Princess Peach from The Goddess Project: Made in Her Image by Colette Numajiri

Toy stores and department store aisles are decked with pink and purple princess paraphernalia. Disney has provided an array of princesses for little girls to choose their birthday party or bedroom decor from. But as we all know, there’s a deeper secret hidden in the FAIRY TALES that high powered media execs have made their fortunes on: THE GODDESS.

Every hero’s tale, be it in video games or romantic movies sets out to do one thing: SAVE THE PRINCESS.  When I was a child I saved Her myself on my little Nintendo system never knowing why She was in trouble in the first place. And was I the only one who ever wondered why NONE of the PRINCESSES HAD MOTHERS!?

In the early Centuries during the Christianization of Europe, Pagans (which means “people of the land”) hid truths right under the nose of the newly forming Christian Church in their folklore, games and children’s rhymes to avoid being burnt at the stake. These simple people tried to covertly keep the Wisdom of the Sacred Feminine that they’d been honoring since the beginning of time, ALIVE.

Continue reading “Princess Peach from The Goddess Project: Made in Her Image by Colette Numajiri”

Great Goddess, Mother Goddess, Creatrix, Source of Life by Carol P. Christ

The symbol of the Goddess is as old as human history. The most ancient images of the Goddesses from the Paleolithic era are neither pregnant nor holding a child. In Neolithic Old Europe the Goddess was most commonly linked with birds or snakes and only rarely portrayed as mother. Yet we tend to equate the Goddess with the Mother Goddess. I suspect that images of the Virgin Mary with Jesus on her lap and prayers to God as Father have fused in our minds, leading us to think that the Goddess must be a Mother Goddess and primarily a Mother.

In a recent blog, Christy Croft reminded us that in our culture, women’s experiences of mothering and motherhood are not always positive:

[The mother] doesn’t always appear in our stories in simple or easy ways. Some of us mother children we did not or could not grow in our bodies; some of us birth babies who are now mothered by others. Some of us are not mothers at all. Some of us had mothers who could not love us unconditionally, or did not have mothers in our lives, or had mothers who brought us more pain and humiliation than comfort, from whose effects we are still recovering, are still healing.

Women who have had negative or painful experiences of motherhood or mothering may find the symbol of the Mother Goddess off-putting. Continue reading “Great Goddess, Mother Goddess, Creatrix, Source of Life by Carol P. Christ”

A Time to Make New by Deanne Quarrie

Deanne QuarrieWe, Goddess types, are getting ready to celebrate Imbolc, beginning on the evening on February 1st through the following day, until dusk.  Many ask, “well, just what is Imbolc?”

To give you a quick etymology …. From Old Irish it means “in the belly” referring to the pregnancy of ewes. It might also mean “to wash or cleanse oneself” and finally, perhaps, “budding.”

The easiest way for me to understand it is in remembering when I carried each of my children “in the belly.”  There was this magical moment when I felt them move for the very first time.  This is an event called “quickening,” a stirring of the unborn child in the womb.  Every woman who has given birth, remembers this moment with her child. Continue reading “A Time to Make New by Deanne Quarrie”

Sheela na gig: The Dark Goddess of Sacred Power BOOK REVIEW by Kay Bee

If there are devotees of the Dark Goddess on your Yuletide gift list, Starr Goode’s gorgeous book, Sheela na gig: The Dark Goddess of Sacred Power, may be the best gift you could choose for them.

Goode’s connection to the Sheela is profound. Equal parts scholastic study, visual feast, & ardent devotional, this book will take the reader along on the author’s epic journey into the Mysteries of the Sheela na gig. As Goode explains thoroughly, there are no written primary source documents illuminating the origins & purposes of the Sheelas that survive today. Scholars and thea/ologians argue about the truth behind Her presence, but no one can yet definitively declare Her history and meaning. However, that does not mean one cannot  still study that history as one way of connecting deeply with Her Mysteries today. Continue reading “Sheela na gig: The Dark Goddess of Sacred Power BOOK REVIEW by Kay Bee”

The Impact of Marija Gimbutas on My Life and Work by Carol P. Christ

Last winter FAR contributor Glenys Livingstone lovingly and professionally edited all of the interviews for the film on Marija Gimbutas’ life and work, Signs Out of Time, by Donna Read and Starhawk, and posted them on youtube. Though I received a link to my interview from Glenys, I was too busy (or too depressed?) to watch it at the time.

