goddess – Page 8 – Feminism and Religion

“Our Lady of the Shards”: Icons for the Buried and Rising by Lauren Raine MFA

When I became a feminist, I realized that somebody had to write all about this women’s art that was out there being totally ignored, and it was going to be me. And of course the ideas and the discoveries about what women’s art was……. I look at it for the information it gives me about women’s imagery, women’s psyches, women’s lives, and women’s experience.”

― Lucy Lippard in Talking about Art Since 1976

I have been making art, masks, and theatre about “surfacing” for a very long time. As a child I was always digging at the roots of trees, fascinated by their interwoven strength, wondering how far down they went. That fascination never really left me. Sometimes it occurs to me that I and most of my colleagues are “spiritual archeologists”, sorting through artifacts and the mythic overlay of the past to re-discover and re-vitalize the present. I joined many of those colleagues for over 20 years: un-earthing, re-inventing, and animating stories of the Great Goddess throughout world culture with the Masks of the Goddess Project (1999-2019), among other collaborations. I am not religious, so much as I am a mythologist, following archetypal trails of myth back and back, seeking the sacred source they often reveal.

Goddess Pilgrimage to Crete – Reborn! by Laura Shannon

Thirty years ago, Carol P. Christ founded her Goddess Pilgrimage to Crete, which she wrote about in her book A Serpentine Path: Mysteries of the Goddess (original 1995 title Odyssey with the Goddess) and in numerous posts on this site over the years. She led over 40 groups of women Pilgrims to encounter the history and sacred sites of the peaceful, egalitarian civilisation of Bronze Age Crete.

Here, the Goddess-honouring culture of Old Europe survived the longest, when patriarchal Indo-Europeans were taking over in the ‘Kurgan waves’ Marija Gimbutas has described. The sophisticated artworks of ‘Minoan’ Crete show women in positions of honour and authority, and do not depict violence, slavery, or war. People celebrated at ceremonial centres, made offerings at cave and mountain shrines, and worshipped the Goddess in sacred trees and stones.

Snake Goddess, Knossos, Crete, ca. 1600 BCE [photo: Heraklion Archaeological Museum]

As many readers know, before Carol passed away, she asked me to take on the leadership of her Goddess Pilgrimage, and to serve as her literary executor and the director of her Ariadne Institute for the Study of Myth and Ritual. Deeply moved by her trust in me, and guided by very clear dreams I received around the time of her death, I accepted Carol’s request. In October 2022, after a three-year delay due to the pandemic, the Goddess Pilgrimage to Crete was reborn.

Legacy of Carol P. Christ: Practice Great Generosity

This was originally posted on August 20, 2018

Nurture life.

Walk in love and beauty.

Trust the knowledge that comes through the body.

Speak the truth about conflict, pain, and suffering.

Take only what you need.

Think about the consequences of your actions for seven generations.

Approach the taking of life with great restraint.

Practice great generosity.

Repair the web

In Rebirth of the Goddess, I offered Nine Touchstones of Goddess Spirituality as an alternative to the Ten Commandments. The Nine Touchstones are intended to inform all our relationships, whether personal, communal, social, or political.

The eighth touchstone asks us to practice great generosity.

Legacy of Carol P. Christ: Tree-Hugging Is About Trees and So Much More Than Trees

This was originally posted March 11, 2019

Not too long ago I heard someone deride members of a seminar who were building labyrinths in the olive groves of Greece as “a bunch of tree-huggers.” I bristled! I probably first heard of the Chipko tree-hugging movement which is led by women in the 1970s and 1980s. Because I love nature, I naturally assumed hugging trees is a good thing. Originally, I had no idea that the tree-hugging movement was about much more than saving trees from being felled in the interests of short-term profit.

I did not know that the deeper purpose of the movement is to save a way of life based on forest-culture that is being threatened by the imposition of western ideas and practices promoted by colonialism and its successor, the green revolution. Nor did I know that the traditional forest-culture of India is the provenance of women: more than 4000 years of observing and experimenting created a “women’s knowledge” passed down from mother to daughter.

Legacy of Carol P. Christ: Goddess as Love: From Experience To Thealogy

This was originally posted on September 24, 2012

If theology is rooted in experience, how do we move from experience to theology? In my life there have been a number of key moments of “revelation” that have shaped my thealogy. One of these was the moment of my mother’s death.

In 1991 my mother was diagnosed with cancer. While she was being treated, I realized that I had never loved anyone as much as I loved her. When I wrote that to her, she responded that “this was the nicest letter” she “had ever received” in her life and she invited me to come home to be with her and my Dad.

My mother died only a few weeks after I arrived, in her own bed as she wished. She was on an oxygen machine, and I heard her call out in the dark of early morning. When my Dad got to the room, he tried to turn up the oxygen, but it didn’t help. Then he called the doctor who reminded him that my mother did not want to go to the hospital under any circumstances.

