The Legacy of Carol P. Christ: What if Divine Feminine and Divine Masculine Are Not Oppositional Categories?

Moderator’s Note: The blog was originally posted May 18, 2015

A friend who is a spiritual teacher speaks often “bringing back the values associated with the Divine Feminine.” For her this has to do with helping women to understand the beauty of our bodies and the importance of ways of being such as giving and caring for others that have been associated with the undervalued so-called “feminine” side of the masculine-feminine polarity. Though she also speaks about the Goddess, I think she prefers the term “the Divine Feminine” because of the implication that men too have their “Divine Masculine.”

This friend has a wonderful husband who is a teacher in his own right and who often ends up spending a lot of his time among powerful women who enjoy talking about the Goddess. In these conversations he sometimes speaks of the need for men to “recover the Divine Masculine” if they are to become whole.

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The Legacy of Carol P. Christ: Who Is Jephthah’s Daughter? The Sacrifice of Women and Girls

Moderator’s Note: The was originally posted on January 20, 2014

Last week I reflected on Angela Yarber’s insightful essay and painting on Jephthah’s daughter. For those who did not read the earlier posts, the story of Jephthah’s daughter is found in the Hebrew Bible.  Jephthah’s daughter was sacrificed by her father after he swore in the heat of battle that if his side won, he would sacrifice the first person he would see on returning home.  Angela called us to reflect on who Jephthah’s daughter is in our time.

In my earlier midrash on the story, I invoked Daniel Cohen’s powerful retelling of the story of Iphigenia.  Cohen concludes that Artemis told Agamemnon that his ships would sail only if he sacrificed his daughter not because she wanted him to do it—but because she hoped this challenge would induce him to realize that the costs of war outweigh any possible gain.

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The Legacy of Carol P. Christ: “MERMAID, GODDESS OF THE SEA”

This was originally posted on November 4, 2013

On the recent Goddess Pilgrimage to Crete, I visited the Historical Museum in Heraklion where I saw a beautiful embroidered silk panel of a mermaid identified only as having come from Koustogerako, a village in western Crete. As it is unlikely that a man in a Cretan village would have been talented in embroidery, in this case “Anonymous” most definitely “was a woman.”

In this thread painting a mermaid surrounded by fish is holding the anchor of a ship in one hand and a fish in the other. In Greece the mermaid is the protectress of sailors. In a well-known legend, a mermaid said to be the sister of Alexander the Great, emerges from the sea in front of a ship during a storm and asks: “Is Alexander the Great still living?” If the sailors answer, “Yes, he lives and reigns,” the ship is saved.

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Can I get an “Amen” up in here? by Laura Montoya 

I am a great evangelist. I used to evangelize in Pentecostal settings until I was 22. Then, I left my church to evangelize about feminist issues to every woman that crossed my path. Rhetoric is a gift I received when I was a kid and that I inherited from my grandpa and my dad. But during the COVID lockdowns, it was hard to socialize, and my evangelization skills turned toward making my friends and family join the privileged fan base of Ru Paul’s Drag Race. One by one, I convinced my sister, cousins, neighbors, and best friends to watch the reality show, and they did with astonishing devotion. Every week, two or three of us gather in someone’s living room wearing masks to watch episode after episode after episode. Our debates about the queens in the show could last all night long. Who had the best performance? Did you like their lip-synching? “That elimination was so fair/unfair!” 

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The Legacy of Carol P. Christ: Our Mother Whose Body Is The Earth

This was originally posted on March 11, 2013

This prayer came to me recently in waking sleep:

Our Mother whose body is the Earth,

Blessed are you,

And blessed are all the fruits of your womb.

You give us this day our daily bread,

And we share it with others.

Our Mother whose body is the Earth,

We love you with all our hearts,

And our neighbors as ourselves.

“Our Mother Whose Body Is the Earth” is a creative synthesis of elements of the Hail Mary, the Lord’s Prayer, Jesus’ two great commandments via Charles Hartshorne, Hebrew blessings via Marcia Falk, process philosophy, and the central principles of earth-based religions, gratitude and sharing, that I discovered on Goddess Pilgrimages to Crete.

“Our Father who art in Heaven” becomes “Our Mother whose body is the Earth.”  Transcendence of the earth and the body are replaced with immanence, suggesting that the earth and the body are good.  Our mothers’ bodies are the source of our lives.  Our Mother’s body is the Source of all life on our planet. The earth as the body of the Mother is a very ancient conception.  Process philosopher Charles Hartshorne says that the earth as the divine body is the best rational model for understanding the intimate relationship of God to the world.