As I watched and listened to my twenty years younger self yesterday, chills went up and down my spine. How, I wondered, did she know so much way back then? Maybe (I thought) she really was drawing on the underground spring described by Marija Gimbutas as bursting forth from time to timε to bring us wisdom from the ancestors of Old Europe.

Thank you Glenys for the fantastic editing job.

* * *

a-serpentine-path-amazon-coverGoddess and God in the World final cover designCarol’s new book written with Judith Plaskow, is  Goddess and God in the World: Conversations in Embodied Theology.

FAR Press recently released A Serpentine Path: Mysteries of the Goddess.

Join Carol  on the life-transforming and mind-blowing Goddess Pilgrimage to Crete. Sign up now for 2018! It could change your life!

Carol’s photo by Michael Honegger

 

 

Painting Breast Cancer Goddess by Rev. Dr. Angela Yarber

October is Breast Cancer Awareness Month, though I imagine most of us are already relatively aware. One in eight women will have breast cancer. Pink is everywhere. It’s difficult to find a person who hasn’t been impacted by breast cancer on a personal level. In 2003, my mom was diagnosed. Radiation, a lumpectomy, and ten years later she was dubbed cancer free. When I finished my Ph.D. in 2009, I did a stint as a Research Assistant for a fabulous liturgical studies scholar working on a book that examined and created rituals for women with breast cancer. My task was researching everything written on breast cancer that intersected with feminism, womanism, religion, spirituality, and ritual.

 

Audre Lorde’s Cancer Journals struck me profoundly. The critiques weighed heavy as a movement that began with destigmatizing breast cancer and offering solidarity to patients has transformed into a pinkified commodity. Whether it’s the lack of transparency in major breast cancer foundations, pinkification, the essentializing conversations that equate breasts with womanhood, lack of access to comprehensive health coverage, the role of the meat and dairy industry in increased risks of breast cancer, the talk of “surviving” and “fighting” as though those who don’t survive aren’t fighters, or the complete lack of representation of women of color in any pink marketing (seriously, do a google image search of “breast cancer headwraps” and feast your eyes upon an endless array of young, white women), breast cancer awareness has been commodified so that helping cancer patients is second to profit. Amidst these pink teddy bears delicately embroidered with the word “fighter,” one can only wonder what we can actually do and offer and create to be supportive of those with breast cancer. What rituals might we offer? What sacred spaces might we create? What is a feminist response? A spiritual response?

Continue reading “Painting Breast Cancer Goddess by Rev. Dr. Angela Yarber”

Call for Contributions: She Rises Volume 3 Goddess Feminism, Activism, and Spirituality

She Rises Goddess Feminist Activism Collective Writing Project: Call for Contributions

She Rises: What … Goddess Feminism, Activism, and Spirituality? Volume 3 Two books: The main book and a sectional booklet including poetry, prose, art, the like.

Coeditors include Deanne Quarrie, D.Min., Helen Hye-Sook Hwang, Ph.D.

I am the source, I dream the dreams, I am the spark, Creation lives in me. Jana Runnalls, The Source, Speaking in Tongues

Using She Rises Volume 1 and Volume 2 as a springboard, the collective writing project of She Rises Volume 3 aspires to interweave new patterns in the tapestry of Goddess feminist activism. She Rises Volume 3 invites possible contributors by asking the questions: What do you envision for Goddess Feminism, Activism, and Spirituality? What is Goddess Feminism, Activism, and Spirituality for you? What do you seek from Goddess Feminism, Activism, and Spirituality? What are our practices that will bring more Goddess Feminism, Activism, and Spirituality into the world?

You may like to engineer the question on your behalf or answer it for us all. Here are some examples of the question: “What keeps me continuing in Goddess Feminism, Activism, and Spirituality?” or “What does Goddess Feminism, Activism, and Spirituality mean to me?”

The first volume evolved around stating/proclaiming the rational or cause of our Goddessian/Magoist commitment by answering the question, “Why Goddess Feminism, Activism, and Spirituality?” and the second volume took a step further to ask the “How?” question, “How… Goddess Feminism, Activism, and Spirituality?”

It is our hope that the question “What?” potentially produces a record number of ways we engage in Goddess Feminism, Activism and Spirituality. We foresee the possibility that She Rises Volume 3 may become a guidebook of the common cause for Goddess feminists and activists.

