of poetry, learning, healing and protection. She is frequently called upon during childbirth. Brigid’s hagiographies are noteworthy for her remarkable abilities to heal and perform miracles—including her ability to make pregnancies vanish, for those who ask. In Vita Prima and Vita Brigitae (Life of Saint Brigit) published around 650 C.E. by Cogitosus, an Irish monk from Kildare, it is claimed that “Saint Brigid, by the very powerful strength of her faith, blessed a woman who had fallen [pregnant]…and the conception in the woman’s womb decreased and she restored her to health…without childbirth and its pangs.” The pregnant people in Brigid’s tales turned to Brigid to help them reclaim and restore their dignity. Consequently, their abortions served as catalysts for change. “Abortion miracles” have narrative and theological functions: they expose constructs of sexuality, chastity, purity, and sin. In addition, they test our understandings of healing—physical and spiritual—by revealing the intersectionality between medicine, pregnant people, power, and personal agency. Scholars have theorized the presence of “abortion miracles” in hagiographies, and whether they are to be read as a kind of defiance towards early Christian morality, or as a demonstration of chastity’s role and value in early medieval Irish Christianity. Some Irish penitentials view medieval abortions as malefic acts or as a kind of malevolent magic; however, according to Arica Roberts (2020), it can be argued the abortion miracles found in Irish hagiography can instead be read as “medicines of penance” and as contributing to healing.

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From the Archives: Painting Herstory: Our Lady of Silver Lake by Angela Yarber

This was originally posted August 8, 2015

It has become my new routine during the first phase of my queer little family’s year-long journey. After completing my chores, I run along the trails surrounding Silver Lake and once I’m thoroughly drenched in sweat, I grab a book and push our enormous 15-foot canoe into the frigid waters of the little lake we’re calling home for three months. With a smile that has yet to wipe off my face, I paddle fiercely. I’m typically the only person on the lake.

It’s a steep mile hike from the trailhead, and we’re the only ones “living” here for the summer, so my giant green canoe ripples the silvery waters in solitude. Once I find the right spot, I stuff my life vest behind my head and cozy down into the belly of the canoe, book in hand, goofy grin still spread across my flushed face. In the warmth of the sun, I read. In the belly of the canoe, I drift into the history of the lake, the unwritten annals lapping alongside my rocking boat, the portions on record filling the book in my sun-warmed hands.

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From the Archives: I Sing Asherah Exalted! by Janet Maika’i Rudolph

This was originally posted Dec. 16th, 2021

With this season of the festivals of light upon us (Hanukkah, Christmas, Solstice, Kwanzaa), I wanted to focus on the more joyful aspects of our lives. For that, I have been diving into passages about joy and singing in the bible.

Sometimes when I write these posts, they take me in directions I never thought to go. This post is one of them. The surprise direction I found is in the Psalm below:

Sing unto him, sing psalms unto him: talk ye of all his wondrous works.
Glory ye in his holy name: let the heart of them rejoice that seek the LORD.
Psalm 105:2-3 KJV

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“Now I Will Have Respect”; “Now I Will Be Looked Up To” – Women Assert Their Worth in the Christmas Story by Liz Cooledge Jenkins

“The Giver of Breath has looked upon me with kindness and has taken away my shame. Now I will have respect in the eyes of my people.” -Elizabeth (Luke 1:25, First Nations Version [FNV])

“From deep in my heart I dance with joy to honor the Great Spirit. Even though I am small and weak, he noticed me. Now I will be looked up to by all. The Mighty One has lifted me up!” -Mary (Luke 1:46-49a, FNV)

Two women, one older, one younger. Both unexpectedly pregnant. Both key players in the Christian Advent story. Both living in a world, not unlike ours today, where women were not fully acknowledged as complete human beings, with all the strength and agency this entails. And both, for this reason, starving for the respect of their loved ones and communities.

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Gardens Bloom Between our Wombs by Chaz J.

For years, I have dedicated my life to empowering and uplifting all women in all ways. I have loved women as mothers, aunties, sisters, friends, cousins, teachers, mentors, daughters, God, and most recently myself. The depth of sweetness and emotion for women runs as deep as my life’s work. My life’s work centers and finds a deep well of inspiration in women and women’s lived experiences. My feelings concerning women were confusing for a long time and for a long time I have loved women in every way, except two: sexually and romantically. Giving myself permission to love women in every way has been one of the most liberating personal experiences of my life. It is one of my most radical revolutions. It is self-acceptance and self love in totality. 

The object of my desires is fluid and delicate. She is intuitive  and evasive. She is real and ethereal. She is Wombman. She created and is the fundamental elements that constantly gives birth to the world around us. She has given birth to all of us. She is fire and fury. She is Mother Gaia. She is the winds of change. She is water’s depth and grace. She is the sunlight after a storm. She IS the storm purging impurities. She is a creator and she is destruction. She simply IS…

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You Lied to Me About God, a memoir by Jamie Marich, PHD, book review by Janet Maika’i Rudolph

This was a hard book for me to review. Perhaps because she writes about such difficult issues and yet she does so in a compelling and at times even humous manner.  I feel a responsibility and yet find it hard to capture how she manages a breezy manner while discussing heavy material. Perhaps, even though our backgrounds are vastly different, I was also relating to so much of what she said. Jamie also covers so much ground; it is hard to pick out individual aspects to discuss.

As a child Jamie Marich was caught in the web of different religious systems, Catholicism from her mother and Evangelical from her father. They were at soul-hurting odds with each other (both parents and religions). Each one proclaimed they were the one true path so there was the ever-present threat of choosing the wrong one and facing a parent’s wrath along with that of eternal damnation. She labels this spiritual trauma. It cuts to the soul of a person being trapped into a no-win situation. It’s a conflict-driven, shame-filled, guilt-ridden way to grow up.

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