Take Only What You Need and Give Away: Fundamental Principles of Sustainability Ethics

carol mitzi sarahWhy is it so important to take only what we really need? Because everything we take harms another life. I included this Native American teaching as one of the Nine Touchstones I offered as a counterpoint to the Ten Commandments in Rebirth of the Goddess.

Recently, I have begun to realize that the concept of taking only what you need is the heart* of sustainability ethics, an ethical system that can orient us to living in harmony with others and the natural world. The practice of great generosity is its counterpoint. When you have worked for, received, or accumulated more than you need, you should give it away.

The reason these principles are important is because “taking what you need” is “taking” from the web of life. We “take” other lives (whether plants or animals) in order to eat, to clothe ourselves, to build houses, and in agricultural societies to clear land to plant, to remove unwanted plants (weeds) from cultivated land. In our industrial age, we “take” so much more to fuel our cars and to provide electricity. To take more than we need is to do unnecessary violence to the web of life. When we give away what we don’t need we help others to survive, and we also help to ensure that no more lives than necessary are taken.

On the first Goddess Pilgrimage to Crete, we decided to incorporate the give-away as part of our closing ritual. It is nice to give and receive a gift at the end of an intense two weeks spent with other pilgrims. However, I am coming to realize that in comparison with the deeper meaning and intention of the ritual, our give-away, like the practice of giving presents in our wider culture, is superficial. When we give gifts to friends we try not to give too much or too little. When we give to children we often do so without regard to what they really need. When we receive gifts, we may feel burdened with one more thing we don’t want or need.

Being raised in acquisitive and throw-away cultures, it is not surprising that few of us have any real idea what the principles of taking only what you need and giving away mean. In traditional cultures, there are constraints on accumulation. If women in your family had to weave and sew and embroider all of your clothing, and if this process was time-consuming and involved time taken from other tasks, you would not be likely to have been given or to have learned to demand more clothes than you really need. Similarly, if all of the food for a clan is produced by its own labor, people would be unlikely to grow more than they needed to eat and store for the winter.

I suspect that all of this changed when wars of conquest became integrated into social structures. When other groups were conquered, their precious goods, including ritual items and ritual clothing and jewelry, were appropriated by the victors as “the spoils of war.” Land and people too were “the spoils of war,” and with the introduction of slave labor and the acquisition of lands that belonged to others, an excess of everything could be produced for the benefit of the ruling class, or to be more accurate, the war lords. This is another story, and I have discussed it elsewhere.

To return to the question at hand, I am suggesting that if we wish to live sustainably on planet earth, we must return to the values of our ancestors, distant and not so distant, who practiced taking what you need and sharing what you don’t need. These values are not the exclusive property of Native Americans, but are the values of the ancestors of all of us, if we go back far enough. As I have discussed, these values are still practiced in rural Crete. And they are the foundation of living matriarchal cultures. Many of us who have traveled have met people in rural cultures who have little, yet seem happier than anyone we know at home.

At some level we know that accumulating things does not make us happy. At the same time, prodded by advertising, we continue to shop compulsively and to buy things we don’t need. It will not be an easy task to change our patterns of consumption. If we could do so, our economic system would collapse, because it is based on creating needs for more and more things. This is why chosen or forced “austerity” threatens the capitalist system. You and I may not need all of the things we are used to buying, but if large numbers of us stop spending, the makers and sellers of goods suffer. On the other hand, the world will not survive if we carry on as we are, because we are depleting the world’s resources.

walk in closet
Dream Closet

What would happen if each of us, like the subjects on the popular reality programs on hoarding, went through each of the rooms of our homes and designated the things we really need and gave the rest away? What if we then took a good look at our homes and asked if we really need the space we have. I presume this would be a long term process in which we would continually discover that we don’t need things we have always thought we could not live without.

Hoarding-Buried-Alive
Hoarder’s Home

What if we stopped buying what we do not need and gave a large portion of our income and savings to others? Would we discover what it means to live in harmony with others and the whole web of life? Could we learn how to flourish with others, not at the expense of others?

*I am not saying these are the only ethical touchstones we need to build an ethics of sustainability, but I do believe they are at its center.

Carol leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter).  Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions and forthcoming next year, Goddess and God in the World: Conversations in Embodied Theology. Explore Carol’s writing.

