goddess – Page 15 – Feminism and Religion

Sheela na gig: The Dark Goddess of Sacred Power BOOK REVIEW by Kay Bee

If there are devotees of the Dark Goddess on your Yuletide gift list, Starr Goode’s gorgeous book, Sheela na gig: The Dark Goddess of Sacred Power, may be the best gift you could choose for them.

Goode’s connection to the Sheela is profound. Equal parts scholastic study, visual feast, & ardent devotional, this book will take the reader along on the author’s epic journey into the Mysteries of the Sheela na gig. As Goode explains thoroughly, there are no written primary source documents illuminating the origins & purposes of the Sheelas that survive today. Scholars and thea/ologians argue about the truth behind Her presence, but no one can yet definitively declare Her history and meaning. However, that does not mean one cannot still study that history as one way of connecting deeply with Her Mysteries today. Continue reading “Sheela na gig: The Dark Goddess of Sacred Power BOOK REVIEW by Kay Bee”

The Impact of Marija Gimbutas on My Life and Work by Carol P. Christ

Last winter FAR contributor Glenys Livingstone lovingly and professionally edited all of the interviews for the film on Marija Gimbutas’ life and work, Signs Out of Time, by Donna Read and Starhawk, and posted them on youtube. Though I received a link to my interview from Glenys, I was too busy (or too depressed?) to watch it at the time.

As I watched and listened to my twenty years younger self yesterday, chills went up and down my spine. How, I wondered, did she know so much way back then? Maybe (I thought) she really was drawing on the underground spring described by Marija Gimbutas as bursting forth from time to timε to bring us wisdom from the ancestors of Old Europe.

Thank you Glenys for the fantastic editing job.

* * *

Carol’s new book written with Judith Plaskow, is Goddess and God in the World: Conversations in Embodied Theology.

FAR Press recently released A Serpentine Path: Mysteries of the Goddess.

Join Carol on the life-transforming and mind-blowing Goddess Pilgrimage to Crete. Sign up now for 2018! It could change your life!

Carol’s photo by Michael Honegger

Painting Breast Cancer Goddess by Rev. Dr. Angela Yarber

October is Breast Cancer Awareness Month, though I imagine most of us are already relatively aware. One in eight women will have breast cancer. Pink is everywhere. It’s difficult to find a person who hasn’t been impacted by breast cancer on a personal level. In 2003, my mom was diagnosed. Radiation, a lumpectomy, and ten years later she was dubbed cancer free. When I finished my Ph.D. in 2009, I did a stint as a Research Assistant for a fabulous liturgical studies scholar working on a book that examined and created rituals for women with breast cancer. My task was researching everything written on breast cancer that intersected with feminism, womanism, religion, spirituality, and ritual.

Audre Lorde’s Cancer Journals struck me profoundly. The critiques weighed heavy as a movement that began with destigmatizing breast cancer and offering solidarity to patients has transformed into a pinkified commodity. Whether it’s the lack of transparency in major breast cancer foundations, pinkification, the essentializing conversations that equate breasts with womanhood, lack of access to comprehensive health coverage, the role of the meat and dairy industry in increased risks of breast cancer, the talk of “surviving” and “fighting” as though those who don’t survive aren’t fighters, or the complete lack of representation of women of color in any pink marketing (seriously, do a google image search of “breast cancer headwraps” and feast your eyes upon an endless array of young, white women), breast cancer awareness has been commodified so that helping cancer patients is second to profit. Amidst these pink teddy bears delicately embroidered with the word “fighter,” one can only wonder what we can actually do and offer and create to be supportive of those with breast cancer. What rituals might we offer? What sacred spaces might we create? What is a feminist response? A spiritual response?

Continue reading “Painting Breast Cancer Goddess by Rev. Dr. Angela Yarber”

Call for Contributions: She Rises Volume 3 Goddess Feminism, Activism, and Spirituality

She Rises Goddess Feminist Activism Collective Writing Project: Call for Contributions

She Rises: What … Goddess Feminism, Activism, and Spirituality? Volume 3 Two books: The main book and a sectional booklet including poetry, prose, art, the like.

Coeditors include Deanne Quarrie, D.Min., Helen Hye-Sook Hwang, Ph.D.

I am the source, I dream the dreams, I am the spark, Creation lives in me. Jana Runnalls, The Source, Speaking in Tongues

Using She Rises Volume 1 and Volume 2 as a springboard, the collective writing project of She Rises Volume 3 aspires to interweave new patterns in the tapestry of Goddess feminist activism. She Rises Volume 3 invites possible contributors by asking the questions: What do you envision for Goddess Feminism, Activism, and Spirituality? What is Goddess Feminism, Activism, and Spirituality for you? What do you seek from Goddess Feminism, Activism, and Spirituality? What are our practices that will bring more Goddess Feminism, Activism, and Spirituality into the world?

