Lighting Our Candles, We Dance into the Dark by Laura Shannon

Laura ShannonHere in the northern hemisphere, these weeks between Samhain and the winter solstice bring us into the darkest time of the year.  In my dance circles, this is my favourite time for candle dances, whose gentle light guides us when we cannot clearly see, while the support of the circle gives us courage to step into the unknown.

Dancing with candles is like travelling through time. For thousands of years, dancing in the dark – at night, or deep in caves – took place by the light of the moon or the flame. The beauty of candle dancing is that the darkness is still present; we do not need to disparage it, dispel it, flee it or fight it. This marriage of light and dark comes across in this lovely photo from a recent candle dance at Findhorn. Continue reading “Lighting Our Candles, We Dance into the Dark by Laura Shannon”

Dionysian Rites by Carol P. Christ

In today’s blog, I offer an excerpt from A Serpentine Path: Mysteries of the Goddess. The setting is Zaros, Crete, the time of year is mid-October.

We had a scrumptious dinner of fresh fish, salad, fried potatoes, local amber-colored wine, and tiny olives.  Later the two waiters, Themis and Nikos, bearing another pitcher of wine, sat down at our table.

They told us they were best friends and had just gotten out of the army. When they discovered that we were writers, the two young men were intrigued. “Our village has a very interesting history and many interesting customs,” they told us. “If you would like to come back and write about it, we will introduce you to all of the old people.” This conversation was in Greek, but I translated for Naomi. “This must indeed be a very interesting village,” I said to her, “because when they learn that I am a writer, most Greek men will say ‘write about me, I have a very interesting story.’ These men, in contrast, want us to write about their village.”

When we finished our wine, the young men offered to give us a lift back to our hotel on their motorbikes, suggesting we could have a coffee at the hotel bar. When we got to the hotel, they didn’t stop. “What happened?” I asked. “The bar wasn’t open at the hotel, so we’re looking for another place.” I wondered what Naomi, perched on the back of a motorbike and unable to speak Greek, must be thinking—especially since she was afraid of the unknown. We drove through the town and turned down a dirt road, arriving at the Zaros water factory. “We wanted to show you this,” they said sheepishly. “People drink our water all over Crete.” “O.K., “Naomi said, “but then you must take us back.” There were a few workers on the night shift, and the boys told us they had worked there too, before going into the army.

making rakiLeaving the factory, we continued down the dirt road heading away from the town. “Where are we going?” I asked, wondering what we had gotten ourselves into. “Just a minute,” Themis said, as he got off the bike in front of what looked like a small house in the middle of nowhere. “We need to go back,” Naomi said definitively. “Yes, I already said that,” I answered. “Come inside,” Themis beckoned. “We want to show you how they make the raki (the colorless alcoholic drink that had been offered to us in shot glasses us after meals). This is the still,” he continued, as he showed us into a small dark room with a glowing fire. “After the wine is pressed, they put the skins and stems into barrels like those you see in the corner. The mixture takes six weeks to ferment, and then they bring it to a still, where it is heated over a fire. The steam that rises is directed through long curved pipes, and comes out as raki,” he said, pointing to various parts of the mechanism. Continue reading “Dionysian Rites by Carol P. Christ”

Rosh Hashanah and the Goddess by Joyce Zonana

Joyce Zonana head shotWhen I was growing up in the 1950s in my Egyptian Jewish immigrant home, each of the High Holidays was imbued with sacredness, thanks largely to my mother’s commitment to a creating a harmonious and memorable gathering of family and friends.  Around a long table, covered with an embroidered white cloth and set with sparkling silver and delicately fluted china, she served at each season the festive meal that made manifest for us the presence of the Divine.

My father, an Orthodox man who prayed each morning and went regularly to the local Sephardic synagogue in Brooklyn, privately followed the tenets of his faith.  But it was my mother, unconsciously devout, who brought the public rituals of our religion to life.  As a child, I longed to be at prayer with my father and was envious of the men and boys who studied and recited the sonorous ancient Hebrew; I did not want to be confined to polishing the silver and setting the table.  But today, as an adult, I am grateful for the silent teachings bequeathed to me by my mother. Continue reading “Rosh Hashanah and the Goddess by Joyce Zonana”

I am mad by Mama Donna Henes

Donna Henes, Urban Shaman, Queen of my self, crones,

I am mad. So very mad. No, that doesn’t begin to describe it. I am pissed. I am angry. I am irate. I am incensed. I am outraged. I am enraged. I am livid. I am GODDESS DAMN FURIOUS.