Experiencing Divinity in the World by Carol P. Christ

carol mitzi sarahAs I work on revisions of the new book, Goddess and God in the Worldthat Judith Plaskow and I are writing, I am thinking again about John Cobb’s notion of the “two ultimates” as two different ways of thinking about divinity. Cobb suggested that religions have defined the nature of ultimate reality as personal and as impersonal, as God and as the ground of being. The ground of being is the impersonal ultimate: the metaphysical principles that structure all of life, principles that he described as creativity or the creative process.

Judith describes God as the impersonal creative process and views personal language for divinity as metaphoric or symbolic. I define Goddess as personal, yet also view the impersonal ultimate, the creative process, as sacred. For me, this raises the question of the relationship between Goddess and the creative process.

In Cobb’s view, the two ultimates are co-eternal: the personal God did not “create” the creative process, nor was the personal God “created” by the creative process. Rather, for Cobb, God as the personal ultimate, like all other individuals, participates in the creative process. What then is the creative process? Although the term “creativity” has multiple meanings, in process philosophy it has a specific one.

Whitehead’s description of the creative process is rooted in the insight of modern science that the most basic components of our universe are particles of atoms that defy being categorized as either matter or energy, but seem to move and change, depending on their relationships. It is from the relationships of these tiny individuals that the evolutionary process of our universe began. This insight led Whitehead to recognize that the nature of reality (or being) is not fixed and static (as Western philosophers before him had concluded) but is always moving, changing, or “in process.” Whitehead’s understanding of the creative process is summed up in his much-quoted phrase, “the many become one, and are increased by one.”

The creative moment in the creative process (which is in fact every moment in the life of an individual) is the moment when the individual (whether particle of an atom, cell, animal, human, or divinity) in an act of creative freedom unifies the world (the many) into a new synthesis (the one): this new synthesis adds a new fact to the world (the many is increased by one). This is an abstract description of the creative process in its most basic form. In fact, however, we do not experience the world in the abstract, but in the concrete.

In this moment I (Carol) remember my past (many different Carols situated in many different worlds and some of the books I have read) as I shape this sentence (with my hands on my computer acting in concert with the feelings of my body and the thoughts that are flowing in my mind) and unite myself and my world in a new synthesis (which is this sentence). As I do so, I add a new fact to the world (the many are increased by one), a sentence that may be read by others in the future, therefore influencing their lives.

The reader who reads my words (you) reflects on them in relation to her or his memory (your memories of your past selves in your past) and asks if what I am saying makes sense: in the moment that she or he (you) decides if it does or it doesn’t, a new fact is added to the world (the many are increased by one), an opinion that in turn may be expressed to someone else (the many is again increased by one) who in turn responds to it (the many is increased by one more).

Though this description of the creative process focuses on mental actions, our mental processes are not divorced from our bodies and feelings, and the relations of mind, body and feeling are complex. In some creative moments, feelings are primary, while in others the body leads. This second richer description of the creative process is still an abstraction. We do not generally experience life as a series of moments but as a flow in which one moment is indistinguishable from the others; nonetheless, we can recognize that our lives are made up of a series of moments in which we along with others create the world anew.

Sometimes we take a longer and broader view of the creative process, recognizing patterns and cycles within the world that we share with other than human life. Traditional peoples, for example, often speak of or invoke the creative processes of birth, death, and regeneration that are the basis of life on this earth. This is also an important way of describing the ground of being because it situates human creativity within the creativity of the web of life. In our time we might also speak about the evolution of life. Taking a long view, we experience the sacrality of the web of life.

I experience—feel and sense—the personal ultimate, the presence of Goddess as intelligent love in my body, mind, and spirit and in all bodies, minds, and spirits, as I go about my everyday life. She is always there: feeling the love and joy I feel; supporting and understanding me when things are difficult; inspiring me to share the grace of life with everyone and everything. I also feel the power of the impersonal ultimate, the creative process that supports the creativity or freedom of all individuals who interact with each other in the web of life. For me the two ultimates—Goddess and the web of life—are both real.

Though the two ultimates are separate in the abstract, in the concrete experience of those of us who affirm a personal divinity, they are intertwined because the personal divinity is experienced through the creative process that is the basis of life. Thus, at one and the same time, I experience myself and divinity within me, other individuals and the divinity with in them, the creative process and the divinity within it.

