Shemot: Women’s Misbehaving and Disobeying as the Key to Liberation by Ivy Helman.

imageThis week’s Torah portion, or parshah, is Shemot (Exodus 1:1-6:1).  This parshah sets the scene for the liberation of the Israelites from slavery both by introducing main characters and elaborating on just how difficult life was for the Isrealites under Pharoah’s rule.  The parshah contains many noteworthy aspects: the death of Joseph and the multiplication of the Isrealites in Egypt; the increasing wrath of the Egptians; the birth and adoption of Moses; Moses’ encounter with the Divine in the form of a burning, yet unconsumed, bush; the revelation of the divine name, G-d’s plan for Moses’ role in the liberation of the Israelites from slavery; Moses’ attempts to get out of his assigned role; and Moses’ first confrontation with Pharoah.   

In addition, there are many women, who are integral to the salvation of the Israelites, in this parshah.  For the most part, Jewish tradition has acknowledged their part when it comes to discussions of this parshah, especially Shifra and Puah.  Yet, their role is often overshadowed by Moses’ varied miracles, the mighty power of the divine, the revelation of the Torah, the wanderings in the desert, and so on.  However, the Israelites’ liberation from slavery would have looked quite different without women.   Continue reading “Shemot: Women’s Misbehaving and Disobeying as the Key to Liberation by Ivy Helman.”

The Holy of Holies and the Umbilical Cord: The Evolution of a Ritual Object by Jill Hammer

In the Jewish calendar, we’re just past the holiday season—the High Holidays, the harvest festival of Sukkot, and the concluding festival of Simchat Torah when the last verses of the Torah are read and the first verses are started again. The Torah readings for these holidays speak often of the offerings once made on the altar in the Tabernacle in celebration of these festivals.  Particularly on Yom Kippur, the readings mention the kodesh kodashim: the holy of holies. This enclosed sacred space contained, according to legend: the tablets of the Commandments inside an ark, topped by two cherubim that held up an empty space between them—an empty space understood to be the amplified presence of an invisible God.  As I think back over my powerful summer, which was largely spent with Jewish priestesses on various retreats and adventures (in Connecticut, Mississippi, California, Costa Rica, England and Scotland), I am thinking about a unique ritual object we use, and realizing that in its own way, it is a kind of Holy of Holies.

Continue reading “The Holy of Holies and the Umbilical Cord: The Evolution of a Ritual Object by Jill Hammer”

Vayera and Women’s Agency by Ivy Helman

imageThis week’s Torah parshah is Vayera (Genesis 18:1– 22:24).  The parshah contains the the destruction of Sodom and Gomorrah, the questionable hospitality of Lot, the incestual sexual relationships between a drunken Lot and his daughters, the revelation of Sarah’s pregnancy, the birth of Issac, the expulsion of Hagar and Ishmael from Abraham’s family, and the legendary story of the binding of Isaac.  Needless to say, there is much that can be said, but today I want to focus on the women from Lot’s and Abraham’s families.

Women figure prominently in Lot’s family.  In the parshah, we first meet Lot as host. Two male visitors (angels) come to stay at Lot’s house.  When some of the male inhabitants of Sodom learn of this, they come to Lot’s door wanting to harass and sexually assault the guests.  To protect his guests, Lot offers his unmarried daughters to the men instead. Later in the text, we learn that Lot can safely leave Sodom because he is righteous (although what may have spared his life more is the fact that Abraham is his uncle). Continue reading “Vayera and Women’s Agency by Ivy Helman”

On Ki Teitzei: Rules and the Importance of Religion by Ivy Helman

imageThe Torah parshah Ki Teitzei, Deutornomy 21:10 to 25:19, contains 74 of the 613 commandments/mitzvot found in the Torah.  These mitzvot cover a wide range of topics and concerns. For example, there are mitzvot about how to sow and harvest your fields and others about aiding those in need, including animals.  Some of the mitzvot describe how and why divorces can be decreed, to whom can one charge interest, and the punishments for various crimes. There is a mitzvah concerning the requirement to erect a fence on one’s roof to prevent people from falling off, one about not wearing clothes of the opposite gender, one about returning and/or caring for lost property and another detailing from what type of material one’s clothes can be made.  

The parshah is literally one mitzvah/commandment/rule after another.  Some of the mitzvot seem logical and good for the community. For example, help an animal whose been given a load too heavy for it to carry.  Hold onto someone’s property if you find it, so you can give it to them the next time you see them. Build a fence on your roof so that no one falls off.   Continue reading “On Ki Teitzei: Rules and the Importance of Religion by Ivy Helman”

On Va’etchanan: Do Not Murder, Rather Love by Ivy Helman

29662350_10155723099993089_8391051315166448776_oVa’etchanan (Deuteronomy 3:23-7:11) gives us pause for thought in its contradictions.  First, the parshah (Torah portion) contains the aseret hadibrot (Ten Commandments), among which is:  you shouldn’t murder (5:17). Then, pasukim (verses) 6:4-5 contain the shema (Hear O Israel! The L-rd is Our G-d.  The L-rd is One!) followed by the admonishment to: “love the L-rd, your G-d, with all your heart and with all your soul, and with all your might,” (Deut. 6:4-5).  Finally, pasuk 7:2 instructs the Isrealites, upon entry into the Promised Land, to kill and “utterly destroy” the various groups of people living there.   

