Have you been watching “Queen Sugar”? It is a thoughtful, compelling, and gorgeous TV show that evokes ecowomanist sensibilities.
“Queen Sugar” is a television drama in its second season on OWN, Oprah Winfrey’s network. It was created by celebrated filmmaker Ava DuVernay, who is also the show’s executive producer. The show has an all-female directing team and an inclusive crew. Like many of the original series on OWN, “Queen Sugar” features a predominately African-American cast, and like many other programs on the network, it delivers content intended to stir the viewer’s soul. But notably, “Queen Sugar”’s soulful messages are not mediated by the cadre of life coaches and inspirational leaders often seen on Oprah’s network. Instead, it is the fictional Bordelon family who invites us to reflect on their world and ours. The series’ three main characters, Nova, Charley, and Ralph Angel, are siblings who take over their father’s sugar cane farm in Louisiana after his death. Their narrative and the lush cinematography that captures it offers viewers the opportunity to consider the complexity, joy, and hardship of African-American characters who are rarely depicted on screen. The show’s themes and aesthetics are expressive of ecowomanist spirituality.
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last night’s raindrops continuing to drip from the overfull gutters on the roof. The insistent stab of a single-note bird song in the air. His head nestles in the crook of my arm the way it has done every morning for three years. Blond hair against my nose, breathing in the slightly baby smell of him. “This is the last time,” I whisper softly. “We are all done after this. This is the last time we will have nonnies.”
I don’t know if I could be a deep-sea welder. I don’t know what the risks of lethal electrocution, broken limbs, or the bends would be. I suspect it can be a dangerous occupation, like operating heavy equipment on good old dry land or fishing for crab or even collecting garbage from the neighbors’ driveways. So too is this the case with window washing, paving, disposing of medical waste, brick making, driving a giant tanker truck, and more. There are aspects of the world I know I take for granted, but the moment I stop to consider what those aspects might be, I am humbled and reminded of the privilege it is to philosophize and ponder the functions of religion in the shaping and making of society.
This post explores issues I present in an essay which will be published in the Journal of Theology and Sexuality. In that piece, I consider the term “identity.” I claim that identity and the categories it delineates often present dilemmas when it comes to gender, sex, and sexuality. This is especially the case when considering biological and social data related to sexual fluidity in women. While in the paper I argue that “identity” serves in many ways to stultify, I recognize that we can also interpret the eschewing of identity as something reserved for the privileged – who can afford to discard identity. Marginalized groups, on the other hand, are often at the mercy of identity – it is hoisted as a marker, one that cannot be displaced or removed.
He said, “Look up.” So, I looked up, and I saw the most beautiful stars. They were like Hubble Space Telescope Images, but I could see them with my own unaided eyes. All the colors were there, close enough to touch, yet glittering and dancing against the black of space, each one twinkling its own unique light. I was kneeling in the dream, but the sight was so beautiful it knocked me backward, the backs of my thighs now folding onto my calves. I began to cry, and that is when I woke up.
Over the past few months, a precious person has come closer into my family’s life in such a way that their presence in my home, among my loved ones, has come to feel natural and easy. This is someone I love, someone who adores my children and appreciates my partner of 18 years and whose sweet spirit and vibrant laughter have added joy and mirth to our family home.