I celebrate the creative process and its fruits, the powers of birth, death, and regeneration and the evolutionary process as a whole, as the ground of all being as well as the Goddess I experience as a personal, intelligent, loving, compassionate presence who cares about me, all other individuals in the world.

Carol leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter).  Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions; and forthcoming in 2016, Goddess and God in the World: Conversations in Embodied Theology.

It is a Matter of Focus by Deanne Quarrie

deanne_2011_B_smMany of the young women I meet tell me that they think feminism is not what they are about, that they prefer to work for the good of all. I understand that and certainly we can all choose where we wish to place our focus. However, it does make me wonder how effective we can be with our focus placed on so broad a scope. Certainly, we want equal rights for all and some call that “feminism” these days but is it?

In my 73 years, I have lived through quite a few years of women working for equal rights. I have seen many successes as well as the failures. I am incredibly proud of those successes. When I was in the early stages of my career and had just entered management, I was able to implement leadership methods, which now have become models for employers such as team building and servant leadership. Then however, there were no names for them. I led my teams based simply on how I wished my employers to treat me. Continue reading “It is a Matter of Focus by Deanne Quarrie”

Gender, Friendship, Collaboration, and Unacknowledged Authorship by Carol P. Christ

Carol in Crete croppedIn recent weeks Judith Plaskow and I have been revising the manuscript of our new book Goddess and God in the World in preparation for sending it to the publisher. Yes, we have a publisher. We signed a contract with Fortress Press a short time ago. The book should be out in 2016.

We have been hard—and I mean very hard—at work revising the four chapters in the book that are jointly written. The versions have been going back and forth and forth and back as we revision what we want to say and revise each other’s revisions of the drafts we have. We both want the final manuscript to say things just right and it is very hard not to make one more set of (alleged) improvements.

In the process we have realized that while we often disagree on words and wording, we have come to think alike on a wide variety of issues to the point that it becomes hard to say who had the ideas first. In addition we have both become so familiar with each other’s positions that we can each easily articulate both sides of our dialogue on the issues on which we disagree.

All of this has gotten me to thinking again about authorship and co-authorship and original and shared ideas. This train of thought led me back to the subject of Judith’s and my first essay together originally titled “Against My Wife” but published as “For the Advancement of My Career: A Form Critical Study in the Art of Acknowledgement.”  We discussed 5 formulaic tropes used in acknowledgements to wives in academic books, ending with “the wife as unacknowledged co-author.” Continue reading “Gender, Friendship, Collaboration, and Unacknowledged Authorship by Carol P. Christ”

Kassiani: Placing a Woman at the Center of the Easter Drama by Carol P. Christ

Carol in Crete croppedFor many years I been told of the beautiful Hymn of Kassiani, sung only on Easter Tuesday night, but I had never heard it until this week. For many this song is the high point of Easter week.

Kassiani, also known as St. Kassia, was a Greek woman born into a wealthy family in Constantinople (now Istanbul) about 805 to 810 AD. According to three historians of the time, she was intelligent and beautiful and selected as a potential bride for the Emperor Theophilos. The chroniclers state that the Theophilos approached her and said: “Through woman, the worst,” referring to the sin of Eve. Clever Kassiani responded, “Through woman, the best,” referring to the birth of the Savior through Mary.

Apparently unable to accept being put in his place by a woman, Theophilos chose another bride. Kassiani founded a monastery in Constantinople becoming its first abbess. She was an outspoken theological advocate of icons during the iconoclastic crisis (for which she was flogged). One of only two women to publish under her own name during the Byzantine Middle Ages, Kassiani wrote both poetry and hymns. Up to 50 of her hymns are known today, with 23 of them being part of the Greek Orthodox liturgy. Continue reading “Kassiani: Placing a Woman at the Center of the Easter Drama by Carol P. Christ”

I Come From a Long Line of Beautiful, Strong and Capable Women by Jassy Watson

JassyIn 2014 I wrote about the passing of my dear Pop and the painting that burst forth when I was told very clearly that Pachamama had come to accompany him on his return. It is with a very heavy heart that I now write with news of the recent passing of my dear Nanna. The anchors of our family now both gone. When I was told of her passing, I envisioned her being carried by angels; at peace and free of pain.