You may like to engineer the question on your behalf or answer it for us all. Here are some examples of the question: “What keeps me continuing in Goddess Feminism, Activism, and Spirituality?” or “What does Goddess Feminism, Activism, and Spirituality mean to me?”

The first volume evolved around stating/proclaiming the rational or cause of our Goddessian/Magoist commitment by answering the question, “Why Goddess Feminism, Activism, and Spirituality?” and the second volume took a step further to ask the “How?” question, “How… Goddess Feminism, Activism, and Spirituality?”

It is our hope that the question “What?” potentially produces a record number of ways we engage in Goddess Feminism, Activism and Spirituality. We foresee the possibility that She Rises Volume 3 may become a guidebook of the common cause for Goddess feminists and activists.

She Rises, Volume One, asked WHY? and 93 contributors answered the question with depth, honesty, insight, creativity, imagination, and inspiration. She Rises, Volume Two, asked How? and 96 contributors answered the question with depth, honesty, insight, creativity, imagination, and inspiration.

Now we are asking What? Your answers will offer:

a guidebook for those beginning their journey with Goddess feminism, activism, and spirituality,
a confirmation for those already engaged with Goddess feminism, activism, and spirituality,
another thread in the tapestry of Goddess feminism, activism, and spirituality that is being woven by women and men all over the World.

Let’s weave a tapestry of answers! Are you interested?

To be part of this weaving, please send your contribution to both emails (please indicate “She Rises Volume 3” in the subject line) See submission form and guidelines below:

Deanne Quarrie – deanne.quarrie@outlook.com

Helen Hwang – magoism@gmail.com

Primary Deadline: January 31, 2018

Submission details:

Short writing – up to 200 words

Longer essays – up to 4,000 words

Research papers – 4,000-12,000 words,

Poetry – any length (please indicate formatting)

Art, photography, illustrations – any form, which may be accompanied by a descriptive paragraph attached as a separate Word file

Please include a brief bio of no more than 100 words at the end of your Word document.

Text: As attachment of Word files (.doc or.docx)

Font: Garamond or Times New Roman (12 font size, 1 spaced)

Style: Chicago Style, footnotes

Art, photography, and illustrations: As attachment of jpg files (must be 300 dpi)

For sample short writings, see below:
http://magoism.net/…/special-post-1-why-goddess…/

For ongoing submissions, see below:
https://www.facebook.com/groups/magoism/

Multiple proposals are allowed. The submission form is included below.

Submission Form

Please fill out the following form and pasted it in the body of your email submission.

Your name and email address:

“I agree that my proposals may be published in the main book AND the secondary sectional book (poetry, prose, and art).”

Number of proposals and their genres:

List the titles/contents of attachments including your short bio:

Learning Gratitude for the Gifts of Life on the Goddess Pilgrimage to Crete by Carol P. Christ

In Crete we are always being given gifts—fresh cherries, ice cold bottles of raki, yogurt swimming in honey, and so much more. Over the years it finally hit me that this spirit of great generosity is a living remnant of the ancient Cretan egalitarian matriarchal tradition of gift-giving.

In egalitarian matriarchal cultures gift-giving is not something reserved for birthdays and holidays. It is a way of life rooted in the primary understanding that life is a gift that is meant to be shared.

Our lives are a gift from our mothers. Our individual lives have are not something we create or created for ourselves. We all emerged from the body of a mother. We were all given the gift of care and feeding by a mother or others. Our mothers did not create themselves. They emerged from the bodies of mothers and were cared for and fed by mothers or others. And so on back to the original mother of the human race, known as the African Eve.

Continue reading “Learning Gratitude for the Gifts of Life on the Goddess Pilgrimage to Crete by Carol P. Christ”

SHEELA-NA-GIG by Carol P. Christ

On a trip to Ireland several years ago, I was fortunate to have been able to see the Sheela-na-gigs in the National Museum of Dublin. Two of these Sheelas including the one removed from the Seir Kieran Church of County Offaly, pictured below, are currently on display. They stand at the doorway of a room dedicated to items from the medieval period and easily missed. As there was little interest in them and they are not in cases, I was able to silently commune without interruption.

Continue reading “SHEELA-NA-GIG by Carol P. Christ”

Embodying Gaia by Christy Sim

Rosemary Radford Ruether wrote a classic text: “Gaia and God: An Ecofeminist Theology of Earth Healing.” Ever since I laid eyes on this amazing book and was convinced of the genius Ruether offered within these pages, I adored images of Gaia.

The great goddess is usually pictured holding the world as her womb, a loving representation of compassionately pulling all the hurt and agony to her abdomen for healing.

Ruether says in “Classical Western cultural traditions” of which “Christianity is a major expression,” we “have justified and sacralized” notions of God and domination (3). Such ideas teach us that domination is “the ‘natural order'” and “the will of God” for the “male monotheistic God” and his followers (3).

