Feminism and Religion

What is the F-word Anyway? by Kile Jones

Social justice. Progressive politics. Improper media depictions. What exactly is the F-word (feminism) about?

I have always understood feminism as a project that casts a very wide net, the goals and values of which can keep quite a few people dry under the shade of its umbrella. But more and more, I see a narrowing of who can count as a feminist. There are a few reasons for this constriction. First, the more the F-word becomes a pejorative in contemporary society, the greater the need is to circle the bandwagons and set up camp. Second, when a particular group has elevated levels of in-fighting occurring, it makes sense to start psychologically splitting people into “feminist” and “not feminist.” Or, on a spectrum, “strong feminist” vs. “weak feminist.” Third, there is a pragmatic need for groups to find an optimal tension with society. When social groups are too counter-cultural or revolutionary, they get branded extremist and fanatical, but when they are wishy-washy and lukewarm, they become another extension of the status quo and lose their prophetic fire.

As an atheist, I see all of this occurring in non-believing circles as well. And I’m not really sure how to navigate it. There is also no shortage of men in this social group–from Dawkins to Boghossian–who think of feminism in the negative. All of this has to do with what they think the F-word amounts to. Continue reading “What is the F-word Anyway? by Kile Jones”

Painting for the Earth by Jassy Watson

I have spoken about the Social Responsibility of the Artist on numerous occasions. This blog approaches similar subject matter, but in relation to using art as a potent tool for change and as a platform for raising awareness of important environmental and ecological issues that all of humanity is currently faced with.

All forms of art have the potential to be tools for healing. I believe that through the creative process the relationship with self and the environment can be transformed. Why? Because when creative work is approached from a place of passion and purpose and art is brought to life with intention, great shifts can occur. Not only for the artist, but also for the viewer. I believe wholeheartedly that I can approach the canvas and paint intentionally to heal the earth and deepen my connection to it, and in doing so inspire others to deepen and honour a connection to the earth creatively.

There are many contemporary artists who are agents of environmental change and who are using their creative gifts and talents to build awareness and provoke thought through their work and process. Many artists, such as myself are working with transformative approaches and processes towards a new vision that is ecological and participates with the living cycles of nature. Many topics are approached such as oceans, climate change, water quality, recycling, water purification, natural disasters, de-forestation, endangered species and more.

Artists today are finding all sorts of inventive ways to call attention to the problems facing our environment, as corporate greed and profit impose destruction on our planet. While each artist works very differently and explores diverse territories, they share awareness about the critical loss of natural resources and a desire to save the planet from human destruction.

Take the words of Nigerian painter Jerry Buhari:

“Today the talk of the world is about an endangered Earth. One often wonders how much of the talk is backed with genuine concern and the will to take positive steps. But it should not surprise the world that artists are in the forefront of the discussion on the environment.”

Eco-feminist artist Ann T. Rosenthal and activist artist Steffi Domike have been collaborating on environmental installations for years. Their wall installation, Watermark: Wood, Coal, Oil, Gas (2011) consists of four panels that illustrate an evolutionary timeline of energy resources—wood, coal, oil and natural gas.

Dominique Mazeau is a poet and artist from Santa Fe, New Mexico. She has made an exquisite journal of poems and drawings of cleaning up the Rio Grande River over many years. She has made sculptures from the trash and she teaches school children about the river with her poems and her art.

There are many more Eco-feminist and Environmentalist/Activist artists such as Charla Puryear and Helene Aylon using their art to raise awareness of ecological issues. These few examples alone demonstrate that art, in its myriad of forms, has the capacity to effect positive change on the earth and its environments.

Artists are catalysts for change, and this “change” takes place when we feel deeply for a precious cause. I feel deeply for the state of the earth and feel that it is largely humanity’s spiritual disconnection from the earth and from the earth as sentient that has contributed to the current state of not only the health of the earth body, but also the health of our bodies.

Coming up in October I will be presenting an exhibition ‘Voices for the Earth’ in Bundaberg, QLD Australia. This exhibition will feature the works of select regional artists who are using their art to speak for the earth. It is held in conjunction with RONA-16 an Earth Arts Festival as part of the The Rights of Nature Tribunal that is taking place the same month. Artists of all genres from around Australia are participating in creative activities to raise awareness of the urgency required to make the necessary changes so that ways can be found to make the health of our planet an absolute priority.

I know that more has to be done, and some might see ‘art’ as a hedonist, self absorbed way to attempt to bring about change – but the power of image should NEVER be underestimated.

I am Painting for the eARTh.

This Earth is my sister
I love her daily grace
Her silent daring
And how loved I am.
How we admire this strength in each other
All that we have lost
All that we have found
We are stunned by this beauty,
And I do not forget
What She is to me
And what I am to Her.

(from Susan Griffin, Woman and Nature – The Roaring Inside Her, p.219, caps added).