“All men are created equal,” states the Declaration of Independence. From the very beginning, women were denied equality in this country. It has taken over two centuries for women to win the right to vote, to have alleged protection under the law, to earn as much as 68 and 77 cents on the dollar (depending on our skin color) that men are paid, and to gain control over our own bodies and destinies.

And now, nearly 250 years later, we are seeing our rights, our freedoms, our health care being stripped away, one by one, by mean spirited, misogynistic, right wing religious uber-conservatives. In 2015 there is still no Equal Rights Amendment. Women are still not equal under the law. Continue reading “I am mad by Mama Donna Henes”

The Great Dragon, Níðhöggr by Deanne Quarrie

Deanne Quarrie, D.Min.I am a student of the Northern European/Old Icelandic worldview known as Seidr. What I find particularly fascinating in my studies are not the deities but rather the creatures living on the World Tree, along with the Primordial Giants who predated the gods. One such creature is Níðhöggr, the “Derision Striker.” Níðhöggr is a great dragon who lives at the base of Yggdrasil, the World Tree. She gnaws on the roots of the tree, stimulating new growth. Her home stretches from icy Niflheim, near what is called the “Roaring Kettle”, the sacred well of all the rivers of Niflheim, all the way to Dead Man’s Shore in Helheim where she devours the piled corpses.

NíðhöggrNíðhöggr embodies the principle of rot, which is that all things must decay to make room for those things that are new. It is Níðhöggr’s job to clean up the mess! She is involved in acts of undoing. She reminds us of the impermanence of life and that eventually, all that is must become undone. It is important to know this so that we can be prepared for unexpected or difficult changes in our lives.

Níðhöggr is there to devour nasty things in one’s self, both physical and emotional. She is there to take away anything that no longer serves us, as long as we are willing to give it to her. She also is there to help anyone working to clean up the environment, especially from our own pollution.

Many fear Nidhogg because of the job she must do but without this part of the life cycle there would be no cycle at all. We make every effort to hide things that are unpleasant. We flush our human waste into our water supply instead of simply giving back to the Earth where we can restore it and use it as nourishment for new life. Menstrual blood is hidden away as if somehow shameful. We hide all that is ugly or that which makes us uncomfortable. And so it is too, with creatures and characters in mythology. Somehow in our dualistic world, the lines between good and bad, negative and positive are clearly drawn. So often those things we suppress, hide and call negative are actually, what save our lives. They are the things in our basic natural spirit that propel us forward into becoming better human beings.

Níðhöggr also serves us as a moral agent, reminding us that our own cruelty, especially harmful acts that undermine another’s sense of self. Bullying behavior is a good example. She reminds us that our actions always have consequences to the energy of the whole, not just our own lives.

Her work is much like that of the vulture, a bird so ugly it is beautiful. I have always thought of vultures as the great recyclers, returning what is lifeless and no longer useful back to the Earth to make ready for new growth.

She is truly all about roots, and keeping them clean. As that, she reminds us that real strength is found in one’s roots.

In her story, at the end of days, Níðhöggr chews through a root and upends the World Tree. Clearly if this were the root upon which all else depended, the mighty tree would fall. Perhaps this would represent our own failure to clean up after ourselves, both in our own lives as well as here in this place we call home, the Earth.

Deanne Quarrie. D. Min. is a Priestess of the Goddess. She is the author of five books. She is the founder of the Apple Branch where she teaches courses in Feminist Dianic Witchcraft, Northern European Witchcraft and Druidic Shamanism. She mentors those who wish to serve others in their communities. She is also an Adjunct Professor at Ocean Seminary College and is the founder of Global Goddess, a worldwide organization open to all women who honor some form of the divine feminine.

Four Days of Bliss (or How I used The System to beat The System) by Vibha Shetiya

Vidha SI’m not particularly fond of my periods – they’re painful, full of cramps. But they are a part of who I am, and I’m not going to apologize for them. We women, especially those of us belonging to the sub-continent, have been shamed or embarrassed into silence, while being reminded that motherhood is the most exalted position a woman could ever hope for. I mean, isn’t that paradoxical – if it weren’t for the bloody nemesis (pardon the pun), we would never get to experience motherhood.