The last time I saw her she told me the spirits had been visiting. “I’m not scared,” she declared. This was not surprising for Nan always had a close relationship with spirit. I remember her telling me of a ghostly experience she had many years ago. It was very late one night and someone had come knocking at the door. Out of bed she got and answered it only to be greeted by her brother who had died many years before. He asked her to come with him and she told him it wasn’t time yet. Nan swore it wasn’t a dream. It had really happened. This is just one of many otherworldly encounters she told me about over the years.

Much of my childhood and early adulthood was spent at Nanna’s house so there are plenty of fond and funny memories of her. Her obsession with ghost and horror stories stands out as one of them. When we were children, she would get my sister and me to stay up late with her and watch all kinds of mystery murder shows. I remember watching The Hounds of Baskerville with her and being scared witless. The bonus however was getting to cuddle up in bed with her for the night.

Reading was one of her greatest passions, and she read everything from Shakespeare to Stephen King. I believe it was Nanna who inspired my love of history and over the years we swapped and shared numerous historical books. Her knowledge of Old Britain was astounding, and I remember many a discussion over the fate of Mary Queen of Scots – Nanna was always a bit anti-English, and we often wondered how history may have unfolded if Mary hadn’t been de-throned and exiled. In fact the last book she sent for me to read was another about her.

Stargazing was another one of her loves and is something she will be dearly remembered for. Many evenings were spent out on the deck looking to the night sky. Nan knew where all the constellations and zodiac signs were and she rarely missed an astronomical event. Whenever I have looked to the stars I have thought of Nanna, but now when I look to them, she is one of them. Shining down on us brighter than ever.

I dedicated my latest painting to Nanna. For me, painting is how I can process my thoughts and feelings and is also a way to find clarity and understanding on matters such as the nature of life and death. From the moment I made the first marks on the canvas I kept hearing “your ancestors are behind you.” I knew I was being guided by them and tried my hardest to connect in with Nanna’s spirit to see and feel who guided her home. Nanna had strong ancestral ties so it was only fitting to feel them so strongly here. The two younger women standing in front are the gatekeepers, standing at the threshold to the other side. The woman in the centre came with the message that Nanna is at peace – she is peace. She is pictured smelling the roses that were one of Nanna’s favourite flowers to grow. The firebird symbolizes transformation and the flight of her spirit that is seen to the left leaving, heading back to the cosmos from whence she came.

"Suddenly all my ancestors are behind me. Be still they say. Watch & listen. You are the result of the love of thousands." She is at Peace, by Jassy Watson
“Suddenly all my ancestors are behind me. Be still they say. Watch & listen. You are the result of the love of thousands.”
She is at Peace, by Jassy Watson

Death is surreal and it still hasn’t quite sunk in that I will never see her again. Nanna was a strong and caring woman who loved her family deeply. Her legacy is one of love, and while the circle feels broken in the sense that she is no longer physically here, it remains unbroken for her spirit lives on forever in our hearts.

I am the daughter of Ramona Cherise Lane, the granddaughter of Ailsa Aileen Rollings and the great granddaughter of Ruth Harrison. I come from a long line of beautiful, strong and capable women stretching back to the dawn of humankind. I honor them and give thanks for all that they have taught and shown me.

Nanna taught me about my ancestors.

She taught me about the importance of storytelling.

She taught me about mystery and history.

She taught me to love books.

She showed me how to crochet and knit.

She showed me how to play cards.

She showed me spirit.

In life and death Nanna has taught me of unconditional love and acceptance.

“Death leaves a heartache no one can heal, love leaves a memory no one can steal”

(Irish Headstone)

My sister Carissa, Nanna (Ailsa) and me
My sister Carissa, Nanna (Ailsa) and me

Jassy Watson, who lives on the sub-tropical coast of Queensland Australia, is a Mother of four, passionate organic gardener, Intuitive/Visionary & Community Artist, Teacher, Intentional Creativity Coach and a student of Ancient History and Religion at Macquarie University, Sydney. She is the Creatress of Goddesses Garden, Studio & Gallery; a school for the Sacred Creative Arts. Jassy teaches regular painting workshops in person, nationally and internationally, and online based around themes that explore myth, history, earth connection and the Goddess. Regular creative events and presentations are also held that have included visits from international scholars, artists and musicians. Visit http://www.goddessesgardenandstudio.com to read more about her and the work she creates. 