'The Earth is my Sister' — **‘The Earth is my Sister’**

Jassy Watson, who lives on the sub-tropical coast of Queensland Australia, is a Mother of four, passionate organic gardener, Intuitive/Visionary & Community Artist, Teacher, Intentional Creativity Coach and a student of Ancient History and Religion at Macquarie University, Sydney. She is the Creatress of Earth Circle Studios; a school for the Sacred Creative Arts. Jassy teaches regular painting workshops in person, nationally and internationally, and online based around themes that explore myth, history and our connection to the earth.

Great Hera! Wonder Woman and Taking Women’s Power Back from the Mainstream Media by Carolyn Lee Boyd

Carolyns new look When I was a teen in the 1970s, Wonder Woman was everywhere. A feminist cheerfully determined to right the world’s wrongs, especially against women, she boldly sprinted onto the cover of Ms. Magazine’s 1972 inaugural issue. Her tv series spun off toys, t-shirts, action figures, lunch boxes, and more. Now she’s back. Jill Lepore’s new book, The Secret History of Wonder Woman, tells of her bizarre 1940s creation and subsequent history. In 2016, a revamped Wonder Woman will be sword-fighting her way into movie theaters worldwide in Batman v Superman: Dawn of Justice.

Wonder Woman is just one of many currently popular women warriors or superheras, including the X-Men series’ female super-mutants, the Hunger Games’ lead character, the women warriors in the Avatar tv series, and many more, whose power comes from the ability to fight. Even Snow White became a martial arts expert in 2012’s Snow White and the Huntsmen. Like Wonder Woman’s recent regeneration, however, these characters seem grimmer, and more deadly, violent, and dystopian than the earlier Wonder Woman with her optimistic, colorful comic book style, and an innocence that would now seem naive. Continue reading “Great Hera! Wonder Woman and Taking Women’s Power Back from the Mainstream Media by Carolyn Lee Boyd”

Morrigan, Celtic Goddess of Sovereignty, War and Fertility by Judith Shaw

Morrigan, Celtic Goddess of War and Death, is a dark goddess we mortals tend to approach with fear and trepidation. A great Warrior Goddess, She represents the more terrifiying aspects of female energy; sensuality, magic, prophecy, revenge, and war. She could either shapeshift into a crow or raven or be accompanied by them. In the Ulster cycle stories she also appears as a cow, a wolf and an eel. This indicates Her connection to prosperity, sovereignty and the land. Encompassing all essential divine functions, She is the Goddess of War, Sovereignty, Fertility and the Land.

Continue reading “Morrigan, Celtic Goddess of Sovereignty, War and Fertility by Judith Shaw”

Reading “Women” by Laury Silvers

My friends make my life difficult. They make me see what I could not see before. Kecia Ali, Aisha Geissinger, Karen Ruffle and Kathleen Self taught me how to read for gender in the classical texts I use for my academic work. It’s a way of doing close readings by paying attention to the way gender shows up in the text. Aisha sat with me one afternoon and walked me through my own sources pointing out references to gender in the sources. She showed me how the sources I was reading used gender to express social norms. She kept asking me, “What work is gender doing in the text?”

Don’t laugh you been-reading-gender-forever-and-a-day people! Okay laugh. I was a bit slow to pick up this gender thing at first, but I caught up okay. Now I cannot unsee it. I see it everywhere. For instance, I was heading to the stairs at work after a long day and was brain tired. I saw this sign at the stairs:

I nearly kept walking past the stairs thinking for a second that it meant they were for people that society designates as having “male” bodies only. I actually thought that. Then I started laughing at myself. I took a picture and posted it on social media with a story complaining how my friends have absolutely ruined me! Continue reading “Reading “Women” by Laury Silvers”

The Spirit of Capitalism vs. the Spirit of Traditional Rural Life by Carol P. Christ

In this picture, Marika from Skoteino Crete toasts our group and downs a glass of her homemade raki. Marika, who is best friends with Christina who makes lunch for us, has just returned from her home next door with her gift of a glass of raki for each of us.

Marika, who has little, is eager to give to us. Hers is but one of many gifts from the heart we receive on the Goddess Pilgrimage to Crete. Why is it that we who have so much do not give as spontaneously?

One answer is that capitalist individualism has taught us to count our worth by how much we have and to fear for the day when we will have nothing.

These words may be a cliché, but they hold a profound truth nonetheless.

Heide Goettner-Abendroth tells us that in matriarchal societies with small-scale sustainable agricultural economies, people did not hoard or save for a rainy day. With the labors of their bodies and minds, they took only what they needed from the land. When there was a surplus, they gave parties, sharing what they had with others. Even with the coming of patriarchy, ancient matriarchal customs of generosity survived among rural farmers. Continue reading “The Spirit of Capitalism vs. the Spirit of Traditional Rural Life by Carol P. Christ”

Cosmic Struggle and The Longest Nights by Jameelah X. Medina

Jameelah Medina Since my college years studying Spanish mystics and their numerous writings, I have secretly been fascinated by the summer solstice. Years later, my hidden fascination with the winter solstice began. For exactly one year now, I have exclusively been using Nature as my pharmacy. Perhaps, paying more attention to nature has allowed me to relate my experiences with Leylat al-Qadr (Night of Power) and understanding of the story of Jacob wrestling with the “man” all night (Genesis 32:24) to what I felt leading up to and during the winter solstice. While Leylat al-Qadr and Jacob’s night struggle have no direct relation to the winter solstice, I still relate them when I think of my own struggles with my higher and lower self and with my daily goal to be a better me than the day before.

