Embracing Darkness: All Hallows Eve in Old Lancashire

 

Come Halloween, the popular imagination turns to witches. Especially in Pendle Witch Country, the rugged Pennine landscape surrounding Pendle Hill, once home to twelve individuals arrested for witchcraft in 1612. The most notorious was Elizabeth Southerns, alias Old Demdike, cunning woman of long-standing repute and the heroine of my novel Daughters of the Witching Hill.

How did these historical cunning folk celebrate All Hallows Eve?

All Hallows has its roots in the ancient feast of Samhain, which marked the end of the pastoral year and was considered particularly numinous, a time when the faery folk and the spirits of the dead roved abroad. Many of these beliefs were preserved in the Christian feast of All Hallows, which had developed into a spectacular affair by the late Middle Ages, with church bells ringing all night to comfort the souls thought to be in purgatory. Did this custom have its origin in much older rites of ancestor veneration? This threshold feast opening the season of cold and darkness allowed people to confront their deepest fears—that of death and what lay beyond. And their deepest longings—reunion with their cherished departed.

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Ant Hill by Sara Wright

Yesterday I gave a poetry reading at a local library beginning and ending with thoughts about how Climate Change is affecting all living things. I am a naturalist who holds the radical belief that all living things are sentient. I also argue that we must not equate animal intelligence with that of humans.

Almost every poem I read was about my intimate relationship with some aspect of the natural world, for example, the changing seasons, my friendship with sagebrush lizards, steadfast trees, Sandhill cranes, beloved Black bears. Intimacy and inter –relationship are part of every experience I have with nature and by sharing these poems I hoped might draw others in to new ways of perceiving the earth and her creatures.

The whole point of my focusing on non – human species was to raise awareness that these animals and plants desperately need our help. Perhaps I wasn’t clear enough about how critical it is to bring animals, plants, trees, mushrooms into the picture in this age of the Anthropocene, that is, the period in which we live where a few men with power rule. Today, it is not an exaggeration to say that humans control every aspect of our fragile planet.

I repeat: Perhaps I wasn’t clear enough or perhaps almost no one was capable of listening? Maybe both. As soon as I concluded my reading one woman did actually bring up an incident involving a very difficult child who became attached to a lizard, so she at least, was on the track I hoped I had laid….

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To Light a Flaming Pumpkin: The Inexact Art of Family Ritual, by Molly Remer

Our bounty is inIMG_7695
creativity
friendship
community
the myriad small adventures
of everyday.
We tell of magic
and moonrise
and listening to the pulse
of the earth beneath our feet.

Ah, October. Fall has settled into the trees and air. Last year on Samhain (Halloween), as the sun was setting and the full moon was rising, my family stood together in the dim light on our back deck, lit a fire in a hollowed out pumpkin and offered handfuls of herbs into the flames as we celebrated our blessings, our harvests, and our bounty, as a family and as individuals. As we spoke aloud our blessings and our bounty, our words got deeper, broader, and more authentic. My twelve year old son stepped forward to say how thankful he is that he gets to live with his best friend, his fifteen year old brother, and they embraced over the flaming pumpkin. My fifteen year old son offered his thanks for a family that has “cool IMG_7387rituals like this” and my four year son offered his blessings for the “energy we feel together.” My seven year old daughter offered her gratitude for pandas and for toys.

The next week, we returned the seeds to the pumpkin and released it to the outdoors to grow next year.

Seventeen years ago, I held my first Winter Solstice ritual. I wrote my wish for a baby onto a small piece of paper and rolled it up into a “seed” of my dreams that I planted within a special wooden box. On the autumn equinox the following year, I gave birth to my first child, a son who now stands inches above me, but who joins hands with his family each month to sing “Dance in the Circle of Moonlight” together on the back deck under the full moon.

After having this first baby, it became increasingly important to me that we celebrate holidays and traditions that reflect our spiritual values and worldview rather than the packaged version of the holidays offered by society, or the religious observances of dominant faiths that do not match our own. While we have celebrated the wheel of the year together in a variety of ways in what has now been sixteen years of parenting and twenty-one years of marriage, it wasn’t really until last year that I felt I finally, truly hit my stride in planning fulfilling, nourishing family rituals. Perhaps it is because I am no longer trying to juggle nursing a baby or changing a diaper while simultaneously also guiding a ceremony. Perhaps it is because I’ve loosened up and accepted the myriad imperfections possible within a multi-age celebration. Perhaps it is because when one of the children wanders off during circle or interrupts me while I’m talking, I accept it as part of the flow, and continue our work without breaking my stride. Perhaps it is because I now laugh too when someone makes a joke during my careful ritual, and continue to roll with it, instead of feeling like it is disrespectful. Perhaps it is because I consider a 15-20 minutes family ritual perfectly sufficient instead of trying to plan for a full-fledged, retreat-style “program” of activities. Perhaps it is because we’ve joined hands in family circle in so many ways and for so many years that we all now trust that I’m not giving up on doing this together.

