It has been nearly 2000 years since the Roman emperor Nero kicked his pregnant and sick wife, Poppaea Sabina (hereafter Poppaea), killing her and what was probably the near full term fetus she was carrying. That Poppaea was murdered deliberately should not be doubted, for not long after her death Nero had her son by an earlier marriage, who was then still a minor, killed by being drowned (a fishing ‘accident’).
Given that domestic violence has a history that repeats itself with sickening regularity it is necessary to explain why this particular case should matter now. It is because at the time of her murder Poppaea was, with the sole exception of her murderer, the wealthiest and most powerful person in the world, whose attention was curiously focused not on Italy or Rome but on Judaea and Jerusalem. There is evidence to suggest that had Poppaea not been murdered the history of Judaism and Christianity would have been substantially different than it has been, especially with respect to the role of women. Continue reading “Poppaea Sabina: A Victim of Domestic Violence– But Why Does That Matter Now? by Stuart Dean”
I wish the analysis that accompanies this quote had been mine, but maybe I should be glad that it comes from an insightful young man who goes by the name liamcdg. He argues that the real beef the New York police have with Bill de Blasio is his challenge to their definition of masculinity as dominance, or shall we say white male dominance.
As noted by liamcdg, in the NYPD version of reality, parents should teach children to comply “to comply with New York City police officers even if they think it’s unjust.” In terms of competing definitions of masculinity, the NYPD version is that men in power should be respected simply in virtue of their position, even if they are acting or appearing to act unjustly. In other words we should respect the powerful because they are powerful.
To be empathetic is to be able to put yourself in another person’s place, and in its literal meaning, to feel the feelings of another. In the recent public conversations about race and the police, both Obama and de Blasio have invited white Americans to put themselves in the place of a black man stopped by the police for little or no reason and to ask themselves how they would feel in that situation.
In so doing, liamcdg asserts, Obama and de Blasio were not only trying to explain the feelings of those on the other side of the racial divide, but they were also redefining masculinity. We all know that according to traditional stereotypes, the realm of feeling is the realm of women. And of course we also know that real men don’t cry. Yet what is happening to black men is enough to make anyone who feels their feelings want to cry.
The conflicts between de Blasio and the police and between Obama and a large segment of the older white male voting public may have as much to do with the challenge to white male privilege as it has to do with any particular event or issue. White male privilege involves a complex interconnection of race and sex. It is about the power that comes or is expected to come to one simply by virtue of being born into a white male body.
Forty years ago, inspired by the feminist movement, men began to speak about redefining masculinity. This was easier said than done. It is so easy to accuse men who criticize male power as domination of being “sissies,” “girls,” or “gay.” Even men who might want to discuss the subject may be afraid of being labeled.
I say the fact that the NYPD is turning its back on de Blasio is one measure of how far we have come. I suggest that the NYPD recognizes that a different definition of masculinity and male power is being born right before their eyes. And it is this that they cannot bear to see.
We have been taught that feeling and feeling the feelings of others belongs in the feminine realm. What if it doesn’t? What if in the end male power and female power are much the same? And what if they both begin with empathy?
What if Freud got it wrong? What if males do not have to differentiate themselves from their mothers by becoming “not like” women and girls? What if masculinity and femininity are not polar opposites? What if all any of us has to do is to learn to embody the qualities of those who nurture us?
We are beginning to glimpse a different world. Any thoughts on how to bring the NYPD and other older white males into a new world along with us?
Once upon a time there lived a smart but lonely woman named Wrenhilde who had had five husbands (but only one of them was her own) and was a single mother. Because she was seldom unwilling to speak her mind in public, she was either unliked or envied by the respectable women of the town, who were ordered by her husbands to avoid her company. So Wrenhilde did what she could to earn a pittance to pay the rent. She also grew as much of her food as she could. As she worked (or didn’t work), she sang to herself:
Bitter is my cup,
My life’s not worth a shtup,
I believe I need a new world—
I’ll have to make one up.
Well, with that kind of song and the attitude it betrayed, no one was surprised that her son Jack was a dropout by the time he was fifteen. Jack lazed around, acted stupid, stood up to the rich boys who tried to bully him, and secretly wished he had a pet for company. One of his chores at home was to milk the cow. This was the only thing he never neglected because the cow was big and white and warm and affectionate. She practically purred while she was being milked! Continue reading “A New Yarn for a New Year by Barbara Ardinger”
Social justice. Progressive politics. Improper media depictions. What exactly is the F-word (feminism) about?
I have always understood feminism as a project that casts a very wide net, the goals and values of which can keep quite a few people dry under the shade of its umbrella. But more and more, I see a narrowing of who can count as a feminist. There are a few reasons for this constriction. First, the more the F-word becomes a pejorative in contemporary society, the greater the need is to circle the bandwagons and set up camp. Second, when a particular group has elevated levels of in-fighting occurring, it makes sense to start psychologically splitting people into “feminist” and “not feminist.” Or, on a spectrum, “strong feminist” vs. “weak feminist.” Third, there is a pragmatic need for groups to find an optimal tension with society. When social groups are too counter-cultural or revolutionary, they get branded extremist and fanatical, but when they are wishy-washy and lukewarm, they become another extension of the status quo and lose their prophetic fire.