What is Wrong with This Picture? Rewriting Eve by Caryn MacGrandle

One of my oldest friends who I met when I was eight years old reached out to me the other day saying that if there was ever anything she could do, please let her know. She lives in another state far away but is a subscriber to one of my blogs so she has been aware of the various things going on in my life (second divorce, so many changes and transitions in my life yet again, etc.)

Her note said if there was ever anything she could do to help, just let her know.

And I thought to myself: hmmmmmm.

You see I just put a new feature on my app where it emails local events to local users, and one of the first steps in getting this to work is having those local events on the app. So I asked her if she would mind helping me put local events on the app.

We had not actually talked in a long time, and when we had a zoom call to discuss this, I broke down crying.

I felt the pity from her. I also saw just how far I had departed from ‘normal.’

But I don’t want to be ‘normal’.

Legacy of Carol P. Christ: Let Us Proclaim the God Who Bleeds Now

This was originally posted November 19, 2018

we need a god who bleeds now

we need a god who bleeds now
a god whose wounds are not
some small male vengeance
some pitiful concession to humility
a desert swept with dryin marrow in honor of the lord

we need a god who bleeds
spreads her lunar vulva & showers us in shades of scarlet
thick & warm like the breath of her
our mothers tearing to let us in
this place breaks open
like our mothers bleeding
the planet is heaving mourning our ignorance
the moon tugs the seas
to hold her/to hold her
embrace swelling hills/i am
not wounded i am bleeding to life

we need a god who bleeds now
whose wounds are not the end of anything

–Ntozake Shange

The Legacy of Carol P. Christ: Weaving and Spinning Women: Witches and Pagans by Max Dashu A Review

Moderator’s Note: This was originally posted on September 19, 2016

Max Dashu’s Witches and Pagans: Women in European Folk Religion 700-1000 challenges the assumption that Europe was fully Christianized within a few short centuries as traditional historians tell us. Most of us were taught not only that Europe became Christian very rapidly, but also that Europeans were more than willing to adopt a new religion that was “superior” to “paganism” in every way. Careful readers of Dashu’s important new work will be challenged to revise their views. When the full 15 volumes of the projected series are in print, historians may be forced to hang their heads in shame. This of course assumes that scholars will read Dashu’s work. More likely they will ignore or dismiss it, but sooner or later–I dare to hope–the truth will out.

History has been written by the victors—in the case of Europe by elite Christian men. These men may have wanted to believe that their views were widely held, but Dashu suggests that they were not. Combing artistic and archaeological records, Dashu finds (to give one example) that images of Mother Earth nursing a snake are far from uncommon and can even be found as illustrations in Christian documents and on Christian monuments. Clerics rage against people—particularly women–who continue to visit holy wells and sacred trees and to practice divination and healing rituals invoking pagan powers. To paraphrase Shakespeare: “Methinks the cleric doth protest too much.” Were these things not happening and happening often, there would have been no need to condemn them. Using these clues, Dashu provides intriguing new readings of the Poetic Edda and Norse sagas.

The Magic of the Labyrinth by Janet Maika’i Rudolph

Labyrinths are magical. I’ve always been drawn to them. About two years ago, a local Episcopalian Church rebuilt their beautiful outdoor labyrinth and opened it to the public. In concert with them, I have been delighted and honored to offer guided walks there. Doing these walks, both in leading them and in walking myself, have given me the opportunity to reflect deeply on what they mean from many perspectives: historical, personal, spiritual, philosophical, experiential.

When I walk a labyrinth, it feels like I am mirroring the universe while expanding my internal journey. Teresa of Avila agrees with me (or, more accurately, I with her). She wrote, “If we learn to love the earth, we will find labyrinths, gardens, fountains and precious jewels! A whole new world will open itself to us. We will discover what it means to be truly alive.”

Carol P. Christ’s Legacy: Great Goddess, Mother Goddess, Creatrix, Source of Life

This post was originally posted on February 5, 2018

The symbol of the Goddess is as old as human history. The most ancient images of the Goddesses from the Paleolithic era are neither pregnant nor holding a child. In Neolithic Old Europe the Goddess was most commonly linked with birds or snakes and only rarely portrayed as mother. Yet we tend to equate the Goddess with the Mother Goddess. I suspect that images of the Virgin Mary with Jesus on her lap and prayers to God as Father have fused in our minds, leading us to think that the Goddess must be a Mother Goddess and primarily a Mother.

In a recent blog, Christy Croft reminded us that in our culture, women’s experiences of mothering and motherhood are not always positive:

[The mother] doesn’t always appear in our stories in simple or easy ways. Some of us mother children we did not or could not grow in our bodies; some of us birth babies who are now mothered by others. Some of us are not mothers at all. Some of us had mothers who could not love us unconditionally, or did not have mothers in our lives, or had mothers who brought us more pain and humiliation than comfort, from whose effects we are still recovering, are still healing.