In the Beginning…by Lori Stewart

In the beginning
the very beginning, not the
patriarchal, colonial beginning

In the beginning
was the Word
which may have been
a grunt, a vibration, a thought, a feeling
a woman or man or a non-binary being

In the beginning was the Word
And the Word was with God
beside, above, below, inside
and God was perhaps a woman, a man or non-binary
a thought, a vibration, a feeling
or…pure unadulterated love Continue reading “In the Beginning…by Lori Stewart”

Mini-Reunion by Esther Nelson

A couple of weekends ago, Nancy, one of my classmates from nursing school, organized what she called a “mini-reunion” at her home in New Jersey.  Seven of us gathered together to well, reunite.  Our graduating class (Muhlenberg Hospital School of Nursing, Plainfield, N.J.) was small.  We started out with forty students—all women.  Only twenty of us made it to the finish line.  One of our fellow graduates, Marcia, died a few years ago.  Two or three of the initial forty students dropped out due to health problems, but were able to graduate a year later with the following year’s class.  Some students were asked to leave the program because they could not cut it academically or clinically.  Others decided they didn’t “belong” in nursing and quit.

These are the nurses that gathered for the “mini-reunion.”  Starting at the left: Lois, May, Esther, Carol Lee, Nancy, Chris, and Joyce. Continue reading “Mini-Reunion by Esther Nelson”

Firebird’s Song by Sara Wright

In response to Carol Christ’s latest post

She came on the wings of the Owl
flew out of the crack of our imagining,
swooped low over the underground forest
hooing, hooing, hooing
screeching and clacking –
Haunting the night with her song.

I almost didn’t recognize her
inside the feathery brown cape with bars.

On Starry nights while the white moon sleeps
the cloak falls away and behold!
She steps out
in all her Firebird splendor.
Burning, crimson, gold, she crackles — turns blue
white light torching
the fire turned star.
Beaming second sight
she rises out of Earthen ashes Continue reading “Firebird’s Song by Sara Wright”

Endings, Beginnings, and Dreamings by Carol P. Christ

my dream home in Molivos

Fifteen years ago, I bought my dream home in Molivos, Lesbos, one of the most stunning villages in the world. Over the next two years I renovated a listed Neoclassical house that had been neglected for over thirty years, restoring it to its original beauty. One of my friends who visited exclaimed that it looked like a movie set. Someone else said that the final result was “more Greek than Greek.” I thought this would be my forever home. But, as I have discussed in an earlier blog, I came to feel isolated in a small village.

Two years ago, I followed my heart to Crete, renting a lovely apartment in Heraklion, followed by a house near the sea. Then back to Lesbos, travel to the US and Canada, and Crete again after Christmas. I would have been happy to move back to the apartment I had rented the previous year, but this time I would bring my little dog. The apartment under my friend’s house outside Heraklion seemed like a good compromise, but the drive to Heraklion proved treacherous and parking difficult. Continue reading “Endings, Beginnings, and Dreamings by Carol P. Christ”

Vayera and Women’s Agency by Ivy Helman

imageThis week’s Torah parshah is Vayera (Genesis 18:1– 22:24).  The parshah contains the the destruction of Sodom and Gomorrah, the questionable hospitality of Lot, the incestual sexual relationships between a drunken Lot and his daughters, the revelation of Sarah’s pregnancy, the birth of Issac, the expulsion of Hagar and Ishmael from Abraham’s family, and the legendary story of the binding of Isaac.  Needless to say, there is much that can be said, but today I want to focus on the women from Lot’s and Abraham’s families.

Women figure prominently in Lot’s family.  In the parshah, we first meet Lot as host. Two male visitors (angels) come to stay at Lot’s house.  When some of the male inhabitants of Sodom learn of this, they come to Lot’s door wanting to harass and sexually assault the guests.  To protect his guests, Lot offers his unmarried daughters to the men instead. Later in the text, we learn that Lot can safely leave Sodom because he is righteous (although what may have spared his life more is the fact that Abraham is his uncle). Continue reading “Vayera and Women’s Agency by Ivy Helman”

The Fierce Initiation of Menopause by Mary Sharratt

Modern Western culture despises aging. Aging women are held in particular contempt. Menopause is meant to be something embarrassing and uncomfortable. The pharma industry peddles hormones and other drugs meant to mask our symptoms. Few women see menopause as something to even talk about, let alone celebrate. But some women are reclaiming the dignity and transformation of menopause as a passage to power. Author and herbalist Susun Weed portrays menopause as a spiritual awakening. She likens the fierce waves of heat traveling upward to our brains to the Eastern concept of a Kundalini awakening that ultimately leads to enlightenment and spiritual liberation. Whether or not you agree with this, you will not make it through menopause without some kind of radical change taking place inside you.

I’ve experienced menopause as an initiation by fire. Having chosen not to have children, menopause has proved the most intense and radical embodied experience and transformation I’ve undergone since menarche and puberty. When a hot flash seizes me, I can no longer continue my train of monkey-mind thinking or be an efficient worker bee of global capitalism. All my old ingrained thought patterns are interrupted and come to a halt as I’m forced to focus on the embodied experience of burning up from within. What if this internal fire is literally burning through old ways of thinking and being that no longer serve me? Maybe we’re supposed to be rattled and disturbed so we can change. It’s even called The Change. So many tired old patterns are falling away from me, because I can’t keep up with them anymore. There’s this profound deepening. A sense of what truly matters.