The Inalienable Right to Life, Liberty, and the Pursuit of Happiness vs. the Right to Religious Freedom by Carol P. Christ

carol p. christ photo michael bakasIn his speech announcing that he signed the Religious Freedom Restoration Act, Governor Mike Pence of Indiana did not mention the issue of the so-called “right” to refuse service to gays, lesbians, and transgendered individuals as one of the reasons this bill came to his desk. However, the idea that bakers could be “coerced” into baking cakes for gay weddings, photographers “required” to photograph them, and venue owners “forced” to provide space for them was frequently mentioned in discussions of this and similar bills. Governor Pence’s evident defensiveness during his press conference, and his repeated assertion that “this is not about discrimination” made it clear that an elephant was very much in the room.

Instead of defending the alleged “right” of religious individuals to discriminate against gay, lesbians, and transgendered individuals, Governor Pence invoked the right of employers to refuse to provide contraception to women as part of employee insurance plans, mentioning the Hobby Lobby and University of Notre Dame cases. If anyone has forgotten, in the Hobby Lobby case the Supreme Court decided that employers with a deeply held conviction that birth control is wrong do not have to offer it to their employees as required by federal law if “less restrictive” ways of providing it can be found.

Governor Pence apparently thought that openly defending the so-called “right” to discriminate against women is less controversial in his state than openly defending the so-called “right” to discriminate against lesbians, gays, and transgendered individuals. In fact, these two issues are linked in the minds of the people like Governor Pence. Continue reading “The Inalienable Right to Life, Liberty, and the Pursuit of Happiness vs. the Right to Religious Freedom by Carol P. Christ”

Genderqueering by John Erickson

We find our versions of home in these communities and it is within these spaces where our home not only begins to define who we are but we, as a reflection of that space, begin to outwardly redefine the spaces we exist in. If we slowly begin, through our experiences to shape our homes based on privilege and power without self-reflection and acknowledgment of others, then we are no better than those oppressive forces we say we’re against.

Leelah Alcorn, Ash Haffner, Aniya Knee Parker, Yaz'min Shancez
Leelah Alcorn, Ash Haffner, Aniya Knee Parker, Yaz’min Shancez

This post is a response to a recent blog entry titled “Who is Gender Queer?” on this site from Carol Christ.  The post can be read by clicking here.  I want to thank my friend, advocate, and upcoming scholar Martha Ovadia for reasons only she knows!  Stay brave, speak up, be heard!
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It is terrifying to know that something is wrong but not be able to speak truth to power.

It is even more terrifying to know something is wrong, be able to speak to it, and then silence those voices that do not have that same privilege, power, or position.

The struggle that many of us in positions of privilege and power face is not just that of being ostracizing and essentializing forces—it is that we, as allies, members of communities, or even those dedicated to a cause, can ourselves participate in the oppression we are fighting against and can do harm.

It’s taken me a long time to not only be comfortable with who I identify as, but also how I go about fighting and defining my life based on said identity and experience. However, the one thing that I have the ability to do is choose that identity more freely than others. Unlike Leelah Alcorn, Ash Haffner, Aniya Knee Parker, or Yaz’min Shancez pictured above, I did not have to face the types of oppressions they did, to which they sadly lost their lives, as a result of the fact that we exist in a society that can’t deal with the inability to leave things undefined or to allow people to define who they are on their own terms.

It is vital that although my lived experiences could never meet nor match the same types of oppression that these brave individuals had to face, I, as a white, cisgendered gay male, do not become part of their oppression through my own position and privilege.

As a man who exists in the world of feminism and within various women’s communities, I walk a daily tightrope of privilege and power to insure that I do not silence those that I consider allies, friends, mentors, or colleagues. As a man who exists in the world of the LGBTQ community, I walk an additional tightrope to additionally not take away from or diminish the experiences of those members of our community that do not have the same type of lived experiences as myself.   Even within minority communities, there are positions of hierarchy and within these hierarchies of knowledge, identity, or power, comes a responsibility to insure that the oppressed do not become the oppressors.