In other words, one is supposed to not murder.  One is reminded to love G-d.  And, then, G-d commands the Israelites to commit mass murder. I can’t help but think about the mass murders in the United States. Continue reading “On Va’etchanan: Do Not Murder, Rather Love by Ivy Helman”

Sappho’s Poems as an Ethos for Women’s Ritual by Jill Hammer

Photo by: Zac Jaffe

For by my side you put on

many wreaths of roses

and garlands of flowers

around your soft neck

 

and with precious and royal perfume

you anointed yourself.

 

On soft beds you satisfied your passion.

 

And there was no dance

no holy place

from which we were absent.

 

–Sappho (trans. Julia Dubnoff)

 

Sappho, the poet from Lesbos (630-570 BCE), was considered one of the greatest poets of her time—one of her epithets was “the tenth Muse.” I discovered the poems of Sappho in my thirties and was utterly captivated.  I had newly embarked on a relationship with a woman and Sappho’s love poetry (though by no means exclusively lesbian) supported the expression of eros between women.  Yet even more than that, Sappho’s poems supported an erotic relationship between self and world—a relationship that included ritual as a form of intimacy.  I’m not a Greek scholar—I experience Sappho’s poems in translation. Yet the translations I read back then were a revelation: a world in which women lived in circle with one another.

Continue reading “Sappho’s Poems as an Ethos for Women’s Ritual by Jill Hammer”

Temple Magdalen by Elizabeth Cunningham

The Women of Amphissa, 1887, by Lawrence Alma-Tadema

Since I began writing for FAR in July 2012, I have written about Mary Magdalen, or excerpted a passage from one of my novels, near or on her July 22 Feast Day. For why I made the controversial choice to depict her as a prostitute, see last year’s post. The below excerpt is from The Passion of Mary Magdalen. I made this selection in remembrance of all the refugees in the world today. In this passage, Judith, a Jewish widow whose family was driven from the land by tax collectors, returns to the place where Maeve (my fictional Celtic Magdalen) and her friends have recently founded a Temple to Isis on the outskirts of Magdala. Maeve has just invited Judith to join them. (Edited for brevity.)

She stared at me, her eyes full of anger and longing.

“I will not be a slave and a whore where I was once a wife, the one who made the challah bread, who said the Sabbath prayers over it. This was our place, my husband’s and mine. We brought the best we had to the temple, the finest oil and wine, the unblemished kid—”

“Goats? You kept goats? You know how to make cheese?”

She sat quietly for a moment before she answered. “How can I live here with you?” she wondered. “I don’t understand.”

Continue reading “Temple Magdalen by Elizabeth Cunningham”

Behaalotecha: Lessons and Questions for Feminists by Ivy Helman.

29662350_10155723099993089_8391051315166448776_oThis week’s Torah parshah is Behaalotecha: Numbers 8:1 to 12:16.  By now, much of what comes to pass should sound familiar. The parshah starts with another discussion of leadership and the priesthood.  It then prescribes a second Pesach for those who happened to be ritually unclean for the first one and describes the consequences of not participating in the first Pesach if you had been ritually clean.  Next, the Israelites’ wanderings through the desert are detailed which includes the divine appearing as natural phenomena and the very loud rumblings of the Israelites’ tummies. Finally, the parshah ends with a discussion of Moses’ wife and Miriam’s punishment.

While this Torah parshah contains one of my favorite images of the divine: as a pillar of fire by night and clouds by day, I’ve discussed it many times.  See these posts.  What I want to discuss is the Israelites’ hungry tummies.   Continue reading “Behaalotecha: Lessons and Questions for Feminists by Ivy Helman.”

Spring Blossoming: The Holy Orchard as Goddess by Jill Hammer

Every year when the cherries, pears, plums, and apple trees begin to bloom, I go out walking.  I look for every spot in my vicinity where white and pink blossoms are blooming in exquisite profusion like foam on an ocean. Every year I take photographs, even though I already have so many.  I walk at every hour of the day because, as the light changes, the colors change. I have albums and albums of pictures of my beloveds, the trees.

For me, the apple and cherry trees are a manifestation of Goddess.  Of course, everything is a manifestation of Goddess, but these, for me, have an extra measure of that life-giving beauty and abundance I associate with the indwelling Presence in the cosmos.  My enjoyment of the blossoms is both a sensual appreciation of the gorgeousness of Being and a poignant awareness that they will not last forever.  Sometimes these glories manifest for me as feminine, sometimes as masculine, and sometimes just as Life itself.

 

Continue reading “Spring Blossoming: The Holy Orchard as Goddess by Jill Hammer”

Ruminations on Emor by Ivy Helman

29662350_10155723099993089_8391051315166448776_oThis week’s Torah portion is Emor, or Leviticus 21:1 – 24:23.  It details purity and the priesthood including whose funeral a priest can attend, who can marry a priest, bodily blemishes and temple services, and under what circumstances daughters of priests can still eat temple food.  Emor also discusses the treatment of animals. A baby animal must be 7 days old before it can be sacrificed and cannot be killed the same day as its mother. In addition, the parshah describes the holiday calendar, including the counting of the Omer, how to harvest fields, and what type of oil should be used in the Temple’s Menorah.  Finally, it outlines punishments for various crimes including blasphemy and murder.

To say that there is a lot there would be an understatement.  In fact, a good question about this parshah is where does one begin?  An obvious place would be the mention of the named woman, Shelomit bat Dibri of the tribe of Dan, almost at the end of the parshah.  First, it is remarkable that a woman has been named and more so that her name has been remembered as significant. It begs the question of who was she?  Why remember her name? Why mention her at all? The discussion about her son’s crimes could easily not have needed any mention of her name! So why is it there? Continue reading “Ruminations on Emor by Ivy Helman”