
This year, I published a book called Return to the Place: The Magic, Meditation, and Mystery of Sefer Yetzirah (available from Ben Yehuda Press, benyehudapress.com). Sefer Yetzirah, or the Book of Creation, is an ancient Jewish mystical work (written in approximately the sixth century CE, though scholars offer dates from as early as the 1st century CE to as late as the 9th century). This brief, cryptic, poetic book describes the process by which God creates the universe. God engraves letters, which are also the elements and fundamental forms of being, into the cosmos. These engraved letters act like energetic channels between the Creator and the Creation, allowing creative intention to flow from the One to the Many. The book instructs the mystical practitioner to develop awareness of this creative process and seek to embody it, thus allowing energy to flow back from the Many to the One.
This flowing between One and Many is called retzo vashov, running and returning—the constant ebb and flow between unity and multiplicity. Sefer Yetzirah says of the elements that “God’s word in them is running and returning.” This means that the divine intention moves within creation, and the elements shape themselves in response to this intention. In Sefer Yetzirah, as in most Jewish texts, the Creator takes a male pronoun. However, the elements—water, air, and fire, since the book has a three-element system rather than the more common four elements— all have female pronouns. These three elements, often identified with the Hebrew letters Aleph, Mem, and Shin, are sometimes known within the text of the book as the three mothers. And, God’s breath or spirit, the ruach elohim chayyim or breath of the living God, which gives rise to all the other elements, also take female pronouns. Not only that, but Wisdom, the feminine entity who is the sum total of all the engraved pathways between God and the world, is also feminine. We can say with certainty that the text gives the feminine unusual primacy, compared with other Jewish texts of the time. We also don’t see in this text any of the misogyny that is common in ancient texts of this time period. Continue reading “Was Sefer Yetzirah Written by a Woman? Jill Hammer”



The Torah reading for the first day of Rosh haShanah, the Jewish new year, is not, as one might expect, the creation of the world (Rosh haShanah was Friday night, Saturday and Sunday, 9/18-9/20). Instead, the set reading is Genesis 21, the story of how Sarah, wife of Abraham, gives birth to Isaac—a joyous occasion indeed, given that she is ninety years old. But then Sarah becomes anxious that her husband’s other wife, Hagar, also has a son, Ishmael, who could inherit from Abraham, and demands that Hagar and Ishmael be expelled from the household. This year, reading this tale, I am seeing a story that shows how when we think about success, abundance, and consequences, we include some people in our consideration but not others. In this tale, the Divine includes the perspectives of the unwitnessed even when we do not.
On the eve of the Jewish Sabbath and the start of Rosh Hashanah, Supreme Court Justice Ruth Bader Ginsburg breathed her last breath. She was 87. She fought so hard for so long. She is an American patriot, hero, champion for women’s rights, and for many she was the stalwart bastion of justice and ‘liberal’ rulings. She was a Supreme Court Justice for 27 years. Her life has been put into books, a movie, and the most notorious memes around. She became known for elaborate collars over her Justice robes. We mourn the lost of her, we celebrate her memory, and we must pull up our boots and continue the fight.
Jill Hammer’s recent post on midrash surrounding
Around the age of 8, or maybe 10, I learned my aunt had had a hysterectomy. I remember visiting her house either shortly before or after the operation. I can’t remember which, and it doesn’t really matter. At the time, I don’t think I even knew what a uterus was or that I too had one.
This month more than most, I feel like I have so much to say that I don’t really know where to begin. It doesn’t help that next door they are remodelling
A few weeks ago a Slovak journalist reached out to me about the new Netflix four-part series entitled Unorthodox. In the email, the journalist wrote that they had read about my work as a Jewish feminist and wanted some insight into the new series. Their main question was: how accurate is the portrayal of the Satmar community?
In my last