But Gaia is so much more and challenges these patriarchical messages in today’s culture. To imagine the divine with this motherly image helps with “ecological healing” (as Ruether says), and, being able to picture a “personified being” in the feminine (4). Gaia is truly special.

Continue reading “Embodying Gaia by Christy Sim”

Sacred Water by Molly Remer

“Drinking the water, I thought how earth and sky are generous with their gifts and how good it is to receive them. Most of us are taught, somehow, about giving and accepting human gifts, but not about opening ourselves and our bodies to welcome the sun, the land, the visions of sky and dreaming, not about standing in the rain ecstatic with what is offered.”

–Linda Hogan in Sisters of the Earth

The women have gathered in a large open living room, under high ceilings and banisters draped with goddess tapestries, their faces are turned towards me, waiting expectantly. We are here for our first overnight Red Tent Retreat, our women’s circle’s second only overnight ceremony in ten years. We are preparing to go on a pilgrimage. I tell them a synopsis version of Inanna’s descent into the underworld, her passage through seven gates and the requirement that at each gate she lie down something of herself, to give up or sacrifice something she holds dear, until she arrives naked and shaking in the depths of the underworld, with nothing left to offer, but her life.

In our own lives, I explain, we face Innana’s descents of our own. They may be as difficult as the death of an adult child, the loss of a baby, the diagnosis of significant illness, or a destroyed relationship. They may be as beautiful and yet soul-wrenchingly difficult as journeying through childbirth and walking through the underworld of postpartum with our newborns. They may be as seemingly every day as returning to school after a long absence. There is value in seeing our lives through this mythopoetic lens. When we story our realities, we find a connection to the experiences and courage of others, we find a pattern of our own lives, and we find a strength of purpose to go on. Continue reading “Sacred Water by Molly Remer”

The Mountain Mother: Reading the Language of the Goddess in the Symbols of Ancient Crete by Carol P. Christ

Before he told the story of how his people received the sacred pipe, Black Elk said:

So I know that it is a good thing I am going to do; and because no good thing can be done by any man alone, I will first make an offering and send a voice to the Spirit of the World, that it may help me to be true. See, I fill this sacred pipe with the bark of the red willow; but before we smoke it, you must see how it is made and what it means. These four ribbons hanging here on the stem are the four quarters of the universe. The black one is for the west where the thunder beings live to send us rain; the white one for the north, whence comes the great white cleansing wind; the red one for the east, whence springs the light and where the morning star lives to give men wisdom; the yellow for the south, whence come the summer and the power to grow.

But these four spirits are only one Spirit after all, and this eagle feather here is for that One, which is like a father, and also it is for the thoughts of men that should rise high as eagles do. Is not the sky a father and the earth a mother, and are not all living things with feet or wings or roots their children? And this hide upon the mouthpiece here, which should be bison hide, is for the earth, from whence we came and at whose breast we suck as babies all our lives, along with all the animals and birds and trees and grasses. And because it means all this, and more than any man can understand, the pipe is holy. [italics added]

In this passage Black Elk illustrates the multivalency of symbols: the sacred pipe does not have a single meaning, but many meanings, in fact, more meanings than anyone can understand. Continue reading “The Mountain Mother: Reading the Language of the Goddess in the Symbols of Ancient Crete by Carol P. Christ”

Join the Rebellion by Jessica Bowman

Like many other thousands of Americans, I watched the newest offering from the Star Wars legacy last autumn and was re-inspired to be an active part of the rebellion against oppression. Viewing the movie through my feminist lens I was cheered on by the choice of actors and actresses in lead roles and was reminded of Margaret Mead’s famous quote, “Never doubt that a small group of thoughtful, committed, citizens can change the world. Indeed, it is the only thing that ever has.”

It may be easy to compare the new president to Lord Vader because he is an easy target who encourages mockery and ridicule. However, tyranny, violence, and power trips have long been a part of world societies, for centuries. It is as evident as ever that we must continue to stand against such debilitating realities. We must stand together.

And, like millions of other people across the world, I had the privilege to participate in a Sister March to the Women’s March on Washington; shoulder to shoulder with passionate and caring people determined to make a difference. The experience generated feelings of elation, hope, and unity. I was most impressed by the kindness radiating from every person I came in contact with. Even though spaces were packed with people the overall atmosphere was conscientious, polite, and caring. Peaceful activism is critical to progress.

I also listened intently to the speeches made at the marches; especially by the women well known in popular culture. Gloria Steinem, a cornerstone of the modern feminist movement, spoke words that I believe reflect the change in values that I visualize in the form of a river current. “God may be in the details, but the Goddess is in connections. We are at one with each other, we are looking at each other, not up.” Women’s work is the creation of the web; the tapestry of connections between us all and the building of momentum in the stream bed. Continue reading “Join the Rebellion by Jessica Bowman”