In the course of the year we’ve anointed one another’s foreheads with fragrant oils while standing in the freezing water of a freshwater stream. We’ve felt the raindrops kiss our faces and the rays of the sun peek in and out of the clouds as we celebrated the summer solstice by releasing wildflowers into the river. We’ve howled at the moon together, built a green man face from leaves, stones, and sticks in the field, created flower mandalas, thrown pinches of cornmeal into the woods as a symbolic sacrifice, soaked our feet in warm water laced with rose petals and then massaged one another’s feet with lotion, walked through a spiral of candlelight, and offered handfuls of herbs into a flaming pumpkin.

As we notice the changing seasons and honor the call of nature within our lives through ceremony, celebration, and song, we make visible the interconnected dance of life. We reaffirm our commitment, our relatedness, to each other and to the natural environment around us. We communicate with and are in relationship to that larger force of life and spirit that we call Goddess. And, we bring our spiritual beliefs into our bodies, hands, minds, and hearts in an ever-spinning Wheel of celebration, attention, observation, enjoyment, communion, and love.

 “We can think of ritual as the container we weave in which we can be carried away by magic and ecstasy.”

—Starhawk and Valentine, The Twelve Wild Swans

For your own flaming pumpkin ritual, choose a large, round pumpkin, cut off the top 42311806_2188101348068742_1038582461505732608_oand hollow it out. Keep the seeds to plant with the remnants of your fire later. You may start the fire with paper and a lighter and then keep adding herbs to keep it burning, or you may stoke it by putting some alcohol in the bottom of the pumpkin to begin with. Alcohol burns cool and can create a longer lasting, less smoky flaming pumpkin. Offer your autumn bounty into the pumpkin with herbs sprinkles/handfuls—these can be spontaneous spoken aloud declarations of your harvest, your celebrations, your gratitude, etc. What are you thankful for?

  • Optional: offer any sacrifices/releasing on slips of paper into the flames
  • Optional: Sing “Hallowed Evening” chant (by my kids and me)

Hallowed evening
Hallowed night
We dance in the shadows
We offer our light.

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Joan of Arc from The Goddess Project: Made in Her Image by Colette Numajiri

“I’m not afraid. I was born to do this.” -Joan of Arc

Women are inherently valiant. In extreme situations we armor up and lead others through whatever we are battling at the time.

Joan of Arc was a human woman with otherworldly faith who, as a young teenager, listened to Divine voices and lead an army that eventually ended the 100 Years War.  “The real Joan of Arc is an uncomfortable fit as an icon of female solidarity or democratic rights. She achieved what should have been impossible for someone of her gender and class in 15th-century France.” wrote Helen Castor in her book Joan of Arc: A History. She was so respected and revered that 20 years AFTER Her death, 115 people testified on behalf of Joan of Arc (Jeanne d’Arc) and overturned the ruling.

Enbodying the Divine Feminine on Earth, women look to Joan as an inspiring example of a brave and active woman.  Joan inspired the Suffragettes, they held her banner and wore white (as Joan chose to wear white for purity when She was taken to the stake to be burned for the crime of cross-dressing) as they marched for women’s right to vote. Just as, a few months ago our newly elected Congresswomen all wore white in solidarity.

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Adoring God in Labor by K Kriesel

The day before the 2019 Nevertheless She Preached conference at First Baptist Church of Austin, TX my own Catholic church’s young adult ministry hosted Eucharistic Adoration. Although I’ve enjoyed Adoration dozens of times, several factors made this evening different. I was preparing for cervical surgery for one. My Hebrew Bible class at Austin Presbyterian Theological Seminary was grappling with Rebekah, Rachel, Leah, and the voiceless Dinah. The call to write the history of 20th century Catholic women theologians had been at my ear all day. The catalyst was when two men at the Adoration began leading a song about God the Father.

Maybe it was just the incense but I swear I saw something. An image of the baby crowning from the womb, God gasping in labor, as the Eucharist wore the gold of the monstrance as a crown before the tabernacle. God was pushing the Body of Christ into creation while I prayed for my own sick body. God was crying out with the voices of these thousands of unheard women. We were all there. I snuck out my phone and took a picture, determined to put the scene to paper.

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Let Us Now Practice Her Presence by Barbara Ardinger

I’m giving you a twofer this month: a poem and a ritual. I’m writing this a few days after the latest mass shooting in Texas by a crazy white man and a few days before the next debate by Democratic candidates. But you know what? I’m getting real tired of politics and…well, what’s going on around us. Tweets. Bullets. Fires. I’m a liberal, but I’m deciding that there must be a better definition of “conservative,” one that has nothing to do with politics. The OED defines “conservation” as “the action of conserving; preservation from destructive influences, decay, or waste.” Further down: “conservative: a preserving agent or principle.”