I grew up in a Western environment (in southern Africa) where “period” wasn’t necessarily synonymous with repulsion. But when I moved to India, the land of my birth, soon after my “life-altering” experience, things began to look different. I came to realize that I ought not to be like the neighbour girl who was so besharam, or shameless, that she insisted on announcing her monthly ignominy to the world by refusing to conceal the fact that she had indeed been at the pharmacist’s to buy sanitary pads. Why, the pack of pads, sealed in newspaper and carried in a little black plastic bag was right there for the entire world to see on her ten minute walk back home! I gradually came to understand that “those four days” were taboo – do not speak of “it,” do not make it obvious even if you are writhing in unbearable pain, do not contaminate sacred space with your womanly profanity. Continue reading “Four Days of Bliss (or How I used The System to beat The System) by Vibha Shetiya”

Who Sits at the Center of this Story? By Elise M. Edwards

Elise EdwardsHave you ever heard of the Vitruvian Man? It’s an image from 1490 inked by Leonardo da Vinci that came to symbolize the centrality of the individual in the Renaissance. It is quite clearly a depiction of a muscular, European male. His body is perfectly proportionate and thus simultaneously represents ideal humanity and a microcosm of the universe. The Vitruvian Man is so named after the ancient Roman architect Vitruvius who describes the proportions and symmetry of a temple as being analogous to the proportions of a man.

As an architect and scholar in the humanities, I’ve been acquainted with the Vitruvian Man for many years now. I even had a da Vinci theme on my PC’s Windows software about 15 years ago, meaning that the image of the Vitruvian Man appeared regularly on my desktop and screen saver. There was nothing problematic to me about his presence until a few days ago, when I took part in a discussion about teaching philosophies with some new friends and academic colleagues.

I was listening to Tamara Lewis, an assistant professor in religion whose research and teaching addresses the medieval and Renaissance periods. When she described a metaphor for her teaching philosophy, she discussed replacing the symbol of Vitruvian Man with the “woman at the well.” The woman at the well is a figure in Christian stories about Jesus and his teachings. Her narrative in the Bible is placed in chapter 4 of the Gospel according to John. Int eh story, Jesus encounters a Samaritan woman at a well. He asks her for a drink, which begins a meaningful exchange about spiritual teachings. Jesus’ male disciples and surprised to witness this exchange, presumably because she is a woman and a Samaritan, as the text tells us that Jews do not associate with Samaritans. The woman goes back to her town, tells people about her encounter with Jesus, whom she believes is the Messiah, which prompts many of them to come to him and also believe.

Dr. Lewis described how her presence in the historical study of medieval or Renaissance periods is sometimes questioned and how the woman at the well represents this presumed misplacement. Her metaphor caught my attention not just because of its profound coherence within her own career trajectory and narrative, but its coherence within mine. As a black feminist, religion scholar, and practicing Christian, I often wrestle with questions of belonging and being in or out of place.

This summer, I’m taking the time to think about broad questions and do some vision casting. This past December, Grace Kao wrote about using sabbatical time differently, and I’ve connected this to my own practice of Sabbath keeping as a ritual. I dedicate specific times to cease work.  I am engaging in some productive activity this summer, but I’m also honoring one of the truest blessings and privileges of full-time employment in my profession, which is break time to rest, reflect, and plan for the seasons ahead.  The metaphor of woman at the well who intentionally replaces the Vitruvian Man provokes these questions in my reflection:

Who is the default person around which the places we inhabit are constructed? Who sits at the center of our stories about the places we will go? 

As the little bio that follows my posts says, in my professional career I examine issues of civic engagement and how beliefs and commitments are expressed publicly through aesthetic and artistic practices. I’m currently writing a book-length project about theological ethics and architectural design. So these days I’m thinking a lot about the way public spaces and built environments communicate the values of those who build them and inhabit them. One of the questions I’m wrestling with is the way “common” spaces are defined by the narratives of only some people in the community. What does it mean to be literally “out of place”? What exists as a “safe space” in a public park for a man may not feel safe at all for me as a black woman. A public bench upon which I can rest in the middle of an afternoon jog may not be so uncontested for a homeless man at night.

As I think about my future, I have to ask who sits at the center of my story.   I’m approaching a milestone birthday, and I don’t want to fall victim to someone else’s vision of what a 40 year old woman should be. What does the story look like with me at the center? What happens when I replace an idealized image of perfection, vitality, and beauty with an imperfect but gloriously alive and wonderfully formed vision of who I already am?