As an atheist, I see all of this occurring in non-believing circles as well. And I’m not really sure how to navigate it. There is also no shortage of men in this social group–from Dawkins to Boghossian–who think of feminism in the negative. All of this has to do with what they think the F-word amounts to. Continue reading “What is the F-word Anyway? by Kile Jones”
I have spoken about the Social Responsibility of the Artist on numerous occasions. This blog approaches similar subject matter, but in relation to using art as a potent tool for change and as a platform for raising awareness of important environmental and ecological issues that all of humanity is currently faced with.
All forms of art have the potential to be tools for healing. I believe that through the creative process the relationship with self and the environment can be transformed. Why? Because when creative work is approached from a place of passion and purpose and art is brought to life with intention, great shifts can occur. Not only for the artist, but also for the viewer. I believe wholeheartedly that I can approach the canvas and paint intentionally to heal the earth and deepen my connection to it, and in doing so inspire others to deepen and honour a connection to the earth creatively.
There are many contemporary artists who are agents of environmental change and who are using their creative gifts and talents to build awareness and provoke thought through their work and process. Many artists, such as myself are working with transformative approaches and processes towards a new vision that is ecological and participates with the living cycles of nature. Many topics are approached such as oceans, climate change, water quality, recycling, water purification, natural disasters, de-forestation, endangered species and more.
Artists today are finding all sorts of inventive ways to call attention to the problems facing our environment, as corporate greed and profit impose destruction on our planet. While each artist works very differently and explores diverse territories, they share awareness about the critical loss of natural resources and a desire to save the planet from human destruction.
“Today the talk of the world is about an endangered Earth. One often wonders how much of the talk is backed with genuine concern and the will to take positive steps. But it should not surprise the world that artists are in the forefront of the discussion on the environment.”
Eco-feminist artist Ann T. Rosenthal and activist artist Steffi Domike have been collaborating on environmental installations for years. Their wall installation, Watermark: Wood, Coal, Oil, Gas (2011) consists of four panels that illustrate an evolutionary timeline of energy resources—wood, coal, oil and natural gas.
Dominique Mazeau is a poet and artist from Santa Fe, New Mexico. She has made an exquisite journal of poems and drawings of cleaning up the Rio Grande River over many years. She has made sculptures from the trash and she teaches school children about the river with her poems and her art.
There are many more Eco-feminist and Environmentalist/Activist artists such as Charla Puryear and Helene Aylon using their art to raise awareness of ecological issues. These few examples alone demonstrate that art, in its myriad of forms, has the capacity to effect positive change on the earth and its environments.
Artists are catalysts for change, and this “change” takes place when we feel deeply for a precious cause. I feel deeply for the state of the earth and feel that it is largely humanity’s spiritual disconnection from the earth and from the earth as sentient that has contributed to the current state of not only the health of the earth body, but also the health of our bodies.
Coming up in October I will be presenting an exhibition ‘Voices for the Earth’ in Bundaberg, QLD Australia. This exhibition will feature the works of select regional artists who are using their art to speak for the earth. It is held in conjunction with RONA-16 an Earth Arts Festival as part of the The Rights of Nature Tribunal that is taking place the same month. Artists of all genres from around Australia are participating in creative activities to raise awareness of the urgency required to make the necessary changes so that ways can be found to make the health of our planet an absolute priority.
I know that more has to be done, and some might see ‘art’ as a hedonist, self absorbed way to attempt to bring about change – but the power of image should NEVER be underestimated.
I am Painting for the eARTh.
This Earth is my sister I love her daily grace Her silent daring And how loved I am. How we admire this strength in each other All that we have lost All that we have found We are stunned by this beauty, And I do not forget What She is to me And what I am to Her.
Jassy Watson, who lives on the sub-tropical coast of Queensland Australia, is a Mother of four, passionate organic gardener, Intuitive/Visionary & Community Artist, Teacher, Intentional Creativity Coach and a student of Ancient History and Religion at Macquarie University, Sydney. She is the Creatress of Earth Circle Studios; a school for the Sacred Creative Arts. Jassy teaches regular painting workshops in person, nationally and internationally, and online based around themes that explore myth, history and our connection to the earth.
When I was a teen in the 1970s, Wonder Woman was everywhere. A feminist cheerfully determined to right the world’s wrongs, especially against women, she boldly sprinted onto the cover of Ms. Magazine’s 1972 inaugural issue. Her tv series spun off toys, t-shirts, action figures, lunch boxes, and more. Now she’s back. Jill Lepore’s new book, The Secret History of Wonder Woman, tells of her bizarre 1940s creation and subsequent history. In 2016, a revamped Wonder Woman will be sword-fighting her way into movie theaters worldwide in Batman v Superman: Dawn of Justice.
