Epona – Goddess of the Land by Deanne Quarrie

celtic-horseDeanne QuarrieThis week I bought a pendant that caught my attention.  It is Celtic knot work of horses, meant to represent Epona.  This triggered my interest in Epona and off I went to learn more.

Epona is a goddess from Gaul.  Sadly, any information about her from those early days of worship are lost to us. This is the case of the most ancient deities from that region and time in history. It is thought that she was picked up in Gaul by the conscripted soldiers of the Roman Army who saw a depiction of her upon her horse and they adopted her. Since this army rode across the land on horseback, she was the perfect deity to pay homage to and so, she traveled with them. She soon made it to Rome and is one of only a few deities, not originally Roman, to be worshiped in the Roman Empire. Continue reading “Epona – Goddess of the Land by Deanne Quarrie”

Our Ladies of Sea, Earth, and Sky by Joyce Zonana

Sara and the Marys
Sainte Sara encompassing Sainte Marie-Salome and Sainte Marie-Jacobe

O Sainte Marie-Jacobe, priez pour nous.

O Sainte Marie-Salome, priez pour nous.

O gardeures de la Provence, priez pour nous.

The priest intoned the words in deep, liquid accents, his voice echoing from the ancient stone church in the remote village of Les Saintes-Maries-de-la-Mer, in the Camargue region of Southern France, where the waters of the Rhone River meet the Mediterranean Sea in a wild, wide, flat expanse populated by black bulls, pink flamingos, and white horses.

“O, Saint Mary-Jacobe, pray for us.”
“O, Saint Mary-Salome, pray for us.”
“O, guardians of the gates of Provence, pray for us.”

I could feel the words resonating through me, bringing sudden, hot tears. The people gathered in the small village square repeated the priest’s chant, their voices rising above the low, white-washed houses into the sunlit sky, out towards the shimmering sea where legend tells us the two Marys had drifted two thousand years ago in a boat without rudder or sail.

Continue reading “Our Ladies of Sea, Earth, and Sky by Joyce Zonana”

Olwen, Welsh Flower and Sun Goddess by Judith Shaw

Judith Shaw photoOlwen (pronounced OHL-wen ), Welsh Flower and Sun Goddess is most probably an ancient Goddess whose original stories and power have been lost to us. Her name means “Golden Wheel,” making Her the opposite of the powerful Sky Goddess, Arianrhod who was known as “Silver Wheel.”  Wherever Olwen walked four white trefoil clover flowers sprung up with each step, thus earning Her the nickname “Lady of the White Tracks.” She was known as the “White Lady of the Day” or “Flower-bringing Golden Wheel of Summer.”

Continue reading “Olwen, Welsh Flower and Sun Goddess by Judith Shaw”

Facing the Moon Alone by Molly Remer

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“When all is said and done I think every Witch should, at some time, face the moon alone, feet planted on the ground, with only his or her voice chanting in the starry night.”

–Laurie Cabot, Power of the Witch

I will never forget the first time I heard someone recite the Charge of the Goddess from memory. Bare-breasted, she strode around the fire in sacred circle at a large goddess festival in Kansas, delivering the words with power, grace, and confident resonance. I thought: I will do that someday.

In February of this year, we took a family trip to Dauphin Island. While there, the afternoon of the full moon, I February 2016 148
decided that the time had come. I was going to memorize the Charge of the Goddess. First, I thought I would only memorize it a piece at a time. It seemed “too big” to do in a single sitting. I had it printed out on a piece of paper that rapidly became damp with the salty sea air. I drew a labyrinth in the sand with my toes, set one of my goddess sculptures at its entrance, and drew a Womanrunes card.

One stanza at a time, slowly I began to repeat the poem* aloud:

hear ye, the words of the star goddess
the dust of whose feet are the hosts of heaven..
.

Over and over, I said the words, letting them twine around my tongue and in the air, experimenting with cadence and rhythm. After I could reliably repeat one section, I’d move to the next, letting it build in my memory until I could put the two together confidently and then moving to the next.

I am the beauty of the green earth
the white moon amongst the stars..

I stared into the waves, listening to them rise and fall along with my words. My three older children dug in the sand. February 2016 073
My husband fished. My toddler toddled around and then came to sit on my lap and nursed to sleep for nap time:

before my face
beloved of all…

I whispered into his damp hair. I felt in an altered state of consciousness. The words began to wind their way through me, becoming a part of me, embedded in me. I danced with them as I have never danced with another piece of writing. I felt them merging with me. I sang them aloud. I stated them fast and slow and I built, adding the next line and then the next…

for behold, all acts of love and pleasure
all my rituals.

I turned over hard thealogical questions as the words spun their magic through the air. What does it really mean that “all your learning and seeking shall avail you not, lest your know the mystery.” Do I really feel the goddess within? Do I find her within myself or is she only outside and if she is only outside, does she really exist at all? Tears came to my eyes: do I even like myself?

Two hours passed. My baby awoke and returned to digging in the sand. My husband packed up his fishing gear. The sky began to darken and spit rain. I stood and danced the words into the sand with my feet.

let your divine innermost self
be enfolded
in the rapture
of the infinite

I felt rapturous. I felt triumphant. I had done it. Faster and faster my feet stamped the sand as I called the words into the waves. I spun in circles with my toddler chanting and laughing and offering my devotion before the sea, beneath the moon.

the mystery of the waters
the desire in human hearts…

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*I used Shekhinah Mountainwater’s adaptation of the Charge, originally by Doreen Valiente, as included in the book Ariadne’s ThreadMolly 180

Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW and M.Div degrees and recently finished her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit. She writes about thealogy, nature, practical priestessing, and the goddess at her Woodspriestess blog. 