As a Muslim, Leylat al-Qadr is the night I look forward to toward the end of Ramadan. It is filled with blessings and power. Looking for it feels like knowing my sweetest, beloved relative is coming to visit but not knowing her time of arrival. That night is spent in deep reflection and filled with prayers as it is a night the Qur’an tells us is better than one thousand months in which the angels all come down to witness. Then, there is Jacob’s cosmic struggle that lasted until dawn. The Bible and Talmud tell us that he triumphed over divine and men in that long struggle, after which he is renewed by being called “Israel” (he who prevails over the divine) instead of Jacob. Lastly, there is Winter Solstice (Yule). This is a long night welcoming winter but focused on renewal, rebirth, personal power, and setting intentions. Continue reading “Cosmic Struggle and The Longest Nights by Jameelah X. Medina”

Demagogues, Scientists, or Saints: Michael Specter’s Neglected Territory in the Global Food Landscape of Vandana Shiva and the Biotech Industry by Sarah E. Robinson

sarah robinson — Photo credit: Matt Blowers

Written in response to Michael Specter’s article, “Seeds of Doubt: An Activist’s Controversial Crusade against Genetically Modified Crops” in The New Yorker (August 25, 2014). The activist criticized in the essay is Vandana Shiva. This is Part Two – read Part One here.

Biodiversity is a crucial feature of a healthy landscape and a resilient foodscape. Agroecologists and others work to ensure that humanity can lean on our food diversity in hard times, but GMO foods have thrown a wrench into the works.[i] The diversity of our food base increases our potential to continue to eat as we face a variety of weather conditions, droughts, floods, and such. This is the wisdom behind seed banking, what Vandana Shiva does in her non-profit organization Navdanya.

Despite Specter’s claim that India has not permitted GMO foods, his article appeared a month after India approved a number of genetically modified food plants for field trials. Field trials involve open-air release of genetically modified foods. GMO food crops cannot be contained once they are released. An article on the current Indian controversy suggests that biotech companies “hide behind a smokescreen of benevolence.”[ii]

Continue reading “Demagogues, Scientists, or Saints: Michael Specter’s Neglected Territory in the Global Food Landscape of Vandana Shiva and the Biotech Industry by Sarah E. Robinson”

Be Wild this Holiday and Find the Face of God(dess) by Marie Cartier

I know that you all will be reading this the day after Christmas…so this is my Christmas and/or winter holiday gift to you. I so love the Feminism and Religion (FAR) community—its discourse, intelligence, and its community of like minds. And I appreciate that so many of us offer lessons to each other on how to live—wild. For in some ways the very juxtaposition of the words “feminism” and “religion” posits an out of bounds existence. What does it mean?

I was recently asked how I would teach a class on “women and religion.” Among my first responses was that I would, among other texts, use the book The Feminine Face of God: the Unfolding of the Sacred in Women by Sherry Ruth Anderson and Patricia Hopkins (1992). Although this book was published over two decades ago it still holds, perhaps unfortunately, as true today as then. The text is based on interviews with women regarding the “unfolding of the sacred” in their lives. This book was required as part of my graduate program in the first class I took at Claremont Graduate University (CGU) “Women’s Studies in Religion.” CGU was the first program in the country where you could get your Ph.D. in Religion, with an emphasis in Women’s Studies in Religion, and I believe it is still the only program where you can do so.

My professor for that class, Dr. Karen Torjesen, challenged us to write, if we could, the “theology” in the book—was there one? She challenged us to see if there was a “theo” “logo” word of God in this idea of the “unfolding of the sacred” in women. I took up her challenge—and so one of my first big graduate papers was to unpack this book of interviews and see if I could find a theology in these lives/stories. This is what I found—what is sacred to women—right now (in 1992 and still today)—is the chance to find the sacred. Continue reading “Be Wild this Holiday and Find the Face of God(dess) by Marie Cartier”

What is a Crone? By Deanne Quarrie

First of all a Crone is a woman. She has lived most of her life already and has accumulated many life experiences and therefore, can relate to those younger than her with greater understanding. She has acquired the wisdom associated with having had those life experiences. She has reached a place in her life when she may be slowing down. She may have retired from her career. She may want to devote more time to herself, serving more as an advisor rather than as the doer. We can read the poem, Warning by Jenny Joseph to get an idea, or watch her read it here or below…

“When I am an old woman I shall wear purple
With a red hat which doesn’t go, and doesn’t suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we’ve no money for butter.
I shall sit down on the pavement when I’m tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick flowers in other people’s gardens
And learn to spit.

You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.

But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.

But maybe I ought to practice a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.”