I resist change so much. I long to remain in the comfortable old rut of the familiar, but menopause makes that impossible. It’s a take-no-prisoners wake up call to the reality of passing time and impermanence. It forces me to reexamine my values, where I truly want to spend the remaining time I have on earth. I’ve always been spiritual, but menopause has deepened my commitment to daily spiritual practice. It’s also taught me to embrace my own fierceness. To say what I mean and mean what I say. Menopausal women might find themselves losing the superficial prettiness of youth. We can no longer pass as objectified eye candy in male-stream culture. With our wrinkles and gray hair, we become something scary but also powerful. Crones and witches. We truly do become wise women if we answer the spiritual call of menopause. If we resist the lure of male-stream medicine to brainwash us into reframing this profound transformation and path of power into a disease that must be treated with hormones and face lifts. While some women benefit from hormone therapy and allopathic medicine, I’m against the generic medicalization of the natural processes in women’s lives.

Pregnant women give birth to new souls. Menopausal women give birth to their wiser selves. Like motherhood, menopause sidelines us on the relentless march towards capitalist achievement and forces us to reexamine our true priorities. We live in a 24/7 culture that expects us to be switched on and working at maximum efficiency every day of the year, as if the cycles of the seasons, sun, and moon didn’t exist. Menopause is an invitation to live in harmony with the tides and seasons of our lives. To claim our time and attention and take our lives back.

If older women truly knew how fierce and powerful we were, we could change the world.

Readers might also want to check out my essay: “Life Begins at 42: Saint Hildegard’s Guide to Becoming a Midlife Powerfrau.” 

 

Mary Sharratt is on a mission to write women back into history. Her most recent novel Ecstasy is about the composer Alma Schindler Mahler. If you enjoyed this article, sign up for Mary’s newsletter or visit her website.

 

Let’s Talk About Shame by Janet Maika’i Rudolph

Disclaimer/Trigger Warning: This post includes content about rape, sexual assault, domestic abuse, violence.

The recent, meaningful discussions on this forum about how so many of us feel broken due to our own personal histories have fortified and inspired me. I’ve marveled as women have spoken up so honestly and even brutally about the effects of trauma, rape, cold and dismissive mothers, abusing fathers and so on.

Some of you know my own story. I am a survivor of my father’s childhood abuse and then a rape at knifepoint in my early twenties. I carry a deep and abiding sense of shame. This feeling has always flummoxed me. Why should I feel shame when I didn’t do anything to create my own abuse? Shouldn’t my father have felt the shame? The rapist? Why did I get saddled with it? I was the victim (and survivor), not the perpetrator. But shame is indeed the feeling I carry and I’m not alone. Why is this feeling so pervasive? I don’t have all the answers, but I do have some clues about where to look.

Continue reading “Let’s Talk About Shame by Janet Maika’i Rudolph”

Reimagining the Classroom: Embodied Ecofeminism and the Arts Course on Hawai’i Island by Angela Yarber

“The classroom remains the most radical space of possibility in the academy.”-bell hooks

Like many academics, my “in the box” dream was to be a professor. The full-time, tenured kind. Like many queer feminist academics, I know that such dreams are rarely reality. When you’re also an artist and activist with a strong penchant for wanderlust, these dreams are simply unattainable fairytales. Never one for “in the box” living, I left the traditional academy and traditional church years ago, wandering over the garden’s walls with Lilith as my intrepid guide. I’ve told the story before. My wife and I left our jobs, sold our home, traveled full-time with our toddler, and turned the Holy Women Icons Project into a non-profit while building an off-grid tiny house on the television show Tiny House Nation in Hawai’i. It’s become old news. But since we’ve been doing this for several years now, those faraway dreams are finally starting to become reality. The academic classroom, the activist’s platform, the artist’s studio, the feminist’s megaphone, and the farmer’s orchard are fusing into one creative, life-giving, empowering space for teaching. The Holy Women Icons Project’s first academic course, “Embodied Ecofeminism and the Arts,” is actually happening. Seminarians and doctoral students from Berkeley join us in January. They’re soon followed by undergraduates from New York and seminarians from Atlanta. And I’m reaching out to more and more schools interested in creatively, subversively, and sustainably decolonizing the classroom with us for one week on the Big Island.

Continue reading “Reimagining the Classroom: Embodied Ecofeminism and the Arts Course on Hawai’i Island by Angela Yarber”

Mother – Daughter Betrayal by Sara Wright

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Today is my mother’s birthday and although she has been dead for more than a decade I still think of her almost every day. At the time of her death I had not seen her for twelve years. Not by choice. After my father’s sudden demise my mother chose my children, her two adult grandsons to be her protectors, and dismissed me from her life, permanently.

When she died, my mother divided her assets evenly between my children and me, forcing her only daughter to live beneath the poverty level for the remainder of her life.

The final betrayal.

At the time of her death I was teaching Women’s Studies at the University.

Continue reading “Mother – Daughter Betrayal by Sara Wright”

This is for colored girls who are movin to the ends of their own rainbows: Ntozake Shange’s Choreopoem of Spiritual Healing by Carol P. Christ

Ntozake Shange’s choreopoem for colored girls who have considered suicide/when the rainbow is enuf has reopened at the Public Theater in New York City to rave reviews.

A scene from the new production of for colored girls

I first saw for colored girls in 1976 after my friend Carolyn Broadaway, who was visiting me in the city, insisted that we must see it.

Here is what I wrote about that experience:

Each of the three times I saw for colored girls performed on Broadway and each of the many times I read it or heard it performed [on the original cast album] on my stereo, I have felt chills of recognition up and down my white woman’s spine—shocks of recognition that tell me that something deep within me has been unlocked as I hear my experience voiced. (103)

Continue reading “This is for colored girls who are movin to the ends of their own rainbows: Ntozake Shange’s Choreopoem of Spiritual Healing by Carol P. Christ”