She Rises, Volume One, asked WHY? and 93 contributors answered the question with depth, honesty, insight, creativity, imagination, and inspiration. She Rises, Volume Two, asked How? and 96 contributors answered the question with depth, honesty, insight, creativity, imagination, and inspiration.

Now we are asking What?  Your answers will offer:

  • a guidebook for those beginning their journey with Goddess feminism, activism, and spirituality,
  • a confirmation for those already engaged with Goddess feminism, activism, and spirituality,
  • another thread in the tapestry of Goddess feminism, activism, and spirituality that is being woven by women and men all over the World.

Let’s weave a tapestry of answers! Are you interested?

To be part of this weaving, please send your contribution to both emails (please indicate “She Rises Volume 3” in the subject line) See submission form and guidelines below:

Deanne Quarrie – deanne.quarrie@outlook.com

Helen Hwang – magoism@gmail.com

Primary Deadline: January 31, 2018

Submission details: 

Short writing – up to 200 words

Longer essays – up to 4,000 words

Research papers – 4,000-12,000 words,

Poetry – any length (please indicate formatting)

Art, photography, illustrations – any form, which may be accompanied by a descriptive paragraph attached as a separate Word file

Please include a brief bio of no more than 100 words at the end of your Word document.

Text: As attachment of Word files (.doc or.docx)

Font: Garamond or Times New Roman (12 font size, 1 spaced)

Style: Chicago Style, footnotes

Art, photography, and illustrations: As attachment of jpg files (must be 300 dpi)

For sample short writings, see below:
http://magoism.net/…/special-post-1-why-goddess…/

For ongoing submissions, see below:
https://www.facebook.com/groups/magoism/

Multiple proposals are allowed. The submission form is included below.

Submission Form

Please fill out the following form and pasted it in the body of your email submission.

Your name and email address:

“I agree that my proposals may be published in the main book AND the secondary sectional book (poetry, prose, and art).”

Number of proposals and their genres:
List the titles/contents of attachments including your short bio:

Learning Gratitude for the Gifts of Life on the Goddess Pilgrimage to Crete by Carol P. Christ

In Crete we are always being given gifts—fresh cherries, ice cold bottles of raki, yogurt swimming in honey, and so much more. Over the years it finally hit me that this spirit of great generosity is a living remnant of the ancient Cretan egalitarian matriarchal tradition of gift-giving.

In egalitarian matriarchal cultures gift-giving is not something reserved for birthdays and holidays. It is a way of life rooted in the primary understanding that life is a gift that is meant to be shared.

Our lives are a gift from our mothers. Our individual lives have are not something we create or created for ourselves. We all emerged from the body of a mother. We were all given the gift of care and feeding by a mother or others. Our mothers did not create themselves. They emerged from the bodies of mothers and were cared for and fed by mothers or others. And so on back to the original mother of the human race, known as the African Eve.

Continue reading “Learning Gratitude for the Gifts of Life on the Goddess Pilgrimage to Crete by Carol P. Christ”

SHEELA-NA-GIG by Carol P. Christ

On a trip to Ireland several years ago, I was fortunate to have been able to see the Sheela-na-gigs in the National Museum of Dublin.  Two of these Sheelas including the one removed from the Seir Kieran Church of County Offaly, pictured below, are currently on display.  They stand at the doorway of a room dedicated to items from the medieval period and easily missed.  As there was little interest in them and they are not in cases, I was able to silently commune without interruption.

Continue reading “SHEELA-NA-GIG by Carol P. Christ”

Embodying Gaia by Christy Sim

Rosemary Radford Ruether wrote a classic text: “Gaia and God: An Ecofeminist Theology of Earth Healing.” Ever since I laid eyes on this amazing book and was convinced of the genius Ruether offered within these pages, I adored images of Gaia.

The great goddess is usually pictured holding the world as her womb, a loving representation of compassionately pulling all the hurt and agony to her abdomen for healing.

Ruether says in “Classical Western cultural traditions” of which “Christianity is a major expression,” we “have justified and sacralized” notions of God and domination (3). Such ideas teach us that domination is “the ‘natural order'” and “the will of God” for the “male monotheistic God” and his followers (3).

But Gaia is so much more and challenges these patriarchical messages in today’s culture. To imagine the divine with this motherly image helps with “ecological healing” (as Ruether says), and, being able to picture a “personified being” in the feminine (4). Gaia is truly special.

Continue reading “Embodying Gaia by Christy Sim”