Back in the late 80s and into the 90s, I taught a class I called Practicing the Presence of the Goddess, which evolved into a ritual circle. As far as I know, most of the women in the class are still spiritual feminists (though the term hadn’t been invented then), a couple have died (cancer is an awful thing), and one is fading into dementia (but she still remembers our class). Among other assignments, I asked them to read Carol Christ’s splendid book Laughter of Aphrodite (1987), and once we went as a group to hear Marija Gimbutas speak on her newest book The Civilization of the Goddess (1991).

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A Place Below the Cattails by Sara Wright

As a woman with Passamaquoddy roots when I first came to Abiquiu I was invited to participate in the six pueblo celebrations along the Rio Grande which made me feel blessed, grateful, included, and at “home.”

My own people’s lives and traditions were  destroyed by colonial peoples centuries ago.

Yesterday I was invited to attend a river blessing on what I call Red Willow River a tributary of the Rio Grande by folks of Spanish and Indigenous descent who live here in Abiquiu on the mesa. These people, although local, are of mixed descent and do not follow the seasons and cycles of the year as the surrounding pueblos do. There is a heavy overlay of Spanish colonialism along with a restrictive (to me) Catholicism that sets this village apart from the pueblos.

Still, I was looking forward to this celebration

That was supposed to be led by Tewa Women United from the neighboring pueblos. It was a beautiful day, and of course we were all on “Indian Time” which means practically that ceremonies start when the time was right.

However, this blessing of the river didn’t come together at all. People milled around aimlessly. Some left. The children some of whom were dressed in regalia played for a while and eventually got hungry. Some complained they had to get back to school for a game.

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Call Out Culture vs. Mentor Culture: Which one will save us from the apocalypse? by Trelawney Grenfell-Muir

Have you felt the satisfaction of putting someone in their place? Have you ever felt the rush of power that comes with delivering a cutting set-down? Have you ever felt a glow of pride after making fun of a horrible person or group, and having the people around you laugh appreciatively?

I sure have. In high school, the bully-types in my classes learned not to pick on me to my face, and not to pick on my sister when I was in the room. I got damned good at snide, witty comebacks, and so people stopped messing with me. That kind of success was incredibly rewarding. It was a useful skill I honed over the years, so I could trot it out whenever needed. Rare these days, but my sister still occasionally says, “I’m just glad Trelawney’s in my corner.”

Oh, it feels good to WIN, to experience verbal conquest, and to know I’m justified in using my tongue as a sword, because that person SO deserved it! Ah, the adrenaline, the afterglow, the notch in my belt!

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The Dying Time by Esther Nelson

At the end of Anita Diamant’s novel, THE RED TENT, Dinah—the same young woman who is only briefly mentioned in the biblical account (Genesis 34)—dies after a long and full life.  The biblical text tells us that Dinah “went out to visit the women of the region” and that “Schechem son of Hamor the Hivite, prince of the region, saw her…seized her and lay with her by force” (vss. 1-2).  The passage is often titled “The Rape of Dinah.”

In Diamant’s version of the story, Dinah and King Hamor’s son engage in consensual sex.  In keeping with the biblical account, the king then attempts to negotiate a bride price with Jacob (Dinah’s father), but Jacob and his sons are reluctant to agree to the marriage.  They demand soon thereafter that all the men in Hamor’s kingdom undergo circumcision as a bride price.  On the third day after surgery, the sons steal into the city and kill the men.

After just a mere mention of Dinah’s “rape” in Genesis 34, she disappears from the story.  In THE RED TENT, Diamant not only gives Dinah a powerful voice, she also weaves a wonderful tale of mothers, daughters, heartache, betrayal, loss, love, and joy.  Dinah gives birth to her lover’s son in Egypt, develops a strong bond and working relationship with the midwife, Meryt, and eventually falls in love with Benia, a master carpenter.

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In Dreams by Natalie Weaver

I am grateful for dreams.  I don’t know what they are, of course, in any absolute sort of way.  Defining dreaming is as elusive as dreams themselves.  Moreover, I find that understanding dreaming is complicated by the vastly variegated quality one finds in hearing people speak of their experiences of dreaming.  Some say things such as “I can never remember a dream,” while others say they only remember bad dreams.  Some place no stock in dreams at all, while for others they are the numinous truth realms beneath all waking phenomena.  I have spoken with hard-science minded colleagues as well as artists about dreams, who regardless of professional vocation can be utterly untouched by their nighttime journeying.  On just a few occasions have I ever heard people speak of their dreams as definitively shaping their lives in the way that my dreams, or more precisely, in the way that the faculty of dreaming, has impacted my life.

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