As I plan for a new academic year, who do I imagine in my classes? As I engage students in discourse about the history of Christianity, the development of its theology, and the ethical issues of today’s world, who do I place at the center? As the US becomes enmeshed in presidential election politics and ongoing racial tensions, what image to we present as the archetypal American?

I’m so grateful that I was brought to see the woman at the well as a metaphor of intentional displacement. Even in a religion that places a male Savior (Jesus) at its center, there are women who sit with him. Although they confound some of Jesus’ other followers by their presence, they remain meaningful conversation partners and witnesses to their faith.

Elise M. Edwards, PhD is a Lecturer in Christian Ethics at Baylor University and a graduate of Claremont Graduate University. She is also a registered architect in the State of Florida. Her interdisciplinary work examines issues of civic engagement and how beliefs and commitments are expressed publicly. As a black feminist, she primarily focuses on cultural expressions by, for, and about women and marginalized communities. Follow her on twitter, google+ or academia.edu.

Reading “Women” by Laury Silvers

My friends make my life difficult. They make me see what I could not see before. Kecia Ali, Aisha Geissinger, Karen Ruffle and Kathleen Self taught me how to read for gender in the classical texts I use for my academic work. It’s a way of doing close readings by paying attention to the way gender shows up in the text. Aisha sat with me one afternoon and walked me through my own sources pointing out references to gender in the sources. She showed me how the sources I was reading used gender to express social norms. She kept asking me, “What work is gender doing in the text?”

Don’t laugh you been-reading-gender-forever-and-a-day people! Okay laugh. I was a bit slow to pick up this gender thing at first, but I caught up okay. Now I cannot unsee it. I see it everywhere. For instance, I was heading to the stairs at work after a long day and was brain tired. I saw this sign at the stairs:

I nearly kept walking past the stairs thinking for a second that it meant they were for people that society designates as having “male” bodies only. I actually thought that. Then I started laughing at myself. I took a picture and posted it on social media with a story complaining how my friends have absolutely ruined me! Continue reading “Reading “Women” by Laury Silvers”

Belonging to the Land by Carol P. Christ

Carol Christ in LesbosI believe that we can restore our hope in a world that transcends race by building communities where self-esteem comes from not feeling superior to any group, but from one’s relationship to the land, to the people, to the place, wherever that may be.—bell hooks

In these words from her poignant memoir-reflection-analysis Belonging, bell hooks suggests that rather than creating identity by comparing ourselves to others, whether in the academy, in communities, or in the larger society, we would do better to root our identity in the land.

Hooks “left home” in rural Appalachia in order to pursue “higher” (why do we call it that?) education including a Ph.D. which enabled her to teach at prestigious universities in the urban north. Despite her considerable success as an academic and a black feminist, hooks suffered persistent depression in the cities where she taught. Eventually she diagnosed her dis-ease as a longing for the home she had left behind, specifically as a need to connect with the traditions of her ancestors, the mountains, and the land that had sustained them since the end of slavery. Continue reading “Belonging to the Land by Carol P. Christ”

Responding to Human Suffering by Elise M. Edwards

Elise EdwardsIn the past few weeks, there have been renewed debates throughout the US about death with dignity laws and the role of government is providing or securing access to health care. The tragic story of Brittany Maynard and the incessant election-year politicking about the Affordable Care Act (Obamacare) have made issues about human suffering more visible and volatile than usual. These are topics I deal with in two courses I am teaching this semester–one about Christian ethics and the other about bioethics.

I truly admire those who work in the presence of suffering daily by caring for others.   It’s difficult to even talk about suffering in the classroom day after day. My intention behind doing so is for my students to resist simplistic responses by either valorizing human pain and suffering or retreating to escapism. I caution them about using religion to legitimize suffering when it accompanies from evil, yet encourage them to see the meaning in suffering as well. We try to maintain the fine line of affirming the experiences of those who claim to gain strength or some other good from their pain without crossing into discourse that names the pain itself as something good. We debate whether there can be any way of discussing suffering as redemptive. We discuss disparities in medical treatment and health care along economic, racial, gendered, cultural, and international divides and what the responses of clergy, medical providers, and everyday people to remedy them.

Through these heavy debates, I’ve gained more clarity about the ways that suffering is often a result of human injustice and I’m deeply saddened by it. Continue reading “Responding to Human Suffering by Elise M. Edwards”