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Exploring Dance as Spiritual Practice by Eline Kieft

Image Credit: Ben Cole

Nature and dance are my gateways to the mystery, where I can bring my worries, exhaustion, prayers, celebrations and gratitude. These gateways open to places deep within and far beyond my perception and imagination. They create an impromptu sacred space that emerges, flexes, stretches, and nurtures, and always ‘meets’ me regardless of my emotional state.

In this post I reflect on the possibilities of danced spirituality in relation to the overarching theme of Feminism and Religion. How does dance relate to our sense of personal expression, freedom and take on life as gender-aware people, and our experience of spiritual intimacy?

Dance is a versatile practice to move through life in an empowered way and to strengthen our connection with the numinous. I truly believe that everyone can dance, and one of my roles as a ceremonial dance facilitator is to help people re-connect with the dancer inside them.

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The Legacy of Carol P. Christ: Sappho Chose Love Not War, What Will You Choose?

This was originally posted on November 12, 2012

We have been taught to speak of war and the heroes of war in hushed tones. We have been told that evil Helen’s choice was the cause of the Trojan war.  2600 years ago Sappho, known as the greatest lyric poet of ancient Greece, spoke truth to power and unmasked the lies told at the beginning of western tradition.

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In a poem addressed to Anactoria, Sappho writes:

            Some say a cavalry corps
            some say infantry, some, again,
            will maintain that the swift oars
            of our fleet are the finest
            sight on dark earth …

Here, Sappho invokes the heroic tradition celebrated in the epic poems of Homer that shaped the values of ancient Greek culture and all the cultures that followed it, including our own.  This tradition tells us that to serve in a war and to be remembered as a hero is the highest goal to which a man can aspire.  Sappho does not agree:

             …but I say
             that whatever one loves, is.

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The Daughters of Zelophehad and the Five Feminine Powers of the Kabbalah by Rabbi Jill Hammer

Jill anointing her daughter. photo by Shoshana Jedwab

This summer, I visited Iceland, a beautiful and magical land.  While I was there, I saw the Kerid Crater, which is a caldera: a volcanic crater with a lake inside.  My family and I hiked around the edge of the crater and then down close to the lake.  The perfect roundness of the crater-lake gave the impression of a circular container—a jewel-box shaped by some immense hand— or else a massive eye looking up from the earth.  My daughter and I sat by the lake’s waters and anointed one another, having the sense we were in a sacred place.

Later that summer, I grappled with a story that reminded me of the crater. In Numbers 27, five sisters—the daughters of a man named Tzelafchad—approach Moses with a question.  Their father had daughters, not sons, and it seems this means his family will receive no land allotment in Canaan.  The daughters ask that they be given land allotments: “Let our father’s name not be lost to his clan just because he had no son!” (Numbers 27:4).  Moses takes their complaint to God and brings back an answer: the daughters have spoken rightly, and will receive a land allotment as they request.  However, they must marry men of their own tribe so that the tribal land is not lost— if the women married men of another tribe, their heirs would belong to that other tribe and so the land would change its tribal designation.  Thus, patriarchy is mitigated but not ultimately contradicted—the women become heirs to their father, but primarily for their father’s sake, not their own. 

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Moses and the Rambo Problem by Janet Maika’i Rudolph

Moses is an interesting character is in the pantheon of religious leaders. He is such a major personage, considered the founder of Judaism and yet there are no extra-biblical accounts of his life and his deeds. He only exists in the bible. You’d have thought that such a major event as leading a whole class of people away from Egyptian slavers, would have shown up on the radar of other written or mythical accounts from the time. Nothing!

Even his name is interesting. When the Egyptian princess gathered Moses out of the waters she said:

She named him Moses, explaining,

“I drew him out of the water.”

Exodus 2:10

This is one meaning of his name. But there are others. In Egypt, the land where he was born and raised, the M-SH (variations: m-s or m-ss) root simply means “son.” Or it can mean “child” in a non-patriarchal sense. We see this in other Egyptian names Ramses is the child of the sun god Ra. Tutmose is the child of Tut. 

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The Legacy of Carol P. Christ: Dance of the Bees: Reading the Language of the Goddess

This blog was originally posted on December 1, 2014

The image from an ancient Cretan bowl (c.1700 BCE) from the Sacred Center of Phaistos pictured here has often been interpreted as an early depiction of Persephone’s descent or rising. But are clues from later Greek mythology pointing in the right direction in this case?

Recently, my colleague Mika Scott posted the Phaistos bowl image on our Goddess Pilgrimage Facebook site in conjunction with the bee pendant from Mallia. This juxtaposition led me to think again about the importance of bees and pollination in agricultural societies and to offer an alternative reading of the symbolism on the bowl.

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