We find our versions of home in these communities and it is within these spaces where our home not only begins to define who we are but we, as a reflection of that space, begin to outwardly redefine the spaces we exist in. If we slowly begin to shape our homes based on privilege and power without self-reflection and acknowledgment of others, then we are no better than those oppressive forces we say we’re against.

I can’t speak for what identity feels like –I can only speak for what essentializing does, and what it does is reflected in the deaths of Lelah, Ash, and the many others who die nameless.   It is our responsibility, as allies, members of communities, and those fighting to end sexist, patriarchal, and, even now, homonormative oppression, to make sure that no more deaths occur on our watch or that truth is spoken to power even when power is masquerading around as truth.

John Erickson is a Ph.D. Candidate in American Religious History at Claremont Graduate University. He holds a MA in Women’s Studies in Religion; an MA in Applied Women’s Studies; and a BA in Women’s Literature and Women’s Studies.  He is a Non-Fiction Reviewer for Lambda Literary, the leader in LGBT reviews, author interviews, opinions and news since 1989 and the Co-Chair of the Queer Studies in Religion section of the American Academy of Religion’s Western Region, the only regional section of the American Academy of Religion that is dedicated to the exploration of queer studies in religion and other relevant fields in the nation and the President of the University of Wisconsin Oshkosh’s LGBTQA+ Alumni Association.  When he is not working on his dissertation, he can be found at West Hollywood City Hall where he is the Community Events Technician and works on policies and special events relating to women, gender, sexuality, and human rights issues that are sponsored or co-sponsored by the City of West Hollywood. He is the author of the blog From Wisconsin, with Love and can be followed on Twitter @JErickson85

Role Play: In Search of the Authenticity of My Being by Elise Edwards

Elise Edwards“I stood in the authenticity of my being: Black, preacher, Baptist, woman. For the same God who made me a preacher made me a woman, and I am convinced that God was not confused on either account.”
– Reverend Dr. Prathia Hall

These words came across my Facebook feed on Sunday in celebration of International Women’s Day. Reconciling Ministries Network put the statement on its Facebook page, along with a picture of Prathia Hall preaching from the pulpit, in remembrance and honor of women leaders who contributed to the US Civil Rights Movement. This past Sunday, March 8, when the quote was displayed, marked the 50th anniversary of Selma’s Bloody Sunday. Prathia Hall was a leader in the Student Non-Violent Coordinating Committee (SNCC) and one of the activists on the Edmund Pettus Bridge who were attacked as they began to march from Selma to Montgomery, Alabama. Later in her life, she became an ordained minister, professor, and womanist theologian.

For me, this past weekend was about remembrance through many forms. While there were many events commemorating Selma and the important events that unfolded there 50 years ago, my family and I were focused on a more intimate form of remembrance. On Saturday, we held a dinner and informal memorial service for my godfather who passed away last month. I got the news of his death on a day when I’d been doing some deep soul-searching and reflecting about the image I present to the world and its correspondence with who I am and desire to be. Just a few days prior, I’d spoken to my godfather about his health and subsequently, I had been questioning how I might be more connected to him. We lived several states apart, and I wondered how I could be a good goddaughter to him despite the distance. Those questions are left unanswered in the wake of his death. Continue reading “Role Play: In Search of the Authenticity of My Being by Elise Edwards”

Ancestor Connection and DNA Testing by Carol P. Christ

carol p. christ photo michael bakasIf like me, you view ancestry research as a spiritual quest, you may be wondering if it is worthwhile to have your DNA tested. I found out about The Seven Daughters of Eve, the female ancestors of most Europeans, some years ago. Through my mtDNA (passed from mothers to children) and my father’s YDNA (passed from fathers to sons) tests, I discovered my connection to a woman who lived in Old Europe about 18,000 years ago and to a man who was among the Indo-European invaders thousands of years later.

I became aware of atDNA (autosomal) tests for ethnicity while watching the PBS American ancestry programs created by Harvard historian Henry Louis Gates. In considering ethnicity, it is important to remember that 99.9% of human DNA is shared. AtDNA testing focuses on the .1% that is not. This type of DNA testing can locate African DNA geographically, and it also can reveal Native American and Jewish ancestry. When the test recently became less expensive, I decided to try it. I was particularly interested to see if my 3x great-grandmother Gertrud Zimmerman might have been Jewish. Continue reading “Ancestor Connection and DNA Testing by Carol P. Christ”