Wonder Woman is just one of many currently popular women warriors or superheras, including the X-Men series’ female super-mutants, the Hunger Games’ lead character, the women warriors in the Avatar tv series, and many more, whose power comes from the ability to fight. Even Snow White became a martial arts expert in 2012’s Snow White and the Huntsmen. Like Wonder Woman’s recent regeneration, however, these characters seem grimmer, and more deadly, violent, and dystopian than the earlier Wonder Woman with her optimistic, colorful comic book style, and an innocence that would now seem naive. Continue reading “Great Hera! Wonder Woman and Taking Women’s Power Back from the Mainstream Media by Carolyn Lee Boyd”
Morrigan, Celtic Goddess of War and Death, is a dark goddess we mortals tend to approach with fear and trepidation. A great Warrior Goddess, She represents the more terrifiying aspects of female energy; sensuality, magic, prophecy, revenge, and war. She could either shapeshift into a crow or raven or be accompanied by them. In the Ulster cycle stories she also appears as a cow, a wolf and an eel. This indicates Her connection to prosperity, sovereignty and the land. Encompassing all essential divine functions, She is the Goddess of War, Sovereignty, Fertility and the Land.
My friends make my life difficult. They make me see what I could not see before. Kecia Ali, Aisha Geissinger, Karen Ruffle and Kathleen Self taught me how to read for gender in the classical texts I use for my academic work. It’s a way of doing close readings by paying attention to the way gender shows up in the text. Aisha sat with me one afternoon and walked me through my own sources pointing out references to gender in the sources. She showed me how the sources I was reading used gender to express social norms. She kept asking me, “What work is gender doing in the text?”
Don’t laugh you been-reading-gender-forever-and-a-day people! Okay laugh. I was a bit slow to pick up this gender thing at first, but I caught up okay. Now I cannot unsee it. I see it everywhere. For instance, I was heading to the stairs at work after a long day and was brain tired. I saw this sign at the stairs:
I nearly kept walking past the stairs thinking for a second that it meant they were for people that society designates as having “male” bodies only. I actually thought that. Then I started laughing at myself. I took a picture and posted it on social media with a story complaining how my friends have absolutely ruined me! Continue reading “Reading “Women” by Laury Silvers”
In this picture, Marika from Skoteino Crete toasts our group and downs a glass of her homemade raki. Marika, who is best friends with Christina who makes lunch for us, has just returned from her home next door with her gift of a glass of raki for each of us.
Marika, who has little, is eager to give to us. Hers is but one of many gifts from the heart we receive on the Goddess Pilgrimage to Crete. Why is it that we who have so much do not give as spontaneously?
One answer is that capitalist individualism has taught us to count our worth by how much we have and to fear for the day when we will have nothing.
These words may be a cliché, but they hold a profound truth nonetheless.
Since my college years studying Spanish mystics and their numerous writings, I have secretly been fascinated by the summer solstice. Years later, my hidden fascination with the winter solstice began. For exactly one year now, I have exclusively been using Nature as my pharmacy. Perhaps, paying more attention to nature has allowed me to relate my experiences with Leylat al-Qadr (Night of Power) and understanding of the story of Jacob wrestling with the “man” all night (Genesis 32:24) to what I felt leading up to and during the winter solstice. While Leylat al-Qadr and Jacob’s night struggle have no direct relation to the winter solstice, I still relate them when I think of my own struggles with my higher and lower self and with my daily goal to be a better me than the day before.
As a Muslim, Leylat al-Qadr is the night I look forward to toward the end of Ramadan. It is filled with blessings and power. Looking for it feels like knowing my sweetest, beloved relative is coming to visit but not knowing her time of arrival. That night is spent in deep reflection and filled with prayers as it is a night the Qur’an tells us is better than one thousand months in which the angels all come down to witness. Then, there is Jacob’s cosmic struggle that lasted until dawn. The Bible and Talmud tell us that he triumphed over divine and men in that long struggle, after which he is renewed by being called “Israel” (he who prevails over the divine) instead of Jacob. Lastly, there is Winter Solstice (Yule). This is a long night welcoming winter but focused on renewal, rebirth, personal power, and setting intentions. Continue reading “Cosmic Struggle and The Longest Nights by Jameelah X. Medina”
Social justice. Progressive politics. Improper media depictions. What exactly is the F-word (feminism) about?
When I was a teen in the 1970s, Wonder Woman was everywhere. A feminist cheerfully determined to right the world’s wrongs, especially against women, she boldly sprinted onto the cover of Ms. Magazine’s 1972 inaugural issue. Her tv series spun off toys, t-shirts, action figures, lunch boxes, and more. Now she’s back. Jill Lepore’s new book, T
My friends make my life difficult. They make me see what I could not see before. Kecia Ali, Aisha Geissinger, Karen Ruffle and Kathleen Self taught me how to read for gender in the classical texts I use for my academic work. It’s a way of doing close readings by paying attention to the way gender shows up in the text. Aisha sat with me one afternoon and walked me through my own sources pointing out references to gender in the sources. She showed me how the sources I was reading used gender to express social norms. She kept asking me, “What work is gender doing in the text?”
Since my college years studying Spanish mystics and their numerous writings, I have secretly been fascinated by the summer solstice. Years later, my hidden fascination with the winter solstice began. For exactly one year now, I have exclusively been using Nature as my pharmacy. Perhaps, paying more attention to nature has allowed me to relate my experiences with 
Feminism and Religion 