Women Keepers of Ritual and the Caloian by Lori Tiron-Pandit

LTPPortrait10_15As a child, I learned all about my religion from my grandmother, in her small and remote Romanian village. She told me many Bible stories from our Christian Orthodox tradition, often disguised as bedtime fairytales, but it was not doctrine that I learned from her, as much as ritual. She taught me the prayers to say at night so I don’t have nightmares, the candles to light in church for luck, the list of dead and living to give the priest for blessings, the making and delivering of food as offerings in memory of the recently deceased.

So many of the spiritual rituals I learned from my grandmother involved food. She taught me when and how to fast, as well as how to prepare the ritual Christmas and Easter feasts: kneading and baking the traditional sweet bread filled with cocoa and walnuts or sweet cheese, cooking the celebratory pork or lamb-based dishes.

In my family, my grandmother was the keeper of rituals, many of them Christian, and many carried from a “primitive”, pagan, pre-Christian time. After growing up, as I distanced myself from my rigid Christian roots, I began to look with more appreciation back at these older traditions, some almost extinct, that had been passed down to me. Continue reading “Women Keepers of Ritual and the Caloian by Lori Tiron-Pandit”

Blodeuwedd, Celtic Flower Goddess by Judith Shaw

judith Shaw photoBlodeuwedd, also known as the Ninefold Goddess of the Western Isles of Paradise, was a Goddess like no other in the manner of her birth.  She is one of the main figures in the Mabinogion, the Welsh cycle of stories of the early Celtic Goddesses and Gods.  But to understand Blodeuwedd, her short life, her actions, and her death we must look back to the story of Arianrhod, Celtic Sky Goddess.

Continue reading “Blodeuwedd, Celtic Flower Goddess by Judith Shaw”

What Does Mother’s Day Mean in a Patriarchal and Matricidal Culture? by Carol P. Christ

Carol Molivos by Andrea Sarris 2When we seek immortality or spiritual “rebirth,” are we not saying that there is something wrong with the “birth” that was given to us through the body of our mothers? In She Who Changes and in “Reading Plato’s Allegory of the Cave as Matricide and Theacide,” I asserted that our culture is “matricidal” because it is based on the assumption that life in the body in this world “just isn’t good enough.”

What is so wrong with the life that our mothers gave us that we must reject it in the name of a “higher” spiritual life? The answer of course death.

Can we love life without accepting death?

Can we love our mothers if we do not accept a life that ends in death? Continue reading “What Does Mother’s Day Mean in a Patriarchal and Matricidal Culture? by Carol P. Christ”

Niamh of the Golden Hair by Judith Shaw

judith Shaw photoNiamh (meaning ‘bright’ or ‘radiant’) of the Golden Hair, one of the Tuatha de Danann and daughter of Mannanan mac Lir, Celtic God of the Sea, was Queen in the land of Tír na nÓg (pronounced Tear na Noge), the most famous of the Celtic Otherworlds.

Continue reading “Niamh of the Golden Hair by Judith Shaw”

It’s Autumn in the Southern Hemisphere – not Spring/Eostar by Glenys Livingstone

GlenysDespite the chocolate bunnies, eggs and toy chickens in the shops along with the coaxing to buy and celebrate Easter at this time in Australia, it is not Spring: Earth here does not seem to co-operate with the Consumer Faith, built as it is around the Northern Hemisphere and dominant Christian calendar. In the Southern Hemisphere it is Autumn, the dark part of the day is lengthening.

On March 20th at 4:30 UT Earth will be perfectly poised in balance for a moment: it is a global moment of Equinox – one of the annual two. Humans have celebrated it for millennia, perhaps for many tens of thousands of years, in ways appropriate to various regions, in both the South and the North of the Planet. The light and dark parts of the day in the South and in the North of our planet, are of equal length at this time. In the Northern Hemisphere it is Spring, and Easter is commonly celebrated: with those of Earth-based tradition celebrating the moment and season of Equinox with the name of Eostar. Continue reading “It’s Autumn in the Southern Hemisphere – not Spring/Eostar by Glenys Livingstone”

Body of Nature by Oxana Poberejnaia

oxanaIn the medieval European philosophy, woman’s body was seen as a vessel filled with sins, while man was regarded as a more spiritual being. This is one of the reasons why the concept of body is reassessed in feminist studies and why body is elevated in neo-paganism and Goddess spirituality. My fear is that nowadays body can be treated as an instrument for social advancement.

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We still live in a society that is deeply hostile to women’s bodies. Alla Demidova, an actress I respect for her talent and her critical mind, did a programme of Christmas-related poetry. I could not listen to more than five minutes of it.

The poems have been all written by men. I am not saying that men do not have the right to write about birth. I am saying that our prevalent image of Christmas should not be based on male view alone. In this sense I much better like the Carol from “The Vicar of Dibley” (one of my favourite British comedy series, about a female Vicar), which describes the movement of baby Jesus through Mary’s birth canal.

Continue reading “Body of Nature by Oxana Poberejnaia”