
In Rebirth of the Goddess, Carol P Christ offered Nine Touchstones of Goddess Spirituality as an alternative to the Ten Commandments. The Nine Touchstones are intended to inform all our relationships, whether personal, communal, social, or political.[1] In this series of blogs I am exploring ways in which these Nine Touchstones are embodied in the traditional women’s ritual dances of the Balkans, which I have studied as a spiritual practice for more than thirty years.
Carol P Christ’s Second Touchstone is: ‘Walk in love and beauty.’ As she says, ‘love and beauty are the great gifts of bounteous earth’.[2] Dancing women of the Balkans walk in love and beauty each time they put on their festive dress to dance together in the courtyard or the village square. Their ceremonial costumes are created from the bounty of the earth – just a couple of generations ago, this was literally the case, as the women tended the sheep, prepared and spun the wool, wove, sewed, embroidered and ornamented their garments with the work of their own hands. Even now, the cloth they buy is purchased with money they have earned from working and harvesting the land.


From the 1993 Re-Imagining Conference:
A pilgrim leaves home and sets off on a journey, seeking healing, revelation, and direction in her life. She finds companions along the way whose stories reflect her own, validating her quest and shedding light on her journey. According to anthropologists Victor Turner and Edith Turner, pilgrimages have common structural elements. A pilgrim separates from family and friends, work and obligations. She steps across a threshold into “liminal space” in which daily routines are suspended, opening herself to discovering new ways of being and living.
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Though represented by its detractors as an incursion of paganism into Christianity, and presented as an integrally and intrinsically Christian phenomenon by its supporters, the truth about the Re-Imagining Conference and movement is that it was a product of a wider feminist awakening. The critique of patriarchal religions that emerged in the academy and in churches and synagogues in the late 1960s and early 1970s was part of the emerging feminist uprising. The feminist movement placed a question mark over all patriarchal texts and traditions, secular and religious